¿Qué se puede hacer con una chica? (1970)

When Isabelle and Theo invite Matthew to stay with them, what begins as a casual friendship ripens into a sensual voyage of discovery and desire in which nothing is off limits and everything is possible.

This documentary about the culture of intense cinephilia in New York City reveals the impassioned world of five obsessed movie buffs. These human encyclopedias of cinema see two to five films a day, and from 600 to 2,000 films per year. This is the story of their lives, their memories, their unbending habits and the films they love.

A shy, lonely film buff embarks on a killing spree against those who browbeat and betray him, all the while stalking his idol, a Marilyn Monroe lookalike.

Puta y amada is a comedy that narrates the constant ruptures and reconciliations of Marcos, a film director who is going through a creative crisis, and Adrián, a pop music composer. Both Marcos and his two friends, Zaida and Julia (with whom he shares his love for cinema), embark on a series of superficial relationships, which will make them move from simple selfishness to the revelation and awareness of the loved one, in this moral tale about the end of youth and the desidealization of the world.

A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies became a prime example of the untapped power of cable television.

Jake the Cinephile is the story of a young film fanatic who, fed up with the rowdy behavior and disrespectful etiquette of movie theater audiences, decides to abandon the cinema and take a stab at an actual relationship with a young woman.

In a bar, there is a table where there is a lonely woman who spends her sorrows with a drink. On the other hand we see the bar of the room, where there is a man that does not stop talking to his companion. This man is under drugs influence and his knowledge in cinema will make him go in a non-stop talking .The lives, both of him, and the woman at the table, will intersect in a night where the zombies will begin to appear in the place

In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, left Stockholm and went to live there. When he died, the house was preserved. A group of very special cinephiles, came from all over the world, travel to Fårö in search of the genius and his legacy. (An abridged version of Bergmans video, 2012.)

Three cinephile university students have a go at making their own Super-8 film.

Three film critics, who hate each other, get together to chat about a topic that concerns art and the media, The violence". As opinions about great exponents of violent cinema emerge, the real personalities of these three critics will also emerge.