Amleto Daissé

When a dying man receives a kiss from a bereaved man who tries to save him, the man is jailed as a homosexual. He is released from jail, but his life has been ruined by the incident -- and the man eventually is killed by his own father-in-law. The kiss that resulted in the eventual persecution and death of the man is never shown in this plodding, downbeat drama.

Rhonda Fleming shines as Pamela, an American film star who falls in love with coffee grower Claudio (Rossano Brazzi) while in Brazil. When the two are hastily married, Pamela finds herself entwined in a clash of cultures in this rarely seen romantic comedy.

For his first in a long series of wildly imaginative literary adaptations, dos Santos reinvented Nelson Rodrigues' novel about a pathological gangster with solid gold teeth and a voracious appetite for women and power. Embracing radically modernist narrative techniques, Golden Mouth offers a splintered, refractive portrait of brutal masculinity that returns repeatedly to the same moment from different vantages, each time revealing unexpected perspectives on the brutal yet strangely charming criminal. Lurid and disturbing, Golden Mouth delivers a savage satire of marriage and class pretensions, revealing a similar venality at the corroded heart of the sanctimonious bourgeoisie, the moneyed elite and the working class as they all mercilessly claw their way up and down the rickety and ruthlessly hierarchical Brazilian social ladder. -Harvard Film Archive

A young man must choose between two women. The one brings him the money, but the other he loves. Directed by Billy Davis (as J. P. de Carvalho).

A young man must choose between two women. The one brings him the money, but the other he loves. Directed by Billy Davis (as J. P. de Carvalho).

Based on true events in Rio de Janeiro, in 1960, when a gang having the infamous outlaw Tião Medonho as a leader performed a sensational railroad hold-up on a train carrying a small fortune.

Colonel Polidoro is the political chief of the small town of Passaroca. Near the city hall elections, he decides to help his candidate by setting up an adult literacy course. For this, he needs to find a competent teacher and decides to go to Rio de Janeiro with this function. False moralist that is, ends up falling in the revelry, meets a beautiful dancer and invites the girl to spend the carnival on his farm. Drunk, he confuses the addresses and causes his driver to take the dancer in place of the teacher to Passaroca, which will cause a lot of confusion.

While trying to break an "animal game" gambling scheme, Det. Bartolomeu hits his head, and the gamblers convince him that he is one of them. But everytime he hears a whistle, he changes between gambler and policeman.

Petrônio drives a bus and his friend Cabeleira is a ticket collector. When Petrônio's sister needs money to do a surgery they get involved with a film production company, where a psychopath is trying to be the protagonist of the movie.

Barber's jeep crash against crazy scientist's house, where the latter was building a time-machine. The crash triggers the machine, taking them to Gaza kingdom, circa 1153 B.C., where they get involved in many funny situations. Spoof of Cecil B. DeMille's Samson and Delilah

Movie producer Cecílio B. de Milho is intent on filming an epic about Helen of Troy, while some of the crew would rather turn it into a musical comedy.

Intent on offering his fiancée a better life, countryman heads for Rio de Janeiro in search of a place in the sun...

A scientist swaps the mind of banker and an idiot by accident.

A documentary about the Venetian lagoon, with the words of Diego Fabbri narrating scenes of strips of land swallowed up by the sea, of small boats sailing on the water, of men and women concentrating on their work in a world which is “a false sea and a false land”.

This is a documentary film on the romantic and decadent atmosphere of Venice at the end of the 18th century. A vigorous comment by Jean Cocteau tells us of the sick souls and the sorrows of literary characters and musicians who lived the dream of this city. It is the Venice of Lord Byron, Alfred de Musset, George Sand, d'Annunzio; a Venice made of precious images, palaces reflected in the water, mysterious moonlights, little squares where unhappy lovers wander under the music of Richard Wagner.

A rowdy woman is so forceful that she outdoes her husband in a loud cry against speculators who refuse poor people entrance to a block of new apartments, built after WW2. Without noticing it, she starts a people's movement, and leads a march to the capital. She returns to her village a winner, an honourable MP. Yet, she is still the same simple, fiery woman, able to get in a hair-pulling brawl with the local barmaid for the affection of her man.