The Red Filter is Withdrawn. (2020)

An assassin named Tae-goo is offered a chance to switch sides with his rival Bukseong gang, headed by Chairman Doh. Tae-goo rejects the offer that results in the murder of his sister and niece. In revenge, Tae-goo brutally kills Chairman Doh and his men and flees to Jeju Island where he meets Jae-yeon, a terminally ill woman. Though, the henchman of the Bukseong gang, Executive Ma is mercilessly hunting Tae-goo to take revenge.

A company is studying the possibility to open a spa hotel named after a mythical island, Ieodo. The island is inhabited by the souls of drowned sailors. During a study trip to the location of the hotel lost a journalist under mysterious circumstances. One of the contractors go to Ieodo's neighboring island, populated by widows of the dead sailors, to unravel the disappearance.

Delightfully comic exploration of the emotional and social geography of an art-house film director.

A girl who went missing after an accident returns 10 years later and reunites with her grandmother.

A former jockey who became blind after losing his wife in an accident gets a second chance with the help of his daughter and an injured horse.

Jin-Myung is a psychiatrist and exorcist. With his assistant, Ji-Kwang, they attempt an exorcism on Geum-Joo. She suffers from a bizarre phenomenon. They then face a powerful existence within Geum-Joo. Extreme horror arises out of her.

A man on a bike trip across the country gets killed in an accident. His lover, So-wol, moves to the island where he died and settles down. 3 years later, the couple’s close friend, Cheol, pays her a surprise visit. Staying at her place, he goes fishing or ventures out looking for a particular lighthouse. Slowly, without knowing, the seemingly mundane daily life of island mends their broken heart.

The populace of a South Korean island rebels against police brutality. The protesters are labeled as communists, and the army is dispatched.

Grand Prix" covers the world of horse racing, centered around the romance between a male horse jockey and a female horse jockey. Seo Joo-Hee (Kim Tae-Hee) is an ambitious equestrian who loses her beloved horse in a racing accident and also injures her arm. Devastated she quits the sport and travels to Jeju Island. On Jeju Island, Seo Joo-Hee meets fellow equestrian Woo-Seok (Yang Dong-Kun), a former winner of the Japan Cup who is also experienced a similar slump as Seo Joo-Hee. With Woo-Seok's help, Seo Joo-Hee becomes inspired to compete for the Grand Prix Chamionship.

The sudden death of her mother brings Myung-eun back home to Jeju island. There she meets her estranged sister Myung-ju and Myung-ju's daughter Seung-ah, still living at their old home, and Hyun-ah who has lived with them for over 20 years like a relative. A career woman whose hard exterior masks her illegitimacy and abandonment issues, Myung-eun tells Hyun-ah she wants to start looking for her father after the funeral. Single-minded in her desire to dig up memories of her father and discover why he left, Myung-eun resents that Myung-ju, who like their mother is a carefree fish trader and an unmarried mother of a young daughter, seemingly doesn't care. At first Myung-ju is reluctant to accompany Myung-eun, but after Hyun-ah persuades her, guilt and her sense of duty as an older sibling prevails. And so the two sisters who are dissimilar in character...

Everglow begins with the cute struggle of Kyung-hoon (Ji Hyun-woo), who visited Jeju to make a documentary about Jin-ok (Ko Doo-sim), a female diver. Kyunghoon’s work becomes a sincere mission for the souls buried in the deep sea and mountains.

Yeong-joo, a former synchronized swimming athlete goes to Jeju Island to put together a synchronized swimming team for a performance. She slowly befriends the haenyeo, or female divers, and gradually begins to fit into their way of life.

Three friends from college are now on the brink of turning 40. To attend a funeral on Jeju Island, they go on an unexpected trip as a getaway and wind up at a guest house, where water shimmers, wind blows, and pretty women are seductive, inviting the trio back to their 20s.

Yu-jeong who works golf practice is in her late twenties. One day, she receive the shocking news that Sang-ho who is only family and one young brother deserted from his regiment...

Confronting half of her mother’s life—her mother who had survived the Jeju April 3 Incident—the director tries to scoop out disappearing memories. A tale of family, which carries on from Dear Pyongyang (YIDFF 2005), carving out the cruelty of history, and questioning the precarious existence of the nation-state.

A married poet meets a teenage boy working at a donut shop and helplessly develops feelings for him.

If you look into the entrance of one of the huge caves on the Korean island of Jeju, it looks like a camera lens. If you walk into the cave, it looks like a screen, a rectangle showing clouds and white light, just like a film. Director Kim Minjung delves into the bloody history of Jeju, where tens of thousands were killed in a massacre in 1948. The camera follows the traces in the landscape, sometimes transformed by a strident, distance-creating red light, accompanied by a commentary by avant-garde filmmaker Hollis Frampton. Film as a means to address history and its taboos.

Jeongbong and Seong-hye run a guesthouse on Jeju Island. On one late summer day, Seong-hye’s ex-boyfriend and Jeongbong’s former female colleague visit the guesthouse, and the complicated romances of four individuals starts to unfold.

Gangjeong Village, located at the southernmost part of Jeju Island's Seogwipo City, is in the true sense a 'breathtaking land of water.' In this film, eight directors independently yet collaboratively orchestrate a clever and humorous "mission" at this place where the groundwork for building a naval military base is in progress.