Neon Phantom (2021)

The plot follows new prostitutes Susan (Karen Yeung), Fanny (Tung Yi), and Chinyun (Chung Chun), who are inducted into the Fragrance House brothel where they are trained in the ways of lovemaking by their veteran madam Tall Kau. Eventually all three enter circulation where Susan is crowned the top prize and becomes enamored of budding scholar Chu Chi-Ang. Fanny is jealous beyond all means and though she's bought by famous horse trader Sir Lui (Category 3 staple Tsui Kam-Kong), she still plans her revenge on Susan. Eventually the typical “torture the innocent naked girl for cheap thrills” stuff happens, while Chu learns various wacky sexual positions to get Susan back.

The night after another unsatisfactory New Year's party, Tim's father tells his son that the men in his family have always had the ability to travel through time. They can't change history, but they can change what happens and has happened in their own lives. Thus begins the start of a lesson in learning to appreciate life itself as it is, as it comes, and most importantly, the people living alongside us.

In the aftermath of his girlfriend's mysterious death, a young man awakens to strange horns sprouting from his temples.

A woman looks to a cop for help against her abusive husband, who constantly rapes, beats, and belittles her and her son, but the husband catches wind of the cop's plan.

Loosely based on the true-life tale of Ron Woodroof, a drug-taking, women-loving, homophobic man who in 1986 was diagnosed with HIV/AIDS and given thirty days to live.

A year has passed since Guts parted ways with the Band of the Hawks. Meanwhile, his former mercenary group is plotting a rescue mission to save an imprisoned Griffith.

A perverted dentist (and dental assistant) that likes to sleep with his patients, gets obsessed with one in particular who also happens to be a lesbian. He uses everthing he can think of to abuse this woman and her female lover. Ropes/Dental tools/Ice Buckets/Candles/ (the works) and sometimes he sets the mood with something from his classical music record collection.

The real life story of Andres Lopez Lopez aka "Frecita" during his years involved with the Colombian Cartel aka "Cartel Norte del Valle"

The film revolves around a local street-racer who partners with a rich and arrogant business associate, only to find himself framed by his colleague and sent to prison. After he gets out, he joins a New York-to-Los Angeles race to get revenge. But when the ex-partner learns of the scheme, he puts a massive bounty on the racer's head, forcing him to run a cross-country gauntlet of illegal racers in all manner of supercharged vehicles.

Lovable and friendly, the trolls love to play around. But one day, a mysterious giant shows up to end the party. Poppy, the optimistic leader of the Trolls, and her polar opposite, Branch, must embark on an adventure that takes them far beyond the only world they’ve ever known.

The adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.

Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself, finds herself.

In the not so distant future, Theodore, a lonely writer, purchases a newly developed operating system designed to meet the user's every need. To Theodore's surprise, a romantic relationship develops between him and his operating system. This unconventional love story blends science fiction and romance in a sweet tale that explores the nature of love and the ways that technology isolates and connects us all.

A depressed musician reunites with his lover in the desolate streets of Detroit. Though their romance has endured several centuries, it is tested by the arrival of her capricious and unpredictable younger sister.

From an adventurous balloon ride above the clouds to a monster-filled metropolis, Academy Award®-winning director Pete Docter (“Monsters, Inc.,” “Up”) has taken audiences to unique and imaginative places. In Disney and Pixar’s original movie “ Inside Out,” he will take us to the most extraordinary location of all—inside the mind.

Holden returns home from college and is surprised to find his overpowering competitive father married to a much younger woman Lana. Holden quickly falls for the beauty and charisma of his step mother. A passionate affair begins between son and stepmother.

A young family moves into a historic home in Georgia, only to learn they are not the house's only inhabitants. Soon they find themselves in the presence of a secret rising from underground and threatening to bring down anyone in its path.

A fireman takes an unexpected course of action when a man whom he's been ordered to testify against—after being held up at a local convenience store—threatens him.

Found inside a shining stalk of bamboo by an old bamboo cutter and his wife, a tiny girl grows rapidly into an exquisite young lady. The mysterious young princess enthrals all who encounter her. But, ultimately, she must confront her fate.

Between the dazzling first shot—burning debris falling from a satellite entering the atmosphere—and the final sequence merging underwater images with others generated by a specially created camera, a path is sketched out which, in the manner of a reverse science-fiction journey, leads from space exploration to a cemetery in the middle of the ocean.

The great oak tree of Scandiano, in the Reggio Emilia hills, is the silent witness of a long history, that of a territory shaped by nature and human activity. From the late Renaissance to the present, revolutions and traditions have alternated, leaving an uninterrupted flow of images imprinted in the memory of the centuries-old tree. Shot using a drone in a 15-minute sequence plan, The Great Oak is the result of a courageous technical challenge, but above all a conceptual one: to overturn the anthropocentric point of view of film narration and offer a more articulate perspective on reality, on the invisible links between living beings and on our role in the world.