Screenplay
Out of the dark - this is true for this film both on the story level and in terms of production. A hard-boiled thriller with a high-concept twist set in Berlin, Man from Beirut follows a blind hitman, Momo, as he tries to survive after his emotions have compromised the outcome of his latest „cleaning job“: He encounters a young girl in the wrong place at the wrong moment, but can’t pull the trigger this time - and finds himself on the run alongside fellow hitman Kadir. To make it out of the Berlin night alive, the killer has to turn against an army of former friends and new foes.
Director
Out of the dark - this is true for this film both on the story level and in terms of production. A hard-boiled thriller with a high-concept twist set in Berlin, Man from Beirut follows a blind hitman, Momo, as he tries to survive after his emotions have compromised the outcome of his latest „cleaning job“: He encounters a young girl in the wrong place at the wrong moment, but can’t pull the trigger this time - and finds himself on the run alongside fellow hitman Kadir. To make it out of the Berlin night alive, the killer has to turn against an army of former friends and new foes.
Writer
Agim is homeless in Berlin. When he hears that Yon is also in the city, he panics. His past from his childhood in Albania catches up with him. Yon who lives a well-integrated life in Berlin isn't happy to see Agim again either. Suddenly an old debt comes up again which, according to Kanun, needs to be settled. Can Agim and Yon resist the Kanun? The film deals with questions stemming from tradition and assimilation.
Associate Producer
August 2019. Frank recognizes his own story of twenty years ago in a recently published book. He remembers Marie, with whom he had a relationship before she moved to the United States and disappeared from his life. Frank sets out in search of her and finds himself in a USA petrified by a heat wave and lost in suspicion and political paranoia. He heads into the desert in pursuit of Marie.
Director
Documentary film.
Director
“The Antman” is a lovingly-made but sluggish monster-movie parody, done with German-speaking actors on a sparse soundstage standing in for 1950s Mexico. Promising concept is bolstered by colorful performances by Gotz Otto and Lars Rudolph, and the filmmakers have fun with pic’s look, right down to tacky lighting worthy of Roger Corman. But Marc Meyer’s script isn’t fast or funny enough to keep pace with energetic visuals. The first in a projected series of B-movie homages grouped as “Planet B,” the producers might want to call in Joe Dante to supervise the rest, as “Antman” seems unlikely to crawl very far beyond its native borders
