Eikō (2021)
Genre : Animation
Runtime : 14M
Director : Colin Atthar
Synopsis
When a tabloid television station reveals a superhero film star is gay, the young actor is confronted not only with the reaction of the fans but also with his own concerns. The macho nature of his film alter ego complicates the entire situation even more and the struggle with homophobia in a heteronormative entertainment industry is not easy at all.
First the atomic war broke out, new machines were made, dead birds appeared. In 1999, a bacteriological warfare began, there were sandstorms and giant locust infestations; the human tissue was transformed and a new being, once legendary, now real, emerged: the vampire. Only Robert Neville, the last man on Earth, remains unpolluted, living in constant struggle with the new inhabitants of the planet.
Ryan and Jennifer are opposites who definitely do not attract. At least that's what they always believed. When they met as twelve-year-olds, they disliked one another. When they met again as teenagers, they loathed each other. But when they meet in college, the uptight Ryan and the free-spirited Jennifer find that their differences bind them together and a rare friendship develops.
In his squalid apartment, a man tries to squash with his shoe an insect of some kind that is moving around the room.
In a triptych of overlapping stories, three different French women – a filmmaker, an adulterer and a divorcee visit a small Korean resort town and encounter a flirtatious director, a lovestruck lifeguard and far too much soju.
Lynch's first film project consists of a loop of six people vomiting projected on to a special sculptured screen featuring twisted three-dimensional faces.
Short film made with the help of the Sundance Film Institute and serving as a proof-of-concept for the subsequent feature film.
Hollywood beckons for recent film school grad Nick Chapman, who is out to capitalize on the momentum from his national award-winning student film. Studio executive Allen Habel seduces Nick with a dream deal to make his first feature, but once production gets rolling, corporate reality begins to intervene: Nick is unable to control a series of compromises to his high-minded vision, and it's all he can do to maintain his integrity in the midst of filmmaking chaos.
The bond between a father and a daughter is imperilled by matters that go unspoken and hurts that are slow to heal.
After a campus-wide zombie outbreak a slacker college student must protect his younger brother while becoming the unlikely leader of a small band of quirky survivors.
A young man recruits a film student to help him prove the existence of an urban legend.
A woman wanders through an unusual landscape and blissfully enjoys touching plants. But that stops when this dreamland is ravaged by a strange infection destroying everything that brought pleasure.
A man walks down the exterior staircase of building of flats; he's dressed to go out, taking care to wrap a scarf around his neck. He pauses as he passes a small window that's about eye high. He ventures to look in, and there a young woman stands at a washbasin, drying her hair,
Some Boys Don't Leave is the story of what happens when the break-up happens but the break does not. 'Boy' is forced to come to terms with the fact that 'Girl' no longer wants him around. The only problem is he just can't seem to leave their once shared apartment. 'Girl' decides to keep living her life around him; while he remains, watching at a distance. In time, each decides to go in his or her own distinctly different directions. 'Boy' soon finds that sometimes the greatest distance we are asked to travel is one within ourselves.
A businessman lives out his daily routine until he meets unexpected stress in the form of his apartment building's elevator.
A highly anticipated birthday is the talk of the town.
In waning winter light, a doll maker works in his shop, a kerosene lamp beside him, a jumble of dolls and doll parts, whole and broken, surrounding him. There are noises, too: a cuckoo clock chirps the workday's end. The artisan completes a repair and leaves, shuttering the shop from outside. Back inside, whispering begins. What else is in store for the shop's seemingly lifeless denizens?
The story follows Oskar and his two brothers, Jonathan and Lukas, during the 90s, in the outskirts of the Swedish city of Gothenburg. Their father is the local priest of a quiet church and he brings his kids there every Sunday. On this particular Sunday, Oskar doesn’t like what his father says about faith. He and his brothers sneak out to play games in the forest instead. Oskar wants to play a game that has nothing to do with religion, where he has powers of his own. They launch into an anime schoolgirl fantasy frenzy of killing imaginary monsters with laser beams when some older kids find them near the edge of a tall cliff. They bully the brothers, forcing them to confront how weak their faith actually is. Oskar is conflicted: should he stick up for his faith or admit it’s not real?
The name of the film is taken from the book “Liquid Love” by the sociologist Zygmunt Bauman. The film investigates the tension and the pendulum swing between freedom and belonging in the context of relationships. An attempt to express two opposing worlds trying to co-exist, where one will always overcome the other in a constant, endless tension.