The Ghost in the Garret (1921)
With a parrot that swore and a bulldog with itching teeth, she invaded a haunted house on the trail of burglars. Desperate cut-throats who bore off the pearls that she was accused of stealing!
Genre : Comedy
Runtime : 0M
Director : F. Richard Jones
Synopsis
Framed for stealing some pearls while staying at the country home of her aunt and uncle, Mr. and Mrs. Dennison, Delsie O'Dell is banished from their house. Delsie along with her bulldog, Violet, follows Oscar, the actual thief, to an old haunted house, which is the hideout for a gang of thieves. A series of humorous escapades follows as she first hides from the thieves, then pretends to be a ghost, terrorizing them. Eventually she retrieves the pearls, clears her name, and is safe once again in the arms of Bill, Dennison's secretary.
This mostly lost film (please check your attic) is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
A reconstruction, made from still photographs, of the lost 1927 Tod Browning film London After Midnight (1927) starring Lon Chaney.
After accidentally killing an opponent in the ring, a professional wrestler takes a job at a group home for youth offenders. But when a psychopath wearing a wrestling mask begins butchering the teenage residents, their rehabilitation will become a no-holds-barred battle for survival. Originally filmed in 1994 but completed in 2019.
A super-model begins to question her glitzy, frenetic lifestyle when she awakes after a all night party to find a strange man in her bed. She sees a surfer riding the waves below, follows him to his tented camp on the banks of a river. 'Leatherlip' earns a living making leather goods and roaming around on an extraordinary 'trike' with his worldly goods and surfboard strapped on an overhead rack. They fall in love and she abandons her previous life. Then inexplicably she disappears. Leatherlip sets off on a cross-country odyssey to find her, knowing only that her father lives on a boat on the West Coast...
Marilyn Monroe's final project, "Something's Got to Give", has become one of the most talked about unfinished films in history. The story of the film and Marilyn's last days were seemingly lost… until now. Through interviews, never-before-seen footage and an edited reconstruction of "Something's Got to Give", Marilyn Monroe: The Final Days provides a definitive and fascinating look at the last act in the life of the world's most famous and tragic superstar.
When a rare species of butterfly is found in a mysterious valley in Japan, a pair of entomologists go to investigate and find more. They discover Varan, a giant monster, Who decided to leave the valley and head straight for Tokyo.
The abandoned Balfour House, which former owner was found dead five years earlier, comes back to life with the arrival of two suspicious sinister-looking tenants. (This movie was lost in 1965 during a fire.)
"Wild Cat" Betsey Dawley, whose father, "Handsome Harry," was disowned by the proud Dawley family of Greenburgh, Kentucky, meets and thoroughly charms her snobbish cousin Virginia's fiancé, John Davidson, at a picnic. At the start of the Civil War, John becomes a Union officer, while Betsey and her father staunchly defend the South. When Confederate Colonel Morgan, the leader of the intrepid band known as "Morgan's Men," commissions a young horseman to deliver an important message to the Dawley mansion, the rider is shot and Betsey takes his place, breaking through the lines and successfully accomplishing the mission.
Gold digging blonde Lorelei and her brunette friend Dorothy are searching for rich husbands. This film is believed lost.
The saga of Alias Jimmy Valentine began with the O. Henry story "A Retrieved Reformation". This surprise-ending tale was adapted into a stage play by Paul Armstrong, which subsequently was adapted to film several times
Kerry Harlan (La Rocque) is unable to work because he was injured in a battle with a shark, so his youthful wife Amy (Reynolds) becomes a fashion model. While she is away from home, Bertha, the wife of his surgeon, is trying to force her attentions on Kerry and is accidentally killed in an attempt to evade her husband. After the scandal Amy is courted by Tony Channing, but she returns to her husband and finds him near death from gas fumes. Because they both attempted to make suicide, their spirits are rejected by "the other side," and learning the truth from Bertha's spirit they fight their way back to life. This film is presumed lost.
A gang of crooks evade the police by moving their operations to a small town. There the gang's leader encounters a faith healer and uses him to scam gullible public of funds for a supposed chapel. But when a real healing takes place, a change comes over the gang. Lost film, only the most famous scene has survived.
A period fantasy that told of the ageing king of Kamarpur, and his two rival queens, Navbahar and Dilbahar, and their rivalry when a fakir predicts that Navbahar will bear the king's heir. Dilbahar unsuccessfully tries to seduce the army chief Adil (Vithal) and vengefully destroys his family, leaving his daughter Alam Ara (Zubeida) to be raised by nomads. Eventually, Alam Ara's nomad friends invade the palace, expose Dilbahar's schemes, release Adil from the dungeon and she marries the prince of the realm.
The Talbots, formerly one of the Eastern Shore's first families, have gone to seed: Pap is a drunk, soddenly decaying in his ruined ancestral home, and three of his sons (William, Carol, and Ezra) are lazy, shiftless young men. Mulligan, Pap's second son who supports the entire family by oyster fishing, falls in love with wealthy Anna Lee, but when he first kisses her, she calls him "white trash."
A lost film considered one of Japan's first Tokusatsu films. The effects were done by Fuminori Ohashi, who claims to have been a modeling consultant for Godzilla 1954 (this claim is disputed by modeler Eizo Kaimai and art staff member Shinji Hiruma). The film's synopsis published in the March 1938 issue of Kinema Junpo indicates that the "Kong" featured in this film was not actually a giant monster.
In this comedy-drama, May Allison plays Teddy Hayden, a very independent society miss. When her childhood sweetheart, Gerry West (Wallace MacDonald) takes her to a Greenwich Village cafe, she thinks she's found where she belongs. So she spends all her time there and gets herself in a load of trouble.
A murderer is on the run from prison and is out to get everyone, especially the girl, who put him there. The detective gives chase with the help of a London cabbie who has aspirations of becoming a policeman himself.
Very wealthy Bettina is also very reluctant to get married. She changes her mind in a hurry when she meets Reynaud, the nephew of Abbe Constantin, the poverty-stricken religious leader of the small French village of Longueval.
This film earned an Oscar nomination for Sound Recording. It is the only film nominated in this category that is among the lost. No negative or print material is known to have survived. Contemporary reviews were scathing, describing the film as a vastly overlong and boring talk-fest.
A 1920 film directed by Roy William Neill.