Paul Parguel

An ex-businessman, ruined and reduced to living under bridges, uses the name of one of his companions in misfortune, Rothchild, to organize a vast scam.

Obsessed with a general's woman, a clergyman has strange visions of death and lust, struggling against his own appetites.

"Adapted from a play by Romain Coolus, whose work Dulac had covered as a theater critic at the turn of the century, this atmospheric and socially inquisitive film tells the tale of an independent, sexually liberated woman (Eve Francis) who is torn between her husband (Gabriel Gabrio) and her lover (Paul Guide). Controversial at the time of its release, Antoinette Sabrier finds Dulac using her bold sense of visual rhythm to achieve a complex portrait of a woman trapped in an unhappy marriage and a nuanced investigation into human intimacy, with her characters’ emotions expressed through then-innovative cinematic techniques such as slow motion and associative montage. " - Film Society of Lincoln Center

A symbolist portrait of two gypsies in love, this captivating film finds Dulac deconstructing onscreen gender roles and striving to achieve her idea of cinema as a “visual symphony,” emphasizing rhythmic editing over acting to achieve a “cinema of suggestion.”

Feyder's scenario very closely follows Don José's own account of his story and his fatal relation with the gypsy Carmen in the third chapter of Mérimée's short novel.

A young boy living in the Swiss Alps struggles to come to terms with his mother's death and his father's remarriage which brings a new mother and step-sister into his family.

An unhappily married woman devises a scheme to get rid of her husband.

3 men fall in love with a woman from a window photograph .When they find her living as a recluse in an isolated Hungarian mansion, they decide against a visit because she wouldn't live up to their idealized images of her.

A Spanish festival reveals the emotional distance between a woman and a man.