Brincando com Maracatu (2021)
Genre : Documentary, Music
Runtime : 1H 15M
Director : Mike Filippov
Synopsis
Aline Morales is one of the main broadcasters of Maracatu in Toronto. From a meeting with members of Recife's Maracatu Estrela Brilhante Nação, she and her traveling companions reflect deeply on the different aspects of this genre, beyond music.
Lisa, a plus-sized African American woman, concludes that her boyfriend broke up with her because of her weight. Now on quarantine lock down and alone, she will now use the next 40 days to try to lose the weight, in hopes of winning him back.
No measure of hellfire preaching can quell the boisterous and bawdy passions of Maracatu, an Afro-Brazilian burlesque carnival tradition with roots in slavery that takes place in the northeast state of Pernambuco. As the Falstaffian character Tiao, Valmir do Coco leads a nonprofessional cast of authentic Maracatu practitioners in a tale told through dance, music, and the supernatural, set in the sugarcane fields outside Recife.
Musician Fela Anikulapo Kuti recorded more than 60 albums to promote the magic of Afrobeat but never lost his political voice as an outspoken critic against widespread government corruption in Nigeria. This documentary examines the role that Fela, dubbed "Black President," played in shedding light on atrocities in his homeland and in promoting the ascent of African music worldwide.
Aline Morales is one of the main broadcasters of Maracatu in Toronto. From a meeting with members of Recife's Maracatu Estrela Brilhante Nação, she and her traveling companions reflect deeply on the different aspects of this genre, beyond music.
A huge influence on world music, Nigerian artist Fela Kuti played many instruments, pioneered afrobeat music and served as a prominent activist for human rights in Africa. This 1984 documentary examines the life and music of the remarkable man. Using his music to raise awareness, Kuti embraced social justice themes. He died in 1997 of complications from AIDS. Footage from his legendary show in Glastonbury, England, is included.
In September of 2017, 77 year old Nigerian drummer Tony Allen was invited to record the album 'What Goes Up' with American band, Chicago Afrobeat Project. During their time together, Allen recounts how he and partner, late music legend, Fela Kuti, created the Afrobeat genre in Lagos, Nigeria. This hybrid live-action/animated film is a snapshot illustrating Tony Allen's story.
Afrobeat pioneer Fela Kuti performs at the 1984 Glastonbury Festival. Originally produced for Arena.
The embodiment of ultimate evil, a glowing orb terrorizes a young girl with bizarre stories of dark fantasy, eroticism and horror.
It's almost graduation day for high school seniors Troy, Gabriella, Sharpay, Chad, Ryan and Taylor — and the thought of heading off in separate directions after leaving East High has these Wildcats thinking they need to do something they'll remember forever. Together with the rest of the Wildcats, they stage a spring musical reflecting their hopes and fears about the future and their unforgettable experiences growing up together. Will their final show break them apart or bring them together for the greatest moment in Wildcat history?
A talented street drummer from Harlem enrolls in a Southern university, expecting to lead its marching band's drumline to victory. He initially flounders in his new world, before realizing that it takes more than talent to reach the top.
Troy, the popular captain of the basketball team, and Gabriella, the brainy and beautiful member of the academic club, break all the rules of East High society when they secretly audition for the leads in the school's musical. As they reach for the stars and follow their dreams, everyone learns about acceptance, teamwork, and being yourself.
A wannabe rock star who fronts a Pennsylvania-based tribute band is devastated when his kick him out of the group he founded. Things begin to look up for Izzy when he is asked to join Steel Dragon, the heavy metal rockers he had been imitating for so long. This film is loosely based on the true story of the band Judas Priest.
A tale of an inner city drug dealer who turns away from crime to pursue his passion, rap music.
Despite being well into adulthood, brothers Doug and Steve Butabi still live at home and work in the flower shop owned by their dad. They exist only to hit on women at discos, though they're routinely unsuccessful until a chance run-in with Richard Grieco gets them inside the swank Roxbury club. Mistaken for high rollers, they meet their dream women, Vivica and Cambi, and resolve to open a club of their own.
The crew have now set off to finish what as left over from Jackass 2.0, and in this version they have Wee Man use a 'pee' gun on themselves, having a mini motor bike fracas in the grocery mall, a sperm test, a portly crew member disguised as King Kong, as well as include three episodes of their hilarious adventures in India.
Jackass Number Two is a compilation of various stunts, pranks and skits, and essentially has no plot. Chris Pontius, Johnny Knoxville, Steve-O, Bam Margera, and the whole crew return to the screen to raise the stakes higher than ever before.
Scooby-Doo and Shaggy must go into the underworld ruled by The Goblin King in order to stop a mortal named The Amazing Krudsky who wants power and is a threat to their pals: Fred, Velma, and Daphne.
Pop sensations Alvin, Simon and Theodore end up in the care of Dave Seville's twenty-something nephew Toby. The boys must put aside music super stardom to return to school, and are tasked with saving the school's music program by winning the $25,000 prize in a battle of the bands. But the Chipmunks unexpectedly meet their match in three singing chipmunks known as The Chipettes - Brittany, Eleanor and Jeanette. Romantic and musical sparks are ignited when the Chipmunks and Chipettes square off.
For a book project, photographer Timothy Greenfield-Sanders took photographs of 30 stars of adult movies, each pair of photographs in the same pose, clothed and nude. This film records the photo shoots and includes interviews with the performers and commentary from eight writers (and John Waters). The actors and writers discuss economics, nudity and exhibitionism, careers, and private lives.