Fernanda Montenegro
Birth : 1929-10-16, Rio de Janeiro, Rio de Janeiro, Brazil
History
Fernanda Montenegro (born Arlete Pinheiro Esteves da Silva; October 16, 1929) is a Brazilian stage, television and film actress, mostly recognized for her leading role in Central Station, which she was nominated for the Academy Award for Best Actress, becoming the first Brazilian actor to be nominated.
She is commonly revered as one of Brazil's finest actresses and referred to as "The First Lady of Brazilian Theater" and "The First Lady of Brazilian Television".
Dona Vitória
Inspired by a real woman, who filmed for two years, hidden, the routine of drug dealers on Ladeira dos Tabajaras, in Copacabana, in 2004. At the time, the material was passed on to the police, who opened an investigation and carried out an operation that resulted in in the arrest of more than 30 people, including military police involved with the gang.
Narrator
With the participation of great stars of television drama, the documentary promotes an emotional journey through the great moments of soap operas, celebrating its seven decades on Brazilian TV.
arquivo
The trajectory and artistic imagery of actor and director Zbigniew Ziembinski (1908-1978), precursor of modern theater in Latin America and master of generations of Brazilian actors. The polyphonic montage builds on vast unpublished material, covering half a century of performances, teletheaters and interviews by Zimba, as he was known – before and after fleeing Poland, on the eve of the invasion of Warsaw – and recreates fragments of Wedding Dress , a play by Nelson Rodrigues which the Polish-Brazilian director won a revolutionary montage in 1943.
Self
In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.
Gilda
The special brings the continuation of the plot starring Gilda and Lúcia in the series 'Amor e Sorte'. After a period of forced coexistence due to social isolation, they face a new reality.
Self
Between scenes from his concert in São Paulo's oft-inaccessible Theatro Municipal, rapper and activist Emicida celebrates the rich legacy of Black Brazilian culture.
Banquet Attendee
Besieged by cancer and nearing the end, the genius Argentine-Brazilian filmmaker Héctor Babenco (1946-2016) asks Bárbara Paz, his wife, for one last wish: to be the protagonist of his own death.
The multiple screen installation and photographic series A Marvellous Entanglement (2019) traverses a collection of Lina Bo Bardi’s most iconic buildings, offering a meditation on the work and legacy of the visionary modernist architect and designer (1914–1992).
Marta Amarantes
Augusto moves with his family to an abandoned farm, inherited from his grandfather, hoping to put his life back on track. The property, however, carries the karma of the betrayal of the slave Couraça who seeks revenge against Augusto's family.
Documentary that chronicles the trajectory of the journalist, federal deputy, secretary of state, minister of state, governor and ambassador José Aparecido de Oliveira, who lived with the greatest authorities and personalities from the political, business and cultural circles in Brazil and the world.
Carminha
The quiet life of the small town Piedade's inhabitants is shaken up by the arrival of a big oil company, which barges in taking over houses and local businesses, throwing everyone out, to better reach and use the area's natural resources.
Older Eurídice Gusmão
Rio de Janeiro, Brazil, 1950. In the conservative home of the Gusmão family, Eurídice and Guida are two inseparable sisters who support each other. While Guida can share with her younger sister the details of her romantic adventures, Eurídice finds in her older sister the encouragement she needs to pursue her dream of becoming a professional pianist.
Herself
Dona Matilde
When witnessing a hit, Arandir, a newly married banker, tries to succor the victim, but the man, almost dead, has only time to make one last request: a kiss. Arandir kisses the man, but his act is spotted by his father-in-law Aprígio and photographed by Amado Ribeiro, a tabloid reporter.
Herself
"All Paulos in the World" is a cinematographic essay about Paulo José, one of the greatest artists in Brazil, in the year in which he turns 80 years-old.
A portrait of the evolution of theater in the 20th century and a deep reflection on the art of acting through the career of Paulo Autran (1922-2007), one of the greatest actors in Brazil.
Documentary on Rosamaria Murtinho and Mauro Mendonça’s 60-year long career in Brazilian theater, film and television. The film not only runs through the career of these artists, but also paints a portrait of a generation that rose alongside them and that works with art till this day.
"Voz" de Raymonde
The Pernambuco painter Cicero Dias created an unparalleled art for the world. Close to a modernist and influenced by artists such as Pablo Picasso, Fernand Léger and Joan Miró, he marked the history of Brazilian art.
A documentary on Cosme Alves Netto (1937-1996), former head of the Cinematheque of the Museum of Modern Arts at Rio de Janeiro.
Forest Being
On set, in the middle of the Atlantic Forest, a stressed film director begins another day of filming, reproducing the celebration of the first mass in Brazil. Suddenly three strange agents emerge from the forest and abruptly interrupt the scene. Authoritarians, they confiscate the filmed negatives. The paranoid director grumbles: "Are they from the government?". The execution of the film is compromised. Will the director in trouble be able to complete his film?
Dona Fulana (segment "Dona Fulana")
The third episode of the Cities of Love franchise, Rio, I Love You is an anthology, created by 10 visionary directors from across the globe. The story line of each segment focuses on an encounter of love in a different neighborhood of the city, demonstrating the distinctive qualities and character of that location. The film serves to bridge gaps between cultures, educating and entertaining the audience, while celebrating unique and universal expressions of love.
Dona Mocinha
The film uses delicacy and humor to describe the authoritarian functioning of a typically Brazilian 1950 family in Rio de Janeiro. The family is headed by a matriarch anxiously waiting for the night to hear Carlos Lacerda. The intense emotional plot highlights the absurdity of the characters' behavior.
Célia
After several behavior problems, teenager John is admitted to a psychiatric clinic by his family. There he meets Judith, for who he soon falls in love. The problem is that she does not have long to live and they know it. This shall not prevent the emergence of a great romance in the clinic.
Bibiana Terra Cambará (idosa)
Based on Érico Verissimo's literary trilogy, The Time and the Wind follows 150 years of the Terra Cambará family and their opponents, the Amaral family. The struggles between the two families begin in the missions and lasts until the end of the 19th century. The film also features the period of formation of the state of Rio Grande do Sul and the dispute of territory between the Portuguese and Spanish crowns.
Dona Picucha (Maria Izabel de Souza)
Picucha may seem old-fashioned, but she has modern ideas and a great sense of humor. As the matriarch of a big family, she is involved in the daily lives of her children, grandchildren and other relatives. Undeterred by the typical problems of old age, she uses her many years of experience to solve problems in the best way possible.
Zulmira
Zulmira is an old mistress who lives in the neighborhood of Estacio, in Rio de Janeiro. One day she wakes up obsessed with the idea of dying. All she needs is a good coffin. A tribute to Leon Hirszman's "The Deceased", the first film starred by Fernanda Montenegro.
Self - Narradora (voice)
The trajectory of the clumsy reporter Agamenon Mendes Pereira, always present in key events of history, his biggest scoops and his eternal love for Isaura, who survives his unexpected travels around the world, in search of news and fame.
Documentary about the life of Brazillian journalist Paulo Francis
Self
The life of a famous Brazilian film and television actor, including testimonials from people who knew him and worked with him, as well as excerpts from films and videos in which he acted.
Transito Ariza
In Colombia just after the Great War, an old man falls from a ladder; dying, he professes great love for his wife. After the funeral, a man calls on the widow - she dismisses him angrily. Flash back more than 50 years to the day Florentino Ariza, a telegraph boy, falls in love with Fermina Daza, the daughter of a mule trader.
Narradora
The film deals with the process of globalization based on the thought of geographer Milton Santos, who through his ideas and practices, inspires the debate about Brazilian society and the construction of a new world. Santos discusses his views on the importance of respecting difference and his belief that an alternative globalisation model could wholly enfranchise all citizens of the world. An illustrious presence in 20th century social sciences, the man dubbed as ‘geography’s philosopher’ eloquently elucidates a developing world perspective on the global age.
Self
italian documentary
Dona Maria/Áurea/Maria
A woman is taken along with her mother in 1910 to a far-away desert by her husband, and after his passing, is forced to spend the next 59 years of her life hopelessly trying to escape it.
Madastra
Maria is a gifted girl, who faces a hard life in the fields. She is happy when her father decides to remarry, thinking that he will rejoice again. However, to the girl's despair, her stepmother is bad and starts to mistreat her. Maria still has to face the devil's tricks. Adaptation of the miniseries shown in 2004.
Dona Isaura
Célio Rocha believes he was assigned by God Himself a difficult mission: to persuade his childhood friend Otávio Sabóia, a corrupt entrepeneur in the construction business, to give away all his possessions to the poor.
Leocádia Prestes
Based upon the true story of Olga Benário, the German-born wife of Brazilian communist leader Luís Carlos Prestes. During the dictatorship of Getúlio Vargas (1930-1945) she was arrested and sent to Nazi Germany, where she was put to death in a concentration camp. After World War II began, Vargas decided to uphold the Allies.
Regina
Regina, a lonely 65 year old who works on the neighborhood watch for the police in Copacabana, believes to have witnessed a murder in the building across the street, and ends up getting involved with the suspect in a potentially dangerous chain of events that will force her to take stock of her life.
A Compadecida
The lively João Grilo and the sly Chicó are poor guys living in the hinterland who cheat a bunch of people in a small in Northeastern Brazil. When they die, they have to be judged by Christ, the Devil and the Virgin Mary before they are admitted to paradise.
The Mother
Identical twins Iara and Marilena like to play games and deceive men by pretending to be each other. But when they fall in love with the same man, a rivalry with devastating and horrifying consequences begins.
Mãe do Geraldo / Mulher no bar
This film shows three episodes: "The First Sin" portrays the relationship of a man and married woman; in "Devilish", the desire between a young woman and her brother-in-law is shown; and in the episode "Cachorro!", a man sees his wife with her lover.
Isadora "Dora" Teixeira
An emotive journey of a former school teacher, who writes letters for illiterate people, and a young boy, whose mother has just died, as they search for the father he never knew.
Dona Margarida
Fernando, a journalist, and his friend César join terrorist group MR8 in order to fight Brazilian dictatorial regime during the late sixties. Cesare, however, is wounded and captured during a bank hold up. Fernando then decides to kidnap the American ambassador in Brazil and ask for the release of fifteen political prisoners in exchange for his life.
Self
"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."
Four love stories which portray a wide gamut of emotions and desires against the backdrop of Rio de Janeiro. "Elephant's Stomp" : the story of a highway patrol officer who is infatuated with a mulatto dancer at a local nightclub. "Drao" : a publicity man and a boutique owner who face a crises in their marriage. "You Are Beautiful" : two homeless teenagers seek love amidst their personal misery. "Samba of the Great Passion" : a book maker who is charmed and captivated by the voice of a female singer coming from a building across the street. Characters in search of love in order to escape from the boredom, loneliness and helplessness of their lives.
Quitéria Campolargo
Film adaptation of the TV Show in 1994, based on the novel of the same name by Érico Veríssimo. During a general strike in the city of Antares, gravediggers refuse to carry out burials, to increase pressure on employers. During the night, however, the dead claim the right to be buried.
Rainha do castelo
Dona Ivete
Madame Carlota
Macabéa has just moved to the big city after her aunt, who raised her, died. She gets a job as a typist and moves into a boarding house with three other women. In her spare time, she listens to a radio station called Time; on Sundays, she likes to ride the metro. Then she meets Olímpico, a northeasterner like herself, who has dreams of becoming a congressman.
Narradora
Romana
Otavio is an idealistic union leader trying to organize workers at a factory to resist the company's exploitative practices. His son, Tião, one of the employees, is more of a realist and doesn't want to risk losing his job by striking. This clash of perspectives puts the father and son at odds. Fortunately, Tião's mother, Romana, is on hand to act as a moderator between the two opinionated men.
Elvira Barata
Middle-class family reform their apartment, and the noise, the contact with the workers and strange occurrences turn what was supposed to be a trivial matter into a trip to hell.
Joana is a sophisticated, beautiful woman, so she has a choice of lovers, and destinies. She will let down Pierre, the French consul at São Paulo, and with him the frivolity of tea-parties and comfort. Her wild inner-soul will develop into the wild forest surroundings of a landlord's farmhouse. To the extent she will defend her land like a 19th century owner - of lands and men alike.
Anita
Old couple are being evicted and turn to their five children for help. Since no one can accommodate the two of them, the children decide to separate the couple.
Samaritana
Fernanda
The eccentric members of a wealthy Brazilian family each go through personal torment, debauchery and intense guilt in this symbolic and gory film. The father has made a fortune in the slaughterhouse business and ignores the feelings of his wife and his workers. He frequents a mulatto woman, who is always seen naked. His daughter and her friend act on their lesbian fantasies before her friend marries her brother. An elderly aunt seduces the brother before she drowns herself in the swimming pool. His lesbian sister shoots the girl, and the boy incestuously attacks his mother. When the mother threatens to leave, the father begs for her to stay and continue the hollow charade of their marriage for the sake of social appearances. The father grovels before his mistress after his daughter slashes her wrists. Any comparison between this dysfunctional family, the Manson family, and Shelley Winters' sick Barker brood in Bloody Mama is all an unfortunate artistic coincidence.
Middle-class teenage girl has a serious boyfriend that her parents approve of. Suddenly, she meets another boy with whom she is shown to have a greater identification.
Zulmira
After visiting a fortune teller, Zulmira is informed that a blonde woman will threaten her peace. After talking to her husband Toninho, she suspects that her cousin Glorinha may be that blonde. In poor health, Zulmira makes all the preparations for the day of her death and asks her unemployed husband to deal with the costs of the coffin and funeral with a man named João Guimarães Pimentel. What Tom doesn't know is that Zulmira and this man hide some secrets that he could never imagine.
Narração