Whoever Says the Truth Shall Die (1981)

Roar follows a family who are attacked by various African animals at the secluded home of their keeper.

In a rundown area of Buenos Aires, at the dawn of the 1980s, Adrian LeDuc owns both a struggling movie theater and a shabby apartment building filled with eccentric, squabbling tenants. To make ends meet, Adrian takes in a roommate, Jack Carney, but soon begins to suspect that the quiet American is responsible for a series of political assassinations that are rocking the city.

In October of 1994 three student filmmakers disappeared in the woods near Burkittsville, Maryland, while shooting a documentary. A year later their footage was found.

A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.

Away at college, Sidney thought she'd finally put the shocking murders that shattered her life behind her... until a copycat killer begins acting out a real-life sequel.

When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.

A deck-chair attendant at a British resort promotes a film festival featuring a French sexpot.

This rock opera tells the story of one year in the life of a group of bohemians struggling in late 1980s East Village, New York, USA. The film centers around Mark and Roger, two roommates. While a tragedy has made Roger numb to new experiences, Mark begins capturing their world through his attempts to make a personal movie. In the year that follows, they and their friends deal with love, loss, and working together.

Joel Barish, heartbroken that his girlfriend underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realises that he still loves her, and may be too late to correct his mistake.

An actress’s perception of reality becomes increasingly distorted as she finds herself falling for her co-star in a remake of an unfinished Polish production that was supposedly cursed.

During their travel from Chicago to New York, Harry and Sally debate whether or not sex ruins a friendship between a man and a woman. Eleven years later, and they're still no closer to finding the answer.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.

James Bond tracks his archnemesis, Ernst Blofeld, to a mountaintop retreat in the Swiss alps where he is training an army of beautiful, lethal women. Along the way, Bond falls for Italian contessa Tracy Draco, and marries her in order to get closer to Blofeld.

The history of color photography in motion pictures, in particular the Technicolor company's work.

Film historians examines the making of the 1938 "The Adventures of Robin Hood."

The epic story of how the film The African Queen (1951), directed by John Huston and starring Humphrey Bogart and Katharine Hepburn, was shot on real African locations, barely overcoming all kinds of hardships and disasters.

A thriller about the passengers with different objectives on board a cruiser headed for China, being chased over and over again and unexpected happening of things.