Cristina
Sofía a well-to-do socialite and her husband must wrestle with the impact of Mexico's 1982 economic crisis.
Víctor, a psychopath, loves carving crosses onto women post-mortem, blames paedophile priest and mother-in-denial for his behaviour, falls in love with one of his intended victims and decides to give up his adopted lifestyle. An alcoholic detective (he’s mourning his sister’s passing), eventually tracks down Víctor, and manages to break his habit with the bottle.
The story of a wooing in which the stepdaughter, Elena, seduces her stepmother. A love story that is unpredictable for both, where reality overcomes their principles and traditions.
Cecilia is seeking a new means of artistic expression. She doesn´t want to have children, they would hamper her development. An attempted robbery brings her together with Rafael, a 10 year old Chicano boy who can´t return to the USA. They inadvertently establish a mother-son relationship.
Karina
Perico and Emilio, almost good looking teenagers, enterprising bums and lovers of the seamy side of student life, have the same problem: they have no place to take their girlfriends to give free rein to their baser passions: they can't go to their homes or those of the girls, and only sluts go to hourly hotels. Faced with this need (and a great deal of pent up testosterone), they decide to become entrepreneurs, thanks to Perico's father's old VW van, that, as well as a possible solution for their lust, can also be turned into the business of a lifetime, as Professor Carranco would say: Today, whoever finds a niche in the market can become a millionaire.
Elia
When greed comes calling, say goodbye to saintliness. An irresistible comedy about what happens when the residents of a Mexico City apartment building discover that three religious figurines passed down through the decades from Emiliano Zapata are full of solid gold. Tempers fly, libidos flare and no one emerges unscathed, including viewers overcome by a heavenly dose of hilarity in Santos Peregrinos.
