Karina Gidi

"Lluvia" showcases six stories and different characters as they navigate the streets of Mexico City, pursued by intermittent rain. Each one faces a strange, luminous, or absurd event that reveals who they are, if only for a moment.

The plan of three small-time pickpockets to pull the heist of their lives during Christmas, posing as elves in a Christmas show in one of the most exclusive shopping centers in the city where they will collect private information from some wealthy families, then rob their homes while they enjoy their December vacation.

Rosario Castellanos is an introverted university student who doesn't seem to belong to her time. In the early 1950s in Mexico City, she is fighting to have voice heard in a society run by men. She is about to become one of the biggest female writers in Mexican literature, but her tumultuous love story with Ricardo Guerra will manifest her fragility and contradictions. At the peak of her career and her marriage, she will ignite a discussion that will mark a turning point in her life.

In 1930 Jean Cocteau premiered "La Voz Humana" in Paris. In 2013, actress Karina Gidi interprets "La Voz Humana" under the direction and adaptation of the renowned director Antonio Castro in Mexico.

Manuela (40) is the cook in a restaurant when the Balkan conflict breaks out on the other side of the world. The madness of war permeates her surroundings, invades her intimacy and unleashes its own warlike escalade.

Four interwoven stories about love and self-acceptance: An eleven year-old boy struggles to keep secret the attraction he feels towards his male cousin. Two former childhood friends reunite and start a relationship that gets complicated due to one of them’s fear of getting caught. A gay long lasting relationship is in jeopardy when a third man comes along. An old family man is obsessed with a young male prostitute and tries to raise the money to afford the experience.

Turmoil becomes the order of the day when a Mexican theatrical company begins its rehearsals of absurdist philosopher Albert Camus's “Caligula” for an influential upcoming international theater festival.

It's 1994 in Mexico, the nation was witnessing a turbulent year since its beginnings. An indigenous rebellion shakes the country. Three months later, the ruling party's presidential candidate is brutally murdered during a rally in Tijuana. The country is concerned. Nobody knows who's behind this event, it all points to a conspiracy. Andrés Vázquez, an intelligence expert, is commissioned to lead a secret investigation parallel to the official government issued one. But another expert agent, el Seco, has received orders to wipe out all witnesses and get rid of the evidence surrounding the candidate's murder. As Andrés begins putting the pieces of this intricate puzzle together and comes closer to the truth, he realizes he's also putting his life and that of his loved ones in peril.

Mariana must sacrifice her dog Frida after violently beating it for having destroyed her recently deceased son's toys. The pet's death helps Mariana accept and overcome the loss of her son.

Minutes before his death in the general ward of a city hospital, Ulises, a terminal patient in his fifties, reconstructs the fragments of his life. Lauro, a young and smiling nearby patient accompanies him on his final agony, reliving all Ulises' missed opportunities.

When 9-year-old Abel assumes his absent father's role as man of the house, he garners his family's respect, and life resumes a comfortable rhythm -- until a man arrives at the house, claiming he's the long-lost patriarch

It was the year of 1962 when I turned 12 and my breasts began to grow. Cecilia, my sister, went to study in Paris, I was left alone with my parents and their problems. I discovered that the breasts made men and women crazy, while mine began to draw the attention of my friends without adults realizing that I needed a bra.

Unable to cope with the fact that his girlfriend cheated on him with his best friend, a 22-year-old schizophrenic sets an elaborate revenge plan into motion before taking his own life.

Laura and Beatriz are two sisters in search of a dream in common: to run a guest house abroad and live off the rents. Laura travels to Spain to start off the project, and Beatriz remains alone in Mexico waiting for the right moment to catch up to her sister. While Beatriz nurtures the desire of moving away, she begins to feed off dreams and fantasies. In the midst of easy love affairs that earn her enough money to support Laura, Beatriz meets Carlos, a man with whom she travels throughout Mexico, discovering the inimaginable beauty of her country, her soul and her own body.