Pablo García Pérez de Lara

Movies

Uncertain Path
Uncertain Path
Production Director
Apichatpong Weerasethakul, Pedro Costa, Manoel de Oliveira y and the film's director, with their own personal views, share that thin line that links life with cinema.
Uncertain Path
Uncertain Path
Editor
Apichatpong Weerasethakul, Pedro Costa, Manoel de Oliveira y and the film's director, with their own personal views, share that thin line that links life with cinema.
Uncertain Path
Uncertain Path
Director of Photography
Apichatpong Weerasethakul, Pedro Costa, Manoel de Oliveira y and the film's director, with their own personal views, share that thin line that links life with cinema.
Uncertain Path
Uncertain Path
Sound Director
Apichatpong Weerasethakul, Pedro Costa, Manoel de Oliveira y and the film's director, with their own personal views, share that thin line that links life with cinema.
Uncertain Path
Uncertain Path
Director
Apichatpong Weerasethakul, Pedro Costa, Manoel de Oliveira y and the film's director, with their own personal views, share that thin line that links life with cinema.
Uncertain Path
Uncertain Path
Apichatpong Weerasethakul, Pedro Costa, Manoel de Oliveira y and the film's director, with their own personal views, share that thin line that links life with cinema.
Tchindas
Tchindas
Director
Tchinda is one of most beloved women in Cape Verde, especially after she came out as a transgender person in the local newspaper in 1998. Since then, her name has become the term used by locals to name queer Cape Verdeans.
Tchindas
Tchindas
Editor
Tchinda is one of most beloved women in Cape Verde, especially after she came out as a transgender person in the local newspaper in 1998. Since then, her name has become the term used by locals to name queer Cape Verdeans.
Bolboreta, mariposa, papallona
Bolboreta, mariposa, papallona
Director
A journey. A cardboard camera and an unfinished love story. In his obsession to catch the time, love and beauty, Victor never completed his ambitious project. Now, some children, from their open infant eyes, try to get with that footage the director's ambition that could not reach: catch life.
Fuente Álamo, la caricia del tiempo
Fuente Álamo, la caricia del tiempo
Writer
The camera falls in love with the characters, the landscape and the objects and is installed with the tenderness that inoculates the life of the town itself. The camera is the thousand eyes of the gaze of a rigorous anthropologist, although in love, multiplying so as not to lose detail in 24 hours of people, activity, games, intimacy ... Recording every sound that pierces the oceanic silence of the countryside open.And night comes. And the gazpacho. And the party. You see.
Fuente Álamo, la caricia del tiempo
Fuente Álamo, la caricia del tiempo
Director
The camera falls in love with the characters, the landscape and the objects and is installed with the tenderness that inoculates the life of the town itself. The camera is the thousand eyes of the gaze of a rigorous anthropologist, although in love, multiplying so as not to lose detail in 24 hours of people, activity, games, intimacy ... Recording every sound that pierces the oceanic silence of the countryside open.And night comes. And the gazpacho. And the party. You see.