Jay Halili

Inspired by true events, the film chronicles the story of Sisoy Salas, a corrupt journalist seeking justice for his colleagues, and convict Roman Rubio, a hired gun who is regularly brought out of prison to perform assassinations.

Inspired by true events, the film chronicles the story of Sisoy Salas, a corrupt journalist seeking justice for his colleagues, and convict Roman Rubio, a hired gun who is regularly brought out of prison to perform assassinations.

Rabid is an anthology film that probes into our everyday reality of anxiety, uncertainty and paranoia. It features distinct but interwoven stories that revolve around the different ways this world can drive us human beings to the brink of madness.

A Girl and A Guy is a modern tale of young adults navigating the tricky world of relationships, connection, and intimacy in today’s society. The film tells the story of a girl, the story of a guy, and the story of a girl and a guy.

Luis finds out that his twin has just died, and comes back home to find out the cause of her death. He soon realizes that the darkness in their house never left.

A special forces team is sent to snuff out a drug den, but find themselves trapped inside it after being set-up and betrayed.

A serial killer in Payatas leaves the bodies of young boys in the dump as two Jesuit priests try to solve the murders.

A farm girl mistakenly shoots and kills an endangered Philippine Eagle. When authorities begin a manhunt to track down the eagle’s killer, they stumble upon an even more horrific discovery.

In 1947, those aspiring to be priest are sent to a remote convent to live in seclusion on the last day of their training. The purpose is to shield them from evil of the world. The plot thickens when a mysterious young girl comes to the convent but the question is whether she is really sent by God or by the Evil.

An intertwined love stories within a dysfunctional extended family for three generations. It tells how each generation understands and perceives the idea of love.

A family is caught in a financial ruin after being involved in a ponzi scheme.

Taking all that was great from the first instalment, the movie aims to be a wilder, leaner, faster-paced and even more entertaining anthology this time around, with a new crop of award-winning, visionary filmmakers from around the globe.

On The Job is about the ambitions and passions of four men trying to make a living, for themselves and their families. It shows the parallels between two prison inmates who are contract killers, and the two agents of the law investigating the murders. As they get caught in a web of machination of corrupt government officials, their jobs lead them on a head-on collision against each other with their loved ones as collateral damage.

A heartbroken young woman begins a sexual relationship with a struggling artista, not knowing that her new beau is already married. As the truth comes out, obsession and jealousy bring pain into all their lives.

With dark shades on and a burning cigarette between his lips, Makoy will do whatever it takes to get back his girlfriend Sonia, who’s pregnant with their child. He makes the trip to remote Pulupandan, her hometown, and is quickly rebuffed by Sonia’s mother Fely. But Makoy has never been one to give up. With the help of Sonia’s father Nestor and his ever-dependable helper Bart, Makoy stays in town to surprise Sonia on her birthday. But alas, Makoy gets into trouble with a group of townsfolk who transform into tiktik—horrific, man-eating creatures with a taste for fetuses that are still in the womb! They are angry, and they are hungry for revenge. Will their thirst for blood and retribution be quenched? Will Makoy finally get his act together, protect Sonia and their baby, and once and for all prove himself worthy of their love? Who will win in the battle between men and monsters?

Early 20th century Philippines. The sounds of war signal the arrival of the Americans. A mother and son flee to the mountains, hoping for a quiet life. One day, the son discovers a wounded woman in the middle of the forest, and decides to bring her home.

A bus takes-off from urban Manila to the rural southeastern side of the country, carrying a group of mixed passengers from all walks of life, each one has a personal story to tell and they are telling it in their own voice. During the long journey, as the passengers mentally sort out their past & their future, things happen in the present, by choice or by providence, that make their journey memorable—the bus blows a tire, a song elicits tears, a butterfly causes commotion, a picture gets lost, someone's head is stoned, some hearts are broken, some mended. The bus ride poetizes the life journey and poses questions on issues of life and death and where exactly the line is drawn between free will and destiny.

A tribute to filmmakers and National Artists Lino Brocka and Ishmael Bernal. In the "Day" segment, Piolo Pacual portrays the role of William, a drug addict who tries to rebuild his sense of self and reconnect with the people around him. For the "Night" segment, Pascual portrays the role of Philip, who works as a bodyguard for a mayor's son. The bodyguard believes that his boss considers him as part of the family but after a shooting incident, he realizes his real worth to his boss. As he struggles to hide, he is slowly consumed by the claws of darkness lurking the city.

Middle-aged Manila storeowner Amelita supplements her tiny income by collecting bets for the popular numbers game of jueteng. While looking out for police crackdowns, the masterfully persuasive Amelita cajoles all comers into placing wagers.

The second installment of episodes from this classic horror series scares up even more screams than the first. In "Poso," a wealthy client tempts a hack occultist out of retirement. In "Aquarium," a family moves into their new home only to discover that the previous occupants left something terrible behind. And in "Lihim," a pregnant woman fears for the life of her unborn child.