Adolfo Franci

Once upon a time an old woman discovers a baby in her cabbage patch. She brings up the child and, when she dies, the boy, Toto, enters an orphanage. Toto leaves the orphanage a happy young man, and looks for work in post-war Milan. He ends up with the homeless and organizes them to build a shanty town in a vacant lot. The squatters discover oil in the land and Toto sees a vision of the old woman who gives him a magic dove that will grant him anything he wishes.

Unemployed Antonio is elated when he finally finds work hanging posters around war-torn Rome. However on his first day, his bicycle—essential to his work—gets stolen. His job is doomed unless he can find the thief. With the help of his son, Antonio combs the city, becoming desperate for justice.

A young student of an upper-class background who is surrounded by classmates that are of working-class backgrounds, after a novel in diary format by Enrico Bottini.

At a track near Rome, shoeshine boys are watching horses run. Two of the boys Pasquale, an orphan, and Giuseppe, his younger friend are riding. The pair have been saving to buy a horse of their own to ride...

At a track near Rome, shoeshine boys are watching horses run. Two of the boys Pasquale, an orphan, and Giuseppe, his younger friend are riding. The pair have been saving to buy a horse of their own to ride...

Episodic film with flashbacks about the lives of some sick and infirm people travelling on the same train, making a pilgrimage to the shine of Our Lady of Loreto.

In his first collaboration with renowned screenwriter and longtime partner Cesare Zavattini, Vittorio De Sica examines the cataclysmic consequences of adult folly on an innocent child. Heralding the pair’s subsequent work on some of the masterpieces of Italian neorealism, The Children Are Watching Us is a vivid, deeply humane portrait of a family’s disintegration.

Leo (Vittorio De Sica) is young man trying to make a living without any success. Through fortuitous circumstances, he is assigned by the director of a big firm to accompany for one night the daughter of the firm's accountant, Titi (María Mercader). Leo pretends then to be the son of a tycoon, and takes her in a luxurious restaurant.

An old woman's poignant reminiscence of her youth in a convent school, the happy moments and the sad, and her tragic love for a Garibaldian.