Bullfighter and the Lady (1951)
The most DANGEROUS game on earth!
Genre : Drama, Romance
Runtime : 2H 4M
Director : Budd Boetticher
Writer : James Edward Grant
Synopsis
An American takes up bullfighting to impress the ladies but learns to respect the sport.
Jose Luis is an executive at his parents underwear factory where his girlfriend Sylvia works on the shop floor. When Sylvia becomes pregnant, Jose Luis promises her that he will marry her, most likely against the wishes of his parents. Jose Luis' mother is determined to break her son's engagement to a girl from a lower-class family, and hires Raul, a potential underwear model and would-be bullfighter to seduce Sylvia.
Two men share an odd friendship while they care for two women who are both in deep comas.
Follows the tale of a young woman’s sexual awakening and subsequent journey around the world in pursuit of her ideal lover. Encounters include an Arabian sheik and a Spanish bullfighter. Her friend and butler accompany her and help to arrange her couplings.
A conflicted youth confesses to crimes he didn't commit while a man and woman aroused by death become obsessed with each other.
A black and white silent movie, based on the Snow White fairy tale, that is set in a romantic version of 1920s Seville and centered on a female bullfighter.
Pandora Reynolds is a woman who has never fallen in love – but one who men kill and die for. When she meets dashing and mysterious ship's captain Hendrik van der Zee, he pushes her to commit the ultimate act of love.
Bullfighter Juan Gallardo falls for socialite Dona Sol, turning from the faithful Carmen who nevertheless stands by her man as he continues to face real danger in the bullring.
Bumbling detective Stan Laurel disguises himself as a famous matador in order to hide from the vengeful Richard K. Muldoon, who spent time in prison on Stan's bogus testimony.
The wolf, the champion toreador, and Droopy, the challenger, are competing to see who is best in the bullring in the hopes of winning the hand of actress Lina Romay (who appears in a live action shot).
Karen Harrison is a spoiled, rich, American predator who falls head-over-heels for the brooding, tormented, about-to-retire matador, Luis Santos who has inexplicably run away prior to a corrida that was to occasion the "alternativa" of a young, up-and-coming bullfighter.
Cantinflas enjoys the bullfight show, and wants to crash in every of these spectacles. Also, there's a professional bullfighter, Manolete, who is identical to Cantinflas. Manolete has to give a bullfight show in a village, but Cantinflas arrives first as a stowaway in a train, and he'll be mistake by the real bullfighter. Cantinflas will give us a demonstration of courage.
The bullfighter Marcial Lalanda financed and starred in this film about the rivalry between two bullfighters for the ill-fated love of the same woman. It features scenes of bullfights shot by Enrique Blanco using polychromatic film for the first time in Spain. Considered one of the greatest Spanish silent films.
Unsuccessful singing bullfighter Juan arrives in Barcelona to try his luck in a big town. He finally persuades a devious local impresario to book him, but only on the condition that Juan first manages to spend an evening with Olimpia, a "shrewd merciless beauty" who seems effortlessly to collect apartments and Maserati sports cars while leaving a trail of broken hearts behind her. Juan approaches the challenge by pretending to her he is an emissary for a rich count. Written by Jeremy Perkins
When a matador leaves town to focus on his music, his twin sister takes on his identity in the bullfighting ring.
Two lovers perform a fandango dance. A jealous quarrel follows and the heart-broken swain decides to end it all. He throws himself from the window of his room, but instead of falling to his death, the anchor of a passing balloon intercepts his flight and he is taken high into the clouds. Laughing at his plight, the moon arouses the anger of the desperate lover and a battle between the two ensues.
In Mexico, a former bandit settles down and picks out a beautiful young dancer to be his wife. His younger brother also comes home after having spent years in the U.S., and falls in love with his brother's intended fiancé. Rather than cause problems, the younger brother goes to Mexico City to become a matador. While there, he gets word that the police, who have been hunting his brother, have finally captured him.
A teacher whose true vocation is that of a bullfighter and, since bullfights are frowned upon in Catalonia, he is having a hard time working on what he likes. The crisis will force him to work in a theater performing a pornographic act to replace his partner's partner, whose social security problems have forced him to leave his job.
Eddie and his Mexican friend Ricardo are expelled from college after Ricardo put Eddie in the girl's dormitory when he was drunk. Per chance Eddie gets mixed up in a bank robbery and is forced to drive the robbers to safety. To get rid of him they force him to leave the USA for Mexico, but a cop is following him. Eddie meets Ricardo there, Ricardo helps him avoid being arrested by the cop when he introduces Eddie as the great Spanish bullfighter Don Sebastian II. The problem is, the cop is still curious and has tickets for the bullfight. Eddie's situation becomes more critical, when he tries to help Ricardo to win the girl he loves, but she's engaged to a "real" Mexican, who is, unknown to her father, involved in illegal business. While trying to avoid all this trouble, Eddie himself falls in love with his friend's girl friend's sister Rosalie, who also want to see the great Don Sebastian II to kill the bull in the arena.
Miguel, a poor young man living in Franco's Spain becomes a bull fighter to escape starvation.
An unprejudiced portrait of Spanish folklore and a crude analysis in black and white of its intimate relationship with atavism and superstition, with violence and pain, with blood and death; a story of terror, a journey to the most sinister and ancestral Spain; the one that lived far from the most visited tourist destinations, from the economic miracle and unstoppable progress, relentlessly promoted by the Franco regime during the sixties.