Hannu Lauri

A restaurateur befriends a Syrian refugee who has recently arrived in Finland.

The boisterous good humor of Jurmala (Mikk Mikiver), the nickel-mine owner, is, if anything, only barely dented by the raging battles in Finland before, during and after World War Two. In fact, everywhere he goes, he meets prospective customers on all sides of the conflict with his all-inclusive greeting "Friends, Comrades." Indeed, the resource he is wrenching from the earth's bowels is necessary to all forms of industrial activity, and is especially necessary for military applications. Thus, he has no reason to fear that he will ever run out of customers. This doesn't prevent him from using every possible means to entice them. At home, his relationship with his wife is not so prosperous, and they resort to some extraordinary means to try and keep on an even keel.

Anna Kelanen is an ex-model, who just has been released from prison. She thinks back on her life, when she was a rather successful model, and on the things that went wrong.

A lawyer pays a visit to Matti Ojanperä (Matti Pellonpää), a bum living under a bridge in the Helsinki harbour, to inform him that he is about to inherit an American aunt of his. The sum 1,000,000 Fmk would be his, if only he meets the qualifications set by his aunt. He must show that he is capable of 'living properly' and possessing a 'respectable occupation and a family he can support'. Otherwise the money would go to a foundation the chairman of which the lawyer himself happens to be!

Asko Mertanen is a waiter who is very interested in shooting. He gets fed up how the things are run in Finland, so he thinks that the best way to change them is to shoot the Finnish president.

Calamari Union is an allegorical movie that tells the story of sixteen men all of whom are called Frank (inspired by Frank Armoton) apart from a single confrere, Pekka. Collectively the Franks and Pekka are unhappy with the perceived oppression they face in their district of Helsinki, Kallio, and decide to move to another, Eira, imagining it to be an unspoiled place where people can live lives of dignity. The journey is an ironic one given that both districts are not so far apart. In this spirit, their journey across the city takes on epic proportions with each of the travellers gradually falling by the wayside due to such travails as marriage, work, and death. In its entirety the film is a wry discussion of humanity within a system that regards humans as subservient components.

Young Alex Sammako has seen his brothers defy the law in a series of deeds that first land them in jail, and then, after they escape and return to their rural home, land them back in the lap of their locally notorious family. Alex wants nothing to do with them. He is in love with Mirja, whose family is not that different from the Sammakos, but who shares Alex's viewpoints and feelings. Not helping matters is a police department convinced that all Sammakos are bad, and the family itself, pressuring Alex to follow in their murky footsteps.

An adaptation of Dostoyevsky's novel, updated to present-day Helsinki. Slaughterhouse worker Rahikainen murders a man, and is forced to live with the consequences of his actions...

Set during the Second World War in the Finnish war zone.

Young advertising executive Vatanen suddenly quits his job and his whole life in Helsinki, and decides to spend a while in the Finnish wilderness. A wounded hare hit by a car becomes his travel companion. Together they find reclusion in the Finnish Lapland, soon to be disturbed by a noisy group of foreign tourists and their pretentious Finnish hosts. When the hare gets ill and needs to see a vet, Vatanen must return to the city and finally face the choice between his new and former life