Black Light (2021)

Based on a popular manga, the film is a tender coming-of-age love story set deep in Japan's countryside. When eighth grade cool guy Hiromi transfers from Tokyo to a small elementary/middle school with only six kids enrolled, wholesome and honest Soyo becomes enthralled with his sophisticated world.

Four black women, all of whom have suffered for lack of money and at the hands of the majority, undertake to rob banks. While initially successful, a policeman who was involved in shooting one of the women's brothers is on their trail. As the women add to the loot, their tastes and interests begin to change and their suspicions of each other increase on the way to a climactic robbery.

A young woman leaves the city to return to her hometown in the countryside. Seeking to escape the hustle and bustle of the city, she becomes self-sufficient in a bid to reconnect with nature.

Essay film about Jaffa's history as told by mainstream films.

Félicité, a strong and proud woman, sings in bars in Kinshasa. She drifts away from reality when her 14-year-old son gets into an accident. In electric Kinshasa, she wanders in a world of music & dreams... until love unexpectedly brings her back to life.

Mute Moon-young records people's faces with her small camcorder on the subway. One day, she avoids her drunk father at home and films Hee-soo who is crying over saying goodbye to her boyfriend and gets caught. The two feel some sort of kinship and become closer.

Seon-hee is a high school girl who used to tell lies to get her friends’ attention. She leaves Seoul guilt-ridden when her friend Jung-mee kills herself because of Seon-hee’s lies. In the countryside where no one knows her, Seon-hee begins a new life as ‘Seul-ki’.

When a single mother learns that she has terminal cancer, she prepares her young daughter to live without her, while saying goodbye to others around her.

Follows the behind-the-scenes work of Studio Ghibli, focusing on the notable figures Hayao Miyazaki, Isao Takahata, and Toshio Suzuki.

Ichiko bakes a cake for an end-of-year party with her friends. In the depths of winter, making mochi and curry keeps the people of Komori warm. Later, spring brings thoughts of her absent mother as well as rice planting and sakura, and she begins to think of leaving Komori behind again.

In the late 1960s, Dhofar rose up against the British-backed Sultanate of Oman, in a democratic, Marxist-Leninist guerrilla movement. Director Heiny Srour and her team crossed 500 miles of desert and mountains by foot, under bombardment by the British Royal Air Force, to reach the conflict zone and capture this rare record of a now mostly-forgotten war.

An examination of the creation of the state of Israel in 1948 through to the present day. A semi-biographic film, in four chapters, about a family spanning from 1948 until recent times. Combined with intimate memories of each member, the film attempts to portray the daily life of those Palestinians who remained in their land and were labelled "Israeli-Arabs," living as a minority in their own homeland.

A recording engineer falls for a radio announcer after they work together to capture sounds of the natural world.

An old man is found dead, and his housekeeper is charged with the murder. Her defense attorney is surprised to learn the only witness to the crime is a teenage girl with autism.

A young Saudi doctor campaigns for a seat on the municipal council, finding confidence as she combats prejudice.

House of Hummingbird is set in Seoul, South Korea, and revolves around an eighth grade girl named Eun-hee. The film shows different sides to Eun-hee's life, from the person she becomes as soon as she steps through her front door, to being the quiet, unintelligent kid her classmates gossip about at school.

A boy experiences first love, friendships and injustices growing up in 1960s Taiwan.

A seven-year-old child narrates the struggles of her nanny, Sumyati, who must navigate prejudice and cruel treatment from the family she works for.

The story of two lovers who are united in an environment hostile to dating of any kind. Barakah is municipal civil servant from Jeddah and an amateur actor in a theatre troupe. Barakah is a wild beauty, who functions as a crowd-puller for her stylish mother’s boutique and runs her own widely-seen vlog. They both defy customs and traditions, as well as the religious police, using modern communication technologies and traditional dating methods.

Filmmaker Naomi Kawase captures the love, loss, and loneliness felt as she prepares to move out of her foster mother's home.