Fellinopolis (2021)

Paris, summer of 1960. Anthropologist and filmmaker Jean Rouch, along with sociologist and film critic Edgar Morin, both assisted by Marceline and Nadine, roam the crowded streets asking ordinary people how they deal with the misfortunes of life. Are you happy? But their real purpose is to find out if people can speak sincerely in front of a camera and how they react when they are later invited to analyze the meaning of their answers.

The Vatican Exorcisms was shot by Joe Marino, an American film-maker who went to Italy to shed light on the phenomenon of exorcisms. Accompanied by Padre Luigi, a true exorcist, Joe travels to the south of Italy, a place where the sacred and profane have always lived together, where Christian rituals are inextricably linked to the pagan ones.

What was the role of women in Spanish cinema from the 1930s to the present explained through fragments of different films, both fiction and non-fiction. (Followed by “Manda huevos,” 2016.)

In this musical-comedy, Dean Martin plays an American hotel mogul who becomes smitten with a young Italian woman (Anna Maria Alberghetti) when buying a hotel in Rome. To marry this gal, he has to get her three older sisters married off.

England, 1891. Ascending writer Oscar Wilde (1854-1900) meets Lord Alfred Douglas, a young nobleman. Over the years, they will maintain an intimate relationship that will be openly criticized by Alfred's father, the Marquis of Queensberry, in such a harsh way that Wilde, instigated by Alfred, decides to sue Queensberry in 1895, accusing him of defamation.

A journey into the labyrinthine heart of ideology, which shapes and justifies both collective and personal beliefs and practices: with an infectious zeal and voracious appetite for popular culture, Slovenian philosopher and psychoanalyst Slavoj Žižek analyzes several of the most important films in the history of cinema to explain how cinematic narrative helps to reinforce prevailing ethics and political ideas.

An acclaimed novelist struggles to write an analysis of love in one of three stories, each set in a different city, that detail the beginning, middle and end of a relationship.

Despite of (or perhaps because of ) its sparse production values and unpretentiousness, the Italian Gli Innamorati was feted at the 1956 Cannes Film Festival. The bulk of the story takes place in a single Roman neighborhood. In the manner of the 1925 German classic A Joyless Street, director Mauro Bolognini studies the hopes, dreams, successes and failures of the neighborhood's various and sundry denizens. No one subplot dominates the proceedings, though a bit of extra time is afforded the story of a fickle seamstress and her seemingly meek-and-mild boyfriend. The cast is dotted with such reassuringly familiar faces as Nino Manfredi and Gino Cervi. Released in the US as Wild Love, Gli Innamorati was instrumental in bringing international fame to director Bolognini, whose career soon shifted into high drive.

This documentary revisits the making of Gone with the Wind via archival footage, screen tests, insightful interviews and rare film footage.

This two-hour History Channel special examines controversial new theories about the man who ruled the world's mightiest Empire with sadistic brutality. His reign of terror lasted just 1,400 days. Yet even today everyone knows his name. Most have said he was crazy. But was he? This is the story few know behind one of the most infamous figures of the Ancient World--Caligula.

A Roman noble, Cethegus, tries to start a war, setting the Ostrogoths and their Queen, Amalasuntha, against the Byzantine Emperor Justinian; Cethegus wants to swoop in after they have destroyed each other and create a new Roman Empire from their combined kingdoms; however, he does not factor into his plans the vagaries of love and the personal integrity of the people in both kingdoms.

An American fugitive flees to Rome and tries to elude capture by masquerading as a priest.

A nostalgic, informative history of drive-in movie theaters, featuring extensive archival photographs and interviews with Leonard Maltin, John Bloom, Samuel Z. Arkoff, Barry Corbin and many others... Drive-In Movie Memories is a film celebration of America's greatest icon of youth, freedom and the automobile. What began as an auto parts owner's business venture to make some easy money accidentally became a magical place where romance, fun and a sense of community flourished. This film chronicles the drive-in's birth and development, its phenomenal popularity with audiences of all ages, its tragic decline, and its inevitable comeback as a classic form of Americana.

Jep Gambardella has seduced his way through the lavish nightlife of Rome for decades, but after his 65th birthday and a shock from the past, Jep looks past the nightclubs and parties to find a timeless landscape of absurd, exquisite beauty.

The film's theme is four episodes that offer the public a glimpse into the lives of rich and poor families in Italy in the 1960s.

An in-depth investigation into the private world of the American writer J. D. Salinger (1919-2010), who lived most of his life behind the impenetrable wall of a self-imposed seclusion: how his dramatic experiences during World War II influenced his life and work, his relationships with very young women, his obsessive writing methods, his many literary secrets.

What some filmmakers do when they are not making movies: they waste time; they eat and get drunk; they take a walk after watching a movie; they fall in love; they are alone or with friends, building future memories for a future movie.

Carlos and his girlfriend Carmen are a happy and fun couple; however, his friend León and his girlfriend Luisa are quite the opposite; so Carlos recommends León to visit the mysterious Kamus —an artist, a drunkard, a philosopher—, in the hope that he can free him from his depressing and contagious existential pessimism…

In the year 1870 Rome, then governed by the Pope, was captured by the Italian General La Marmora's troops. After the armistice, the Italian soldier Alfonso killed a Pope's soldier, the son of Don Prospero. Then he sought refuge in the house of Don Prospero himself. There Costanza and Olimpia, respectively the wife and the daughter of Don Prospero, fall for him. Then Gustavo, who knew that Alfonso had killed Don Prospero's son arrived in the house... Some things are going to happen