Álvaro Carcaño

Valentina's seemingly idyllic life in the US is interrupted when planning a wedding means introducing her fiancé to her scandalous family in Mexico.

On a whim, a retired gentleman decides to track down an old girlfriend from decades back.

An android fighting-machine (Mario Van Peebles) is charged with destroying a small brigade of rebels in a Latin American war who are fighting to maintain their freedom and protect their village. Contrary to his programming, Peebles decides to stay and assist the rebels in their plight. Having gained this information, his "creators" develop a more powerful android to try and defeat him.

A lonely, aging postal worker finds himself the victim of a cruel practical joke in this pessimistic Mexican drama. The trouble begins when crotchety postman Andre begins complaining about his young neighbor Marianna's propensity for playing loud music every time she entertains a lover. To get back at him, Marianna begins sending him anonymous love letters. The old man is intrigued by the mysterious letters and hires a cheap detective to find their author. The detective is convinced the perpetrator is Teresita, a veteran hooker who joins in on the scheme to earn a little extra cash. Andre's friend and colleague tries to warn Andre that it is all a game, but his friend is in love and will not listen. Meanwhile, Marianna attempts to woo Luis Felipe, a hard, unfeeling tabloid journalist who has her take grisly pictures of murder victims for him. Both Marianna and Andre are destined to meet an unpleasant fate at the story's end.

Heated tempers, frustrated desires and dashed hopes plague a diverse group of individuals whose lives cross paths in Mexico City. There is the bar-owner's son, Chava, who yearns to emigrate to America. A poor barber, Abel, is madly in love with the gorgeous Alma, who eventually becomes a high-class prostitute. Finally, there is Susanita, the desperate spinster who pursues many love affairs in hopes of finding a husband.

The legendary life of Mexican singer Lucha Reyes is the basis of this fictionalized biography ( or as director Arturo Ripstein puts it "an imaginary biography"). Lucha Reyes was an unconventional, and sexually liberated woman, most famous for her "cancion ranchera" style singing. Her story begins in 1939, where at 33 she still lived at home with her mother, Dona Victora, the madame of a renowned Mexico City whorehouse. Lucha marries the liberal Pedro Calderon and then buys a beggar's daughter. She becomes the mother to this child, Luzma. Lucha craves lasting love like junkies crave heroin. But for her loyal daughter, she never finds it and in the end no one can help her.

Propped up on his deathbed, a 17th century Spanish missionary named Father Kino (Enrique Rocha) looks back on his remarkable life and relives one of his greatest challenges: bringing the teachings of Christianity to California's native population while convincing the Spanish military to respect the Indians' traditions.

Anthony Hopkins plays an English medical doctor living with his family in Paraguay and treating the poor people from the surroundings, who has his life turned upside down when his son was mysteriously murdered in what could have been an attack to him since he's opposed to the military dictatorship of the country. The doctor and his family will take lots of risk while trying to prove that the government was involved in the murder.

A pair of adventurers try to track down an ancient Aztec/Mayan/Egyptian/Apache horde of gold.

The descendants of Baron Frankenstein return to the family castle to search for the family fortune that is supposed to be hidden there.

For years Yellowbeard had looted the Spanish Main, making men eat their lips and swallow their hearts. Caught and convicted for tax evasion, he's sentenced to 20 years in St. Victim's Prison for the Extremely Naughty. In a scheme to confiscate his fabulous treasure, the Royal Navy allows him to escape and follows him, where saucy tarts, lisping demigods and some awful puns and punishments await.

Directed by Federico Weingartshofer

In Mexico City's infamous Lecumberri prison, three drug-addicted convicts celebrate getting drugs from one of their the mothers. They are found out and locked up in the "apando," the dreaded punishment cell. Protests over the treatment of those held in the cell lead to a bloody confrontation.

Three episodes. Faith: a woman is attacked. Hope: a fakir is crucified. Charity: a woman faces bureaucracy.

Shmuck makes a superhero costume, rides his bike to crime scenes. He gets involved with something big involving US capitalists taking over local Mexican businesses.