Údolie večných karaván (1968)

A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.

Nathalie falls for Baptiste Debureau, a mime. But his heart is set on Garance, who is also coveted by Frederick Lemaitre and the Count of Montray.

Tar pits form as petroleum seeps to the surface through fissures in the Earth’s crust, leaving viscous asphalt pools. To make Tar Pits Film, Jennifer West threw a strip of film into the La Brea Tar Pits in Los Angeles, still-bubbling asphalt pools which have seeped from the ground for tens of thousands of years. The film was then ridden over hot asphalt by a motorcycle and drenched in other substances including thick mayonnaise and body lotion.

Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film.

A musical horror story about two young women who are stalked through a shopping mall by a cannibal. He follows them home, and here the victims become the aggressors.

A dark comedy about a murder and its consequences presented in a backwards manner, where death is actually a rebirth. The film starts with an "execution" of the main protagonist and goes back to explore his previous actions and motivations.

Consistent stylistic-thematic structures link and merge throughout the bewildering event chain. The distinction between organic forms and human artifacts is blurred by the visual style which is enigmatic without being ambiguous.

A bawdy pantomime filmed during the sellout 1995 nationwide tour.

An adaptation of the folktale about a lonely boy, his beloved cat, and the hard decisions that come with their adventures.

Jim Davidson is back with his most outrageous show ever - BOOBS IN THE WOOD! This hilarious Adult Panto, exclusive to video, captures the filthy follow-up to the Saucy SINderella in all its shocking glory. Strictly for GROWN-UP girls and boys only! This X-Rated Panto sees Jim playing the WICKED Sheriff of Nottingham, who has his eyes on a bag of loot, Maid Marion's assets and anything else that takes his fancy. He may even get his WICKED WAY - unless Robin and his Merry Men can stop him. Filmed in front of a packed house, the hysterical BOOBS IN THE WOOD is BIG, BAD, RUDE and CRUDE - and sure to leave you in stitches

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.

Experimental film consisting of a single static shot of the Empire State Building from early evening until nearly 3 am the next day.

100 basic images switching positions for 4000 frames.

Brakhage's hand carvings directly into the film emulsions are illuminated and textured by Solomon's lighting and optical printing.

Ebenezer Scrooge is a misery on Christmas, not allowing people money or doing anything to share Christmas cheer around his employees or acquaintances. While Scrooge is visited by three ghosts we see how his penny pinching has affected those around him.

The League of Gentlemen Are Behind You! is a pantomime-themed stage show by The League of Gentlemen. The whimsical, pantomime nature of the show was a departure from their trademark dark humour. This performance was filmed at the Hammersmith Apollo.

Four friends leave Seattle for a weekend in a remote, rain-soaked corner of Washington State's rustic Skagit Valley. The foreboding October landscape begins to warp their minds, plunging each of them into alternate realities where they must grapple with personal demons, sexual tensions, and a sinister natural world as they claw their way back to sanity.

A live action footage of a smiling, bespectacled (presumably) Western tourist set against the familiar cadence of an accelerating train revving up as it leaves the station sets the mesmerizing tone for the film's abstract panoramic survey of an Ozu-esque Japanese landscape of electrical power lines, passing trains, railroad tracks, and the gentle slope of obliquely peaked, uniform rooflines as Breer distills the essential geometry of Mount Fuji into a collage of acute angles and converging (and bifurcating) lines .