The Fleshtones: Pardon Us for Living But the Graveyard Is Full (2009)
Genre : Documentary, Music
Runtime : 1H 4M
Director : Geoffray Barbier
Synopsis
When a gang of suburban teens stumbled across a bunch of abandoned instruments and formed The Fleshtones little did they know that 30 years later they'll still be struggling to rock - and pay the bills.
Instrument is a documentary film directed by Jem Cohen about the band Fugazi. Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.
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Martin Scorsese and the Rolling Stones unite in "Shine A Light," a look at The Rolling Stones." Scorsese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.
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A punk rock band becomes trapped in a secluded venue after finding a scene of violence. For what they saw, the band themselves become targets of violence from a gang of white power skinheads, who want to eliminate all evidence of the crime.
A definitive live concert film documenting AC/DC’s massive Black Ice World Tour. Shot in December of 2009, AC/DC Live at River Plate marks AC/DC’s triumphant return to Buenos Aires where nearly 200,000 fans, and 3 sold-out shows, welcomed the band back after a 13 year absence from Argentina. This stunning live footage of AC/DC underscores what Argentina’s Pagina 12 newspaper reported by saying “no one is on the same level when it comes to pure and clear Rock ‘n Roll.”
One of the world's biggest bands returns to the scene of their Live Aid triumph (one year earlier in 1985) to play all their greatest hits in front of a packed Wembley Stadium.
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Documentary on the Ramones, including archival footage, interviews and music videos, this was first released on VHS in 1990 and later re-released on DVD as part of the WEIRD TALES OF THE RAMONES box set in 2005, with expanded content. HEY, HO, LET'S GO!
Josie, Melody and Val are three small-town girl musicians determined to take their rock band out of their garage and straight to the top, while remaining true to their look, style and sound. They get a record deal which brings fame and fortune but soon realize they are pawns of two people who want to control the youth of America. They must clear their names, even if it means losing fame and fortune.
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Gretta, a budding songwriter, finds herself alone after her boyfriend Dave ditches her. Her life gains purpose when Dan, a record label executive, notices her talent.
A young rock band, half from England and half from the US, drop out of college and move to the Sunset Strip to chase their dreams.
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Jake Blues, just released from prison, puts his old band back togther to save the Catholic home where he and his brother Elwood were raised.
Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.
A compilation of interviews, rehearsals and backstage footage of Michael Jackson as he prepared for his series of sold-out shows in London.
"Green Day: The Early Years" chronicles the rise of the world's most influential punk band, from their origins playing shows at Berkley's notorious Gilman Street venue in the late 80s, through the release of the platinum-selling Dookie in 1994.