Fragment nul uur nul (1928)

Fragment nul uur nul chimes with the tune of such a symphony, yet plays eclectically with form and image. A hidden gem, it was originally conceived as a backdrop to a theatre play and offers, if you will, a form of expanded theatre/cinema. The Filmliga protagonists‘ practice to cut up films as they seemed fit, or to show only fragments and loose ends to support their aesthetic preferences, is reflected here.