Red Alert: The War Within (2010)
Genre : Drama, Action, Thriller, War
Runtime : 1H 53M
Director : Ananth Narayan Mahadevan
Synopsis
While delivering food in a forest area in Andhra Pradesh, impoverished Narasimha is held against his will by a band of Naxalites led by Velu, and forced to join them. He is anxious to collect his dues and return home to his wife, Uma; daughter, Chinna; and son, Mohan, but Velu keeps on putting it off. Narasimha gets to know and sympathize with members of this band, and befriends Lakshmi, who was gang-raped by several policemen. He is then asked to prove his loyalty by killing an informant/plainclothes police inspector - which he does - and even accompanies the band on an assault on a school, resulting in the death of some children. Traumatized after this incident, he decides to flee - and it is this decision that will not only estrange him from his family but also force him to be on the run from the band as well as the police.
This film tells several short stories that end up lapsing in the emergency room of a hospital, because it is dedicated to nurses. Cantinflas appears at the end of the film playing the role of Luis, a man who has five daughters and looks forward to a boy, but fate plays a trick and the child dies at birth, but history gives a nice twist and a message of hope.
Cholera: Path. Acute, infectious disease, often epidemic and very serious.
A father, anxious for his son's financial well being, develops a special soda pop called Dopokoke which is laced with cocaine. Dopokoke is advertised as relief "for that tired feeling." The drink is a success, but the son becomes addicted to it, much to his father's regret. Loosely based on the allegations that the Coca-Cola company and other soft drink manufacturers laced their soda with dope.
While attending the birth of Isabel, the wife of foreigner Felipe, Mama Santos predicts that "something terrible is going to happen in the town." From this omen, calamities will torment the locals.
In his eagerness, to be movie extras, Tin Tan and his carnal Marcelo police get into trouble, among other entanglements.
A couple of provincial gas station employees travel to the capital seeking fortune of vehicle mechanics accidental career passing drivers.
The movie starts with Braulio Peláez (Pedro Infante), a schoolteacher, having just fallen off his horse, representing the situation he and his family are in. The next scenes introduce the viewer to his family and their poor financial and social situation. As Braulio stumbles around looking for his glasses, he causes a famous film star, Alfonso de Madrazo (Rafael Alcaide) to crash his car. Braulio offers him to eat at his house as an apology. Braulio's sister and mother, big film fans, immediately recognise Alfonso and attempt to get him to bring the girl, Luisa Peláez (Irma Dolores) to Mexico City to become a film star. Alfonso agrees and tells them to come to the capital.
The Mexican Revolution serves as a backdrop to a torrid love triangle composed of three freedom fighters: a colonel, a widow, and a fiery female soldier.
Saigon, early 2000s. Photography student Vu has just arrived from Vietnam's backwaters and is immediately attracted to his handsome roommate Thang, who works odd jobs as a bouncer and low-level drug dealer. Entranced by the nocturnal rhythms of Thang's world, Vu follows him around the city where he meets Van, a ballet-cum-exotic dancer and Thang's sometimes-girlfriend.
Rosario and Carlos, husbands, are part of a theater company. In a scene of jealousy, she should shoot and kill him. Carlos has had an affair with Zulma, another acriz of the company. On opening day, in the final scene, Rosario accidentally kills her husband. Someone change the gun ...
Berenice is a young woman with traditional customs who lives with her godmother in a quiet provincial town. The appearance of Rodrigo in his life will cause him a profound and unusual transformation. The calm without major shocks in Aguascalientes turns out to be just a disguise, an illusory cover-up of what will really happen.
Over more than thirty years, a department of the Condesa in Mexico City, is the setting in which they are carried out ten stories, mixed, form one whose only constant is the rupture. The passage of time and the outside world only guess through the windows and objects that come with the characters. The set is a great solitude, possible in a city of the blind.
Three married couples gather to celebrate the eighteenth anniversary of their marriage mourning the absence of a friend who was best man at all three weddings.
El Mono relojero is a 1938 Argentine animated short film directed by Quirino Cristiani. It is the only film from this director that exists up to this day, since all his other productions (including the first two animated feature films, El Apóstol (1917) and Sin dejar rastros (1918), as well as the first animated film with sound, Peludópolis (1931)) were lost in a series of fires at the facilities where the negatives and copies were stored.
Mixing fiction and reality, filmmaker Mark Webber tells the story of a man who returns home from prison and attempts to rebuild his life in his impoverished Philadelphia neighborhood.
In mid-nineteenth century Guanajuato, the beauty and charm of the young heiress Amalia conquers the lowly foreman Ricardo with fatal results. Prevented from consummating their love, Ricardo is going to Guanajuato where again later become the rich owner of a mine. On his return, fate has prepared a tragic encounter with Amalia.
The story is about a young man suffering mental retardation and sexual awakening, poet is charismatic and has the ability to pay attention to those little insignificant details of everyday life. His new status as a lover will bring popularity and with it problems will expose prejudice and false morality of a blinded people to wash their sins charged with the death of the less guilty.
The Boxer Germán Bronco Torres loses his license, and works as bouncer at the cabaret El Pirulí, where he falls for the fichera Carmen, and befriends of the pimp Margarito Fuensanta El Vaselinas, who lost a bet and has to pay to a gangsters. For 500 pesos for El Vaselinas, Bronco prepares a trap in the cabaret to the taxi driver Raul, to seduce his girlfriend, not knowing that the victim is his own sister Lupita.
Desperate because of his son's illness, the peasant Eufemio steals a pearl from the image of Santa Lucía in the village church.
After forty years living in Mexico City, Antonia longs to go back to her home town, a Mazahua village in the state of Mexico. When she returns, she discovers many things, including that a scarcity of water threatens life in her community.
