Pornochic 21 : Aleska & Angelika (2011)
Genre :
Runtime : 1H 49M
Director : Hervé Bodilis
Synopsis
Aleska Diamond and Black Angelika are two of the most beautiful European women in adult film today. In this video shot especially for them, their perfect mouths, beautiful breasts, their round, firm butts go perfectly with the luxurious locations. Together or separately, these two stars show why they do it better: stripteases, fellatioes and all the penetrations, anal and vaginal and even double penetration. Once again the Pornochic series lives up to its name.
Jordan White and Amy Blue, two troubled teens, pick up an adolescent drifter, Xavier Red. Together, the threesome embarks on a sex and violence-filled journey through an United States of psychos and quickie marts.
On a Tuesday night, five couples have separate sexual adventures. Matt and Kris, friends for years, want to have an only-once, no-strings good time. Abby and Andrew, married, celebrate his birthday, but it's marred by angst and miscommunication. Mia and Eric are exes, making sure they are over each other. Jaime and Ken work together and this is a first date. Inez and Gord invite his roommate, Dave, to join them. By the time each couple has gone through a prelude, foreplay, sex, an interlude, orgasm, and afterglow, they've answered basic questions: can sex be anonymous, are we bored, is our marriage really finished, does anyone tell the truth, and how do we make someone happy?
Four stories focused on the fair sex, dealing with the most varied and improbable sentimental and non-sentimental situations.
A man desperately searches for his girlfriend on the Costa del Sol.
Angels of the Street or The Angel of St. Pauli is a 1969 West German crime film directed by Jürgen Roland and starring Horst Frank, Herbert Fux and Werner Pochath. It is set in the St. Pauli red light district of the port of Hamburg.
After the body of the girl is brought to a Hamburg hospital, a doctor tries to reconstruct the course of events that led to her death.
West German crime film directed by Rolf Olsen and starring Curd Jürgens, Andrea Rau and Corny Collins. It is set in the red-light district of St. Pauli in Hamburg.
In order to bring a police commissioner under control, the criminal group that controls a notorious club that specializes in underage strippers, targets the young teenage daughter of the commissioner who is attempting to become independent by going out at night against her mother's wishes.
Helmut Schmidt is an ambitious Interpol inspector. He follows a trail of dangerous drug dealers that leads to Hamburg. With the colleagues there, he decides to infiltrate the gang. The beautiful dancer Arlette helps him.
The streets of St. Pauli: a gangster who escaped from prison tries to run his little scams in various disguises.
New Yorker Carlo Cofield goes on a vacation to Southern California, where he quickly becomes immersed in the easy-going local culture while getting entangled in two beachside romances.
Two Florida high school vixens hatch a murderous plan to win an inheritance, but they hadn't bargained for an escalating whirlpool of blackmail and sexual games with a sleazy insurance investigator who has his own plans for the money.
Ingo Hasselbach, whose parents were Communist Party members in East Germany during his childhood, has lived at both ends of the political seesaw. The question of how people reach a change of heart is a profound one; Hasselbach describes the external forces that led to his founding Germany's first neo-Nazi political party and the internal ones that led him away from it five years later.
Filli and the cavemen from "When Women Had Tails" are living a carefree life inside a dinosaur skeleton. But when conman Ham introduces them to the concept of currency and economics, their lives fall apart. On top of that, Filli starts to fall in love with Ham.
A young woman joins an exclusive women's health clinic only to discover it's run by feminist cannibals.
Sex-Power is a sweet bit of candy-colored psychedelic fluff with an astringent dose of agitprop militancy in its chewy center. While most of the film is in English there is occasional French dialog without the benefit of English subtitles, but you hardly need to know French to get the gist of what is happening. This is the tale of a young Frenchman who arrives in Northern California looking to forget a lost love (Jane Birkin) and ends up encountering various forms of feminine power as embodied by Bernadette Lafonte as Salome and Catherine Marshall as “la fille moderne.” The film moves through space and time in an impressionistic, lysergic dreaminess.
The tormented loves of the young Ottavio, first for the countess Gamiani and then for the writer Georges Sand.
