HAD (2020)
Genre : Drama
Runtime : 7M
Director : Okan Erünsal
Synopsis
Ufuk and Ömer are two imaginative brothers, 10-11 years old, living with their parents in a rural area near the border. One day, they see a documentary about fishermen on TV and they set out to make their own fishing rods. But to fish, they have to reach the lake beyond the border. Meanwhile, their father, Mesut, is troubled by financial difficulties that are limiting his and his family's lives, and he accepts an illegal job he thought he would never do to improve their situation. In parallel, the motivations of fathers and sons, who are trying to find their own way to overcome their limits, are very different from each other and their jobs are not easy at all.
In a modern art museum, the Girl on Duty (20-21) accidentally hangs the painting that came for display upside down. We watch the whole movie through the eyes of Frame, we never see the picture. People who visit the art museum do not realize that the Frame is wrong and comment on their own perception of art. The Girl in Charge realizes her mistake at the end of the day and fixes the Frame. But everyone who came throughout the day determined the artistic value of the Frame themselves.
A woman tries to remember her forgotten memories by going through old photographs. As she goes deep into her memories, she gets even more confused about her past.
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Anoush, a little girl, goes to borrow a wedding dress from a distant relative for her brother's wedding. Leyla, a teacher, comes home as a second intruder. Leyla has just been appointed to the village school. She learns that the village school had been abandoned many years ago and that there is no children in the school age. On the other hand, Anoush could not learn to write although he could read because her teacher resigned and left the village. Transportation between villages takes place once a day. Anoush and Leyla are forced to spend the night in the same house. Will the two passengers get what they want despite the long road?
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Adel was only 12 years old when the civil war in Syria spread to Aleppo. His family first decides to leave the city they live in and then the country. During the 4 years following this process, Adel and his family travel from country to country in search of a home, they lie on the streets and face hunger and disease. However, their life will change completely one day with the message they receive from a Greek-based refugee organization; A small Scandinavian country, which they had never heard of before, accepted Adel and her family as temporary citizens. Now Adel has to learn to adapt to the cold climate and distant society of Estonia, while healing the wounds of the past.
With the end of the “Peace Process” in 2015, I witnessed the conflict that broke out between the PKK and government forces in the Sur region of Diyarbakır. I was a freelance journalist at that time, witnessing this terrible event caused me a trauma. Years later, I turned these images in my archive into a documentary. I prepared this documentary by reflecting on the witness, migration and urban memory. It was very sad to take such bad footage with my camera. After these images, the Sur region was demolished, and absurd houses are now being built instead of demolished houses.
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Dede Colak works as a shepherd in Aladağ district of Adana. Due to the high rate of child deaths in the village where they live, the families sought to go to the shrines and to give different names to the children born. Taking his name from the tomb of Koyun Dede, Dede lives the name given to him as fate and continues his daily life by carrying the difficulties that come from being a shepherd. The only dream of Dede, who cannot reconcile with his family and village people about marriage, migration to the city and work, is to marry.
