Apps (2021)
Beware Of The Networks From Hell
Genre : Science Fiction, Horror, Comedy
Runtime : 1H 31M
Director : Sandra Arriagada, José Miguel Zúñiga, Lucio A. Rojas, Camilo León, Samot Márquez
Writer : José Miguel Zúñiga, Diego Ayala, Lucio A. Rojas, Camilo León, Leonardo León, Sandra Arriagada
Synopsis
Four stories where an app will open the doors to horror. A young woman in the hands of a sinister network dedicated to the online transmission of abuse for high spheres of power. A voyeur will discover that his neighbors are hiding dark secrets that he wishes he had never heard. A little boy, used by his father to find dates online, will discover an enormous power within himself. A group of friends on their way to a beautiful cabin rented online, will fall into the hands of a sinister occult group.
Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.
It's Ted the Bellhop's first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another.
Following "Paris, Je t'aime" "New York,I Love You" and "Rio, Eu Te Amo" “Tbilisi, I Love You” has become the next film in the “Cities of Love” franchise.
D Company is a 2013 Indian Malayalam action portmanteau film. It is an anthology of three independently shot action films directed by M. Padmakumar, Vinod Vijayan and Diphan. Its cast includes Jayasurya, Anoop Menon, Unni Mukundan, Fahad Fazil and Asif Ali. The film is produced by Vinod Vijayan, Seven Arts Mohan and Faisal Latheef under the banner of D Cutz Film Company. (From Wikipedia)
Professor Phillip Goodman devotes his life to exposing phony psychics and fraudulent supernatural shenanigans. His skepticism soon gets put to the test when he receives news of three chilling and inexplicable cases -- disturbing visions in an abandoned asylum, a car accident deep in the woods and the spirit of an unborn child. Even scarier -- each of the macabre stories seems to have a sinister connection to the professor's own life.
Without warning, millions of mysterious alien “doors” suddenly appear around the globe. In a rush to determine the reason for their arrival, mankind must work together to understand the purpose of these cosmic anomalies.
Five O. Henry stories, each separate. The primary one from the critic's acclaim was "The Cop and the Anthem". Soapy tells fellow bum Horace that he is going to get arrested so he can spend the winter in a nice jail cell. He fails. He can't even accost a woman; she turns out to be a streetwalker. The other stories are "The Clarion Call", "The Last Leaf", "The Ransom of Red Chief", and "The Gift of the Magi".
Four interwoven stories that occur on Halloween: an everyday high school principal has a secret life as a serial killer; a college virgin might have just met the one guy for her; a group of teenagers pull a mean prank, and a bitter old recluse receives an uninvited guest.
Jamie and Allie are amateur sleuths whose grandfather runs a small security business. One afternoon, while digging around on their own, they accidentally stumble onto a major case.
The lives of six individuals across the city change just as the city is reeling under floods. Will they all make it safely to the other side?
An anthology of various tales told in various styles with robots being the one common element among them.
Five children enter a haunted house and find an old woman. She promises to tell them six scary stories that they won't be able to handle.
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.
New York, I Love You delves into the intimate lives of New Yorkers as they grapple with, delight in and search for love. Journey from the Diamond District in the heart of Manhattan, through Chinatown and the Upper East Side, towards the Village, into Tribeca, and Brooklyn as lovers of all ages try to find romance in the Big Apple.
A collection of seven vignettes, which each address a question concerning human sexuality. From aphrodisiacs to sexual perversion to the mystery of the male orgasm, characters like a court jester, a doctor, a queen and a journalist adventure through lab experiments and game shows, all seeking answers to common questions that many would never ask.
Six deadly stories that explore the extremities of human behaviour involving distressed people seeking revenge.
A collection of magical tales based upon the actual dreams of director Akira Kurosawa.
An uproarious version of history that proves nothing is sacred – not even the Roman Empire, the French Revolution and the Spanish Inquisition.
A feature-length anthology film. They are known as myths, lore, and folktales. Created to give logic to mankind’s darkest fears, these stories laid the foundation for what we now know as the horror genre.
An unexpected love triangle, a seduction trap, and a random encounter are the three episodes, told in three movements to depict three female characters and trace the trajectories between their choices and regrets.
