Věra Křesadlová

A moving account, in his own words, of the personal life and work of the brilliant Czech filmmaker Miloš Forman (1932-2018): his tragic childhood, his major contribution to the cultural movement known as the Czech New Wave, his exile in Paris, his troubled days in New York, his rise to stardom in Hollywood; a complete existence in the service of cinema.

Jirka, Roman, and Ivan have been friends since school. Today they are about 35 and, although they went into different fields, their friendship has lasted. Each of the three friends hides a secret, and their lives change radically when the secrets come out. How will the three friends stand up to the tests they are forced to face? Will their friendship survive?

In post-WWII Communist Czechoslovakia, several characters considered bourgeois are sentenced to work in a junkyard for rehabilitation. Among them is a young man who pines for a female convict.

Dana is young medical student with no self esteem, she can't deal with life, people and even not with herself. After her boyfriend leaves her, she changes to selfish woman, manipulating people and making them to serve her. She plays with her husband, neighbors and friends - for her own good and for fun.

The husband and wife Ludva and Hedus Homolkas with their twins Péta and Máta and Ludva's parents - the granny and grandpa - arrive in the snowy Spindleruv Mlýn for a holiday. They promise to each other that they will not spoil the quite expensive holiday by quarrels. If somebody hurts the other one he/she will kneel as a punishment.

Czech television production of Dracula that is very faithful to Bram Stoker's novel.

The female employees of the poultry-processing factory find relief from their monotonous work in chatting about weddings and marriages. The very young Zdena (Marta Vancurová), too, dreams about a white veil and an entourage of bridesmaids. On her return home from work, she runs into a peculiar man on an abandoned road who pertinaciously offers to read her palm for a few crowns to buy soup. His augury is rather usual - wealth and poverty, suffering and happiness. Then however, he declares that Zdena must marry exactly on 3 November of that year otherwise she will be unhappy.

In the 1950s, Ludvik Jahn was expelled from the Communist Party and the University by his fellow students, because of a politically incorrect note he sent to his girlfriend. Fifteen years later, he tries to get his revenge by seducing Helena, the wife of one of his accusers.

An artist's studio is descended upon by a group of retired men and a young mother who agree to model in the nude for money. Comedy ensues as the students and the local bureaucracy react to the models, all in need of extra money. Several running gags border on slapstick as the officials and the students don't know what to do with the nude models.

Ivan Passer’s film concerns the dreams of two musician friends, one of whom, having left their small hometown to become successful, returns to visit the other who stayed behind to become a local music teacher.

Three short story omnibus. The main hero and connecting link is Lieutenant Boruvka, created by Lubomír Lipsky. He deals with the murder case between climbers, the death of the dancer in the music theater and the strange disappearance of the mathematics professor.

The film could have been a lyrical evocation of the ČSSR's first generation: the youngsters born during the war, who grew up in a state violently at pains to find and define itself, and were now ready to break away from the nation-builder ethics of their elders – but Grečner turned it into an anxiety-riddled existentialist vision of a whole globe in fear.

Two closely related episodes. Youths make problems for two local orchestras about to compete nationally, and in a talent competition a young girl gets stage fright, while another lies to her boss to compete.

The year is 2163. Starship Ikaria XB 1 embarks on a mission deep into space in search of alien life. During their perilous journey the crew confront the effects of a malignant dark star, the destructive legacy of the 20th century and, ultimately, the limits of their own sanity.