A Southern Tragedy

Tar pits form as petroleum seeps to the surface through fissures in the Earth’s crust, leaving viscous asphalt pools. To make Tar Pits Film, Jennifer West threw a strip of film into the La Brea Tar Pits in Los Angeles, still-bubbling asphalt pools which have seeped from the ground for tens of thousands of years. The film was then ridden over hot asphalt by a motorcycle and drenched in other substances including thick mayonnaise and body lotion.

A musical horror story about two young women who are stalked through a shopping mall by a cannibal. He follows them home, and here the victims become the aggressors.

After the pandemic isolated him from his normal life and friends, a boy must deal with the unbearable dullness of a new life at home, the hurtful and escapist trappings of nostalgia, and distorted perceptions of life and his family through seeking the colors that defined the best years of his youth. A zero-budget experimental short film that expresses universal feelings of loss, paranoia, and hope the world experienced during the early months of the COVID-19 pandemic through some abstract scenarios and sounds.

Starting in the late 1930s, illustrator and experimental animator Douglass Crockwell created a series of short abstract animated films at his home in Glen Falls, New York. The films offered Crockwell a chance to experiment with various unorthodox animation techniques such as adding and removing non-drying paint on glass frame-by-frame, squeezing paint between two sheets of glass, and finger painting. The individual films created over a nine-year period were then stitched together for presentation, forming a nonsensical relationship that only highlights the abstract qualities of the images. —Kansas City Electronic Music and Arts Alliance

Experimental film consisting of a single static shot of the Empire State Building from early evening until nearly 3 am the next day.

Via the New York Times: "...a severely obscure meditation on pre-revolutionary Russia in the form of an encounter between a ghost from the past and the ghost's present-day guardian. In fact, the two characters seem to be the shade of Anton Chekhov and the young man who tends a Chekhov museum in the Crimea, though that is never made explicit."

In an endless loop, unexposed film runs through the projector. The resulting projected image shows a surface illuminated by a bright light, occasionally altered by the appearance of scratches and dust particles in the surface of the damaged film material. This a film which depicts only its own material qualities; An "anti-film", meant to encourage viewers to focus on the lack of concrete images.

Music by Byron Westbrook, 16mm film by Paul Clipson.

China’s irresistible process of growth and its precariousness.

Viva Las Vergas! The synthesis of simulacrum and solar max. (Selected Screenings and Awards: Ann Arbor Film Festival, Dallas Video Festival, Athens International Film and Video Festival, New York Underground Film Festival)

Filmed in an empty shop, the remaining features of the space are used to create a kaleidoscopic light film. Ceiling lamps become coloured spheres and circles that sweep across the frame. Pillars provide wipes and fades, window shutters are hole punched stencils, passing buses shoot beams of light. A toy solar system appears. Scale and depth constantly shift and colours are blindly combined as exposures gradually multiply

Song written and produced by Sokif Vocals by Calu (Matryoshka)

The first step is taken inward and in silence.

Sabine is looking for a missing image: a day that has left its mark forever and that everyone remembers but her. But maybe this absence is what allows her to move on with her life?

Alfonzo is having a restless evening. Home alone with only an Aleister Crowley book for company, he yearns for some excitement. As though in answer to this unspoken wish, an intruder invades Alfonzo's space -- in more ways than one. Meanwhile, two of Alfonzo's friends are planning their own surprise visit.

Propulsive Polish avant-garde animation following clouds of shapes that resemble nebulae or stellar surfaces.

A commission for the San Francisco Exploratorium, this film-collage studies the water systems and architecture of the San Francisco waterfront, in abstract and formal contexts.

Nura is determined to live her life to the full, despite a future without her eyesight.

Short experimental film by Hy Hirsh.