The Rope (2017)
Genre : Documentary
Runtime : 10M
Director : Yasmine Kabir
Synopsis
The Rope (Roshi), directed and produced by independent filmmaker Yasmine Kabir, is a 10-minute silent documentary about the children who are employed in Dhaka to make rope from jute and work from dawn to dusk twisting, tying, knotting and weaving the fiber.
A team of journalists investigate how human trafficking and child labor in the Ivory Coast fuels the worldwide chocolate industry. The crew interview both proponents and opponents of these alleged practices, and use hidden camera techniques to delve into the gritty world of cocoa plantations.
Ever since it was revealed that the chocolate industry is involved with child slavery in the Ivory Coast, the industry has been busy – due to consumer demands – explaining what exactly it does to actively fight trafficking and child labour. But does the industry live up to its own promises?In this investigative film, director Miki Mistrati tries to find out, if the chocolate industry – which is one of the largest corporations in the world – speak the truth, when they say that they provide education, medical care etc for the children of the Ivory Coast. But the project runs into trouble already from the get-go, because the embassy of the Ivory Coast won’t let Miki enter the country until he has an invitation – from the chocolate industry.
Dr. David Marrow invites three distinct individuals to the eerie and isolated Hill House to be subjects for a sleep disorder study. The unfortunate guests discover that Marrow is far more interested in the sinister mansion itself — and they soon see the true nature of its horror.
His only friend called him 'the man from nowhere'... Taesik, a former special agent becomes a loner after losing his wife in a miserable accident and lives a bitter life running a pawnshop. He only has a few customers and a friend named Somi, a little girl next door. As Taesik spends more and more time with Somi, he gets attached to her. Then Somi is kidnapped by a gang, and as Taesik tries to save Somi by becoming deeply associated with the gang his mysterious past is revealed.
In a future where a failed global-warming experiment kills off most life on the planet, a class system evolves aboard the Snowpiercer, a train that travels around the globe via a perpetual-motion engine.
Oliver Twist the modern filmed version of Charles Dickens bestseller, a Roman Polanski adaptation. The classic Dickens tale, where an orphan meets a pickpocket on the streets of London. From there, he joins a household of boys who are trained to steal for their master.
In 1843, despite the fact that Dickens is a successful writer, the failure of his latest book puts his career at a crossroads, until the moment when, struggling with inspiration and confronting reality with his childhood memories, a new character is born in the depths of his troubled mind; an old, lonely, embittered man, so vivid, so human, that a whole world grows around him, a story so inspiring that changed the meaning of Christmas forever.
"China Blue" is an engrossing documentary that tells the story of 3 teenage girls who leave their rural homes in China to come work for a factory that makes blue jeans.
'The Devil's Miner' tells the story of 14-year-old Basilio who worships the devil for protection while working in a Bolivian silver mine to support his family.
This is a film which challenges our notions of child labor. It peeks into a world where the concept of childhood as we know it has no meaning, where children support their parents, and where work is just another part of growing up. This is Dhaka, Bangladesh. Following several children over a period of six years, A KIND OF CHILDHOOD is an attempt to focus on the realities of child labor, with real children, their struggles and dreams.
Ottaal (The Trap) is an adaptation of one of Anton Chekhov's timeless works, Vanka. A story of the 18th century, but one that has traveled the time and space to be retold in the present day at a small village in the South of India. Kuttappayi, a young boy, is miserable and desperate as he starts writing a letter to his grandfather from a place, dim and dark. Kuttappayi's recollections takes us to the picturesque locations of Kuttanad, where Kuttappayi and his grandpa, Valiyappachayi, are arriving with their ducks. The village is as pleasant as it can be even though what brings him there is the death of his dearest parents. With hope and freedom, he is about to start his life afresh among the village's letter-less postman, the nameless dog, the rich lad, Tinku and many more.
School boy Stanley does not carry lunch, which is noticed by a teacher who forces kids to share their food with him. He soon warns Stanley that he must get a lunch box if he wants to attend school.
The Inheritors immerses us in the daily lives of children who, with their families, survive only by their unrelenting labor. Polgovsky spent two years filming in many of the poorest rural areas of Mexico.
Given the fetishizing and normalizing character that is given to motherhood in patriarchy in order to perpetuate the social order, do we truly choose to be mothers? Why is care, of fundamental vital labor, presupposed as an especially appropriate task for women?
The story of the children who work 12-14 hour days in the fields without the protection of child labor laws. These children are not toiling in the fields in some far away land. They are working in America.
A boy of fourteen enters to work as messenger boy in a flower shop. His first task is to bring a bouquet for a bride but arrives late and is forced to go to the altar. His second job is to bring a funeral wreath but uses it to save a man who is drowning in the river. Naturally, he is late again. In the afternoon, he carries a basket of flowers to the TV a Spanish movie star is performing. But he is wrong and takes another funeral wreath that is delivered to star in a big stage. Due to customer complaints he is fired and the store puts back the sign "boy is needed."
Mazie, a poor orphan girl, is mistreated by cruel farmer Slag and his wife for whom she works. Mazie, who is growing into a woman, does not like they way Slag has been looking at her lately.
This deeply human documentary examines the subject of environmental destruction, highlighting the impoverished migrant workers who are chopping down the Amazon rainforest to create charcoal for pig iron production used primarily in the automobile industry. The film examines the children and elders and their daily lives and work as they burn timber in igloo-looking huts, their bodies charred gray for $2 a day, struggling to survive.
A twelve year old boy was shot because of raising voice against child labor mafia. This is a forgotten story.