Benjamin Mouton

American Weapon is the story of six beautiful travelers who head to the mountains for a getaway weekend, only to be terrorized by a homicidal war veteran, who has been programmed to kill without remorse.

A teenage orphan spends ten years traveling to experience life.

The film is a romantic comedy about a Portuguese widow whose husband had been a fisherman who died at sea. The widow's teenage daughter wants to be a professional gambler and she convinces her mother to date a British man whose new in town. The widow falls for the Brit, who pretends to be in the fishing business but is actually a professional gambler. The naive daughter gets into some trouble.

In a sleepy little mill town in North Carolina, Paul is the town Romeo. But when his best friend's sister returns home from boarding school, he finds himself falling for her innocent charm. In spite of her lack of experience and the violent protests of her brother, the two find themselves in a sweet, dreamy and all-consuming love.

Blow Debris similarly suggests narrative but prefers to offer it in the form of a drifting, almost aimless experience; the piece enacts a passage or journey as we follow a group of nude wanderers in a desert landscape. As with Electric Earth, what could be postmodern anomie becomes celebratory drifting. Aitken spurns a romantic nostalgia for a pristine past and its untrammeled landscapes in favor of the stories suggested by the discarded remnants and detritus that litter the expanse of the Mojave Desert. He also fetishizes the feeling of the desert. Even in the cool, dark space of the gallery rooms housing the huge projections, you sense the lassitude of the characters and time seems to slow down. And then things explode, time reverses, and you are compelled to walk around some more, from dislocation to relocation and back again.

In 1930s Texas, pulp fiction master Robert E. Howard is introduced to Novalyne Price, a teacher with aspirations of becoming an author herself, and they begin a unique relationship filled with conversation and imagination. Although the possibility exists for romance, Howard's obsession with his work and dedication to his sick mother leads Price to look elsewhere for love, leaving Howard feeling betrayed and alone.

In 1930s Texas, pulp fiction master Robert E. Howard is introduced to Novalyne Price, a teacher with aspirations of becoming an author herself, and they begin a unique relationship filled with conversation and imagination. Although the possibility exists for romance, Howard's obsession with his work and dedication to his sick mother leads Price to look elsewhere for love, leaving Howard feeling betrayed and alone.

A young lawyer defends a black man accused of murdering two white men who raped his 10-year-old daughter, sparking a rebirth of the KKK.

John Netherwood and his wife Leann are fugitives who are both wanted for murder. They have a young daughter named Janie and they want her back.

The Earth is invaded by alien parasites—AKA 'slugs'—that ride on people's backs and control their minds.

An ordinary man frustrated with the various flaws he sees in society begins to psychotically and violently lash out against them.

A violent police detective investigates a brutal murder that might involve a manipulative and seductive novelist.

This melodrama investigates the life of a sex worker, in a pseudo-documentary style.

Five medical students want to find out if there is life after death. They plan to stop one of their hearts for a few seconds, thus simulating death, and then bring the person back to life.

In this variation on director Vadim's own, more acclaimed Et Dieu Créa La Femme (1956, the same title in French), the vamp Robin Shea marries charming carpenter Billy Moran, only to get out of prison, but soon decides to seduce James Tiernan, who runs for state governor.

A congressional aide (Eric Stoltz) explores an old Louisiana mansion two kooky sisters (Jennifer Jason Leigh, Judith Ivey) run as a guest house.