Gloria Hendry

Sarah Camden, a special operations soldier with PTSD, returns home to bury her mother. She realizes that she has to rid her hometown of gangs, drugs and crooked politicians. Sarah calls in her special ops buddies to clean up the town.

3 brothers are reunited after their grandfather suffers a heart attack. The Granger men, Jace, Caden and Dalton promise their dying grandfather that they will work together to save the family's failing business, Granger Aeronautics. The we brothers also find themselves banding together to find out who really killed their mother and subsequently, free their father, Sheppard who is serving a 30 year prison sentence for her murder. Family secrets, business mismanagement, intrigue and a little romance help to make this a great story.

Set in 1974, a pair of '60s radicals rely on their bomb-making skills on their way to becoming capitalists.

In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.

Southern Texas. Savannah and Cooper, a young couple in love, drive through the desert in a black 70s Cadillac convertible. Unaware that they are being followed, they check into a motel at the Mexican border. When Savannah leaves to buy food, a cop sneaks into the room, pulls his gun on Cooper, accuses him of murder and tries to arrest him. But Savannah, who had become suspicious, manages to turn the tables:

A group of people living on the edge of society try to survive on the streets of New York City in the shadow of the World Trade Center in the early seventies. The film was shot between 1970-72 but went unreleased until 2008.

Written, directed, and produced by David Walker, MACKED, HAMMERED, SLAUGHTERED, & SHAFTED is an insightful examination of the blaxploitation film movement of the 1970s. Featuring interviews with key actors and filmmakers, the documentary explores the origins of blaxploitation, and the controversial history of Hollywood's most misunderstood genre.

With archive film clips and interviews, this brief look at a frequently overlooked historical period of filmmaking acts as an introduction rather than a complete record. It features interviews with some of the genre's biggest stars, like Fred Williamson, Pam Grier, and Richard Roundtree. Director Melvin Van Peebles discusses the historical importance of his landmark film Sweet Sweetback's Baadasssss Song. For a contemporary perspective, the excitable Quentin Tarantino offers his spirited commentary and author/critic bell hooks provides some scholarly social analysis.

The story of Harry Saltzman, producer of the first James Bond movies.

A behind the scenes look at the James Bond film "Live and Let Die"

Thrill-seeking teenagers resurrect a demon from his grave and a bloody rampage for revenge begins.

After an unfortunate incident causes him to leave the "family business" and move to Los Angeles, Vinny Pallazzo is living a quiet life. When his nephew, Anthony, moves in with him, Vinny slowly learns to live life to the fullest again. However, Anthony is young, and is living life in the fast lane. He brings out the demons from Vinny's past. Now Vinny must try to stop Anthony from making the same mistakes that changed his life forever.

A bounty hunter in Los Angeles sets out to track down and stop a masked serial killer who murders women by using kung-fu moves.

A corrupt General plans on smuggling one million US dollars out of the Banana Republic he dominates. Local revolutionaries plan on stealing the cash but are thwarted when a bandit leader they are working with double crosses them. A tough cop and her boyfriend help two of the female revolutionaries escape from prison hoping that they will lead them to the cash, which they plan on keeping for themselves.

Jones is a secret agent who has gone into semi-retirement, concentrating instead on teaching the martial arts to inner city youths. The karate school is run by a kindly old coot named Pops ,played by Scatman Crothers. His gambling debts, however, bring the local thug, Pinky, down on him. To make matters worse, Pinky is then hired by some white thugs who want to get a hold of the property Pops' school occupies so they can build a shopping mall. When things get heavy, Black Belt Jones leaps into action. Only he's not alone. Pops' daughter, Sidney, shows up to lend a hand, proving herself every bit as agile and powerful a martial artist as Jones.

Tougher than Shaft and smoother than Superfly, this high-voltage sequel to Black Caesar explodes with enough action to incinerate New York City. Packed with machine-gun mayhem and riveting adventure, Hell Up in Harlem is nothing less than a modern-day tribute to the classic 30s gangster film. Fred Williamson is Tommy Gibbs, a fearless, bulletproof tough guy who blasts his way from the gutter to become the ultimate soul brother boss. Tommy steals a ledger with the name of every crooked cop and man in the city. Enlisting the aid of his father and an army of Harlem hoods, Gibbs goes from defense to offense, launching a deadly attack on his enemies that sets off a violent chain reaction from Harlem all the way to the Caribbean, climaxing in one of the hottest turf-war shoot-outs in Hollywood history.

Vigilante Slaughter comes under attack from Duncan, a local money launderer whose hit-man traps Slaughter in a car at a cliff, but Slaughter escapes, arms himself, and goes after Duncan's hideout.

James Bond must investigate a mysterious murder case of a British agent in New Orleans. Soon he finds himself up against a gangster boss named Mr. Big.

Tommy Gibbs is a tough kid, raised in the ghetto, who aspires to be a kingpin criminal. As a young boy, his leg is broken by a bad cop on the take, during a payoff gone bad. Nursing his vengeance, he rises to power in Harlem, New York. Angry at the racist society around him, both criminal and straight, he sees the acquisition of power as the solution to his rage.

In a daring robbery, some $300,000 is taken from the Italian mob. Several mafiosi are killed, as are two policemen. Lt. Pope and Capt. Mattelli are two New York City cops trying to break the case. Three small-time criminals are on the run with the money. Will the mafia catch them first, or will the police?

At the age of twenty-nine, Elgar Enders "runs away" from home. This running away consists of buying a building in a black ghetto in the Park Slope section of Brooklyn. Initially, his intention is to evict the black tenants and convert the building into a posh flat. But Elgar is not one to be bound by yesterday's urges, and soon he has other thoughts on his mind.