José de Sá Caetano

Movies

Maria e as Outras
Director
Maria, an executive from Oporto, lives in the search of the right man for her. On the other hand, her two friends, Joana, a doctor that has fallen in love to a co-worker, and Isilda, a hairdresser with an open hart and an adventurous spirit, seem to be happy with their lives. One day though, everything changes. Maria is forced to take care of her father, victim of a brain accident. During these days of turbulence, Maria thinks she has found the perfect man, a mysterious Star, an habitué of chat channels on the Internet. The three friends find out that cense of humour can be the key for a happy life. Internet, romance, a bachelor party; marriage, dates and some adventures are Loving Maria. A film where love shows himself with the most different looks. Love arrives when you don't expect it and goes away when you think it is safe. It can even appear in the light of a mobile computer.
O Nosso Futebol
Writer
One hundred years of Portuguese Football, from the first public experiments in 1888, in Cascais, the evolution in the twenties, the National Stadium, the glory of the sixties, the 25th of April until 1984.
Um S Marginal
Screenplay
In the near future, along the Portuguese coast, a network of ocean and solar power transformers will be installed. With the ecological balance seriously threatened, domestic animals disappear from the cities and return to wildlife in upland areas. On hearing of his sister's death in a road disaster, Jorge tries to warn his father - who, meanwhile, leaves for a secretly kept house, as a refuge and resting place.
Um S Marginal
Director
In the near future, along the Portuguese coast, a network of ocean and solar power transformers will be installed. With the ecological balance seriously threatened, domestic animals disappear from the cities and return to wildlife in upland areas. On hearing of his sister's death in a road disaster, Jorge tries to warn his father - who, meanwhile, leaves for a secretly kept house, as a refuge and resting place.
As Ruínas no Interior
Editor
During World War II, during a misty morning, near a fishermen's village, four children come across two RAF pilots ejected from a plane that crashed in the sea.
As Ruínas no Interior
Screenplay
During World War II, during a misty morning, near a fishermen's village, four children come across two RAF pilots ejected from a plane that crashed in the sea.
As Ruínas no Interior
Dialogue
During World War II, during a misty morning, near a fishermen's village, four children come across two RAF pilots ejected from a plane that crashed in the sea.
As Ruínas no Interior
Director
During World War II, during a misty morning, near a fishermen's village, four children come across two RAF pilots ejected from a plane that crashed in the sea.
As Armas e o Povo
Director
Film directors with hand-held cameras went to the streets of Lisbon from April 25 to May 1, 1974, registering interviews and political events of the Portuguese "Carnations Revolution", as that period would be later known.
As Pedras e o Tempo
Writer
Documentary short film on the city of Évora, Portugal. Usually regarded as the first film of the Portuguese New Wave.