Shots (2019)

Filmed collaboratively during lockdown, this short film is an exploration of the hidden moments in life that typically go unnoticed, and the acceptance of our given situations through appreciation for the mundanity of existence.

Mr. Holybar (the local chocolate bar priest) makes a late visit to Lolli's home. Her daughter Twizzly, is usually such a sweet girl, but lately, has been acting healthy.

Joy can't let go of her ex, but doesn't seem to be able to fall for the new guy. In the meantime she keeps having casual sex with strangers.

Elias, the last 20-year-old in town, is asked to drive a visiting childhood friend home from a party. As they begin to catch up, it becomes apparent that they've grown more apart than they initially thought.

From the ocean, a volcanic island rises into steamy mist. The black rock of the earth stands in sharp contrast to the billowing vapor that hovers and drifts above the surface. A narrator describes how the island’s first inhabitants sought to explain the violent eruption by attributing the devastation to the wrath of angry gods. With breathtaking black-and-white cinematography, this poetic exploration considers the human relationship to this volatile land, where residents live alongside the looming threat of eruption with reverence, fear, and awe. A collection of scenes where dark and light miraculously coexist illuminates both the physical and spiritual landscapes of this extraordinary place, where life endures the perils of the natural world.

After her mother is burned at the stake, Pilar must learn to cope or face the same fiery fate.

Short animation by Diana Cam Van Nguyen

With the banning of the religion in 1972, male Jehovah's Witnesses are made to spend their National Service in the detention barracks for two and a half years or longer. This documentary follows the lives of three male Jehovahs Witnesses and their lives in Singapore as well as the first Witness who was imprisoned in 1972.

A psychological horror about a novice nun who develops a severe skin condition which continues to worsen along with her mental state as she struggles with her feelings for another nun.

Unemployed and broke, Michael’s seemingly useless efforts to find employment lead him to discovering inner peace and the value of perseverance.

Saturated colors and X-ray imagery swirl and bounce through wide eyed and frantic characters in a play of animation techniques, video overlays and stylized trippy imagery. An original experimental animation utilizing both stop motion and digital techniques to create mesmerizing sequences.

Realm, a virtual reality facility, is quite transparent about the erotic nature of its services: Wall to wall, it is lined with tempting previews of sexy, ready-made experiences. But Realm also offers something more: With the help of data-mining technology, clientele can create virtual facsimiles of real-life places and people. This hyper-personalization is what attracts Cecily, a young woman grappling with a disorienting world and an intense fixation.

A story about a girl, a foreign worker employed at a printing house. A boy and several men long for the girl, but they do not meet even the girl’s low demands. Her current boyfriend (and superior) is cheating on her, her new admirer at work is currently homeless, and the third man is probably a liar.

Using a unique format of episodes and advertisements: GUNKWORLD is a short film about a horror cult cartoon series on TV where the main characters: Gunkman, Sallysweets and Roboji, are cute monster schoolchildren who terrorize human characters. Outside the TV show, GUNKWORLD begins to advertise its brand through commercials and merchandise, which quickly gains popularity at an unholy rate. The entire planet eventually becomes crazed, all their thoughts replaced with messages from GUNKWORLD. Back in the TV show, Gunkman starts to miss his lines. Gunkman is up to something... As a film, GUNKWORLD overloads the viewer with loud, colorful and compressed visuals, audio, stories and designs, playing with ideas of hypnotic subconscious consumption. It paints a vibrant yet ugly picture of needless ‘over-consumption’ and loss of control. GUNKWORLD is also a love letter to Japanese media, seen from the eyes of a child growing up in Singapore during the 90s.

Jurek is 23 years old and he is a history student. He lives with his loving auntie, who raises him and supports him. Feeling that she is a cause and a symbol of his existential boredom, monotony and malaise, he reaches for the hammer…

Like every year, a group of friends arrives at a remote and secluded place to "celebrate their friendship". This is the 36th time now, but this year is going to be different. Stana has lost his battle with cancer and for the first time ever there are only five friends. Spring is blooming, they kill a lamb with their own hands and drink to Stana's memory. However, one of them, Dalibor, has a secret he does not want to share.