I wanted to be me (2020)

The dance film When the Night Falls tells the story of a woman fleeing the horrors of a collapsing society in the near future. Along the way, she encounters people on whose trust her entire future depends on.

A wordless woman rises to confront herself through a dance of self-liberation. Featuring choreography and dance by Carolyn Pavlik, along with an original soundtrack by Robin Guthrie, the film evokes a mystical story-line of struggle and release.

A videodance short-film of the avant-garde / experimental dance group of the same name based on the book "Húmus" (released in 1917) by Raul Brandão.

Dance film made in Arica with the Tobas Internacional Gigantes Alados group.

BYE (AJÖ), a new dance film, is choreographed and directed by acclaimed Swedish choreographer Mats Ek. " About a woman (Sylvie Guillem) who takes leave of a certain stage in her life. It is a conversation that she has with herself that leads to new experiences.

An Estonian dance movie.

High up in the Alps in Davos a group of patients with lung diseases trying to have fun between treatments at the sanatorium.

A song of praise about the recycling process and the eternal cycle of life.

A woman visits a deserted old industrial building. Once there, she encounters two children. They lead her deeper inside the building and closer to their dark secret. What started as an innocent game, has suddenly become an odd ballet.

Cecilia dances inside a forest. She moves in front of a film crew who direct her movements.

Mari is finally out of her relationship, or is she? As soon as she finds her freedom, She immediately start to second guess her choices.

Reconstruction tells about a certain night in 1982, reconstructed in 2020 by the people who lived it through together. The film combines dance, drama and documentary, but most of all is a story of a friendship of a boy and a girl, and how jolly situations can turn sour and how, even though close, friends do not share same experiences – and that can have an effect on their friendship.

Set to a score by Mauricio Pauly (The Threshing Floor), multiple microphones, choreographic sequences, scores, and projected images, we are enveloped into a multimodal experience of two bodies in space.

An ambitious dancer hallucinates her other self while practicing the piece.

We see a rock. It transcends languages and cultures. It traverses time and space. Perhaps it has its own nature and memories.

Old woman looks outside her apartment window and sees her life passing, or dancing, in front of her eyes.

An old couple doesn’t talk to each other anymore. They express their hatred through dance.

Eddie Martinez is a dancer for Tanztheater Wuppertal Pina Bausch. In 2009 Pina returned to Chile for her last residency before her passing that June. Eddie and I have continued our friendship ever since bonded by our love for Pina. In 2016, we collaborated on a short dance film. I told Eddie how I wanted to dance with the camera while he moved in the waters of Castle Island, MA. The film was shown as a 16mm projected loop for an expanded cinema event at the Boston Waterworks Museum. After that event I digitized the work print projected that night and created Temple Island, an ode to the body as our motor and our temple.

The human psyche unfolds and becomes something different in this musical dance film featuring specialised choreography and direction.

While scouting out apartments in London for her Venetian boyfriend, Carla rents an apartment that overlooks the Thames. There she meet the lesbian hyper-horny real estate agent Moira.