Dobrila Stojnic

Dobrila Stojnic

Birth : 1948-01-28, Belgrade, Yugoslavia (now Serbia)

History

Dobrila Stojnic (Belgrade, January 28, 1948) is a Serbian film actress. Dobrila officially enters the world of acting in 1968. The audience will be remembered by the role of Biljana, Bilje in the TV series "The Unpicked Strawberries", and this role is considered to be the most important in her career. She has made over twenty roles in domestic films and series, and the most successful films she starred in include: Throatful of Strawberries, Love Life of Budimir Trajkovic, White Suit, Pavle Pavlovic and many others. From Wikipedia (sh), the free encyclopedia

Profile

Dobrila Stojnic
Dobrila Stojnic

Movies

The Machine
Old Lady Villager
Bert Kreischer faces a familial crisis and the arrival of his estranged father when the ghost of his booze-soaked past arrives: a murderous mobster hellbent on kidnapping Bert back to the motherland to atone for his crimes. Together, he and his father must retrace the steps of his younger self in the midst of a war between a sociopathic crime family while they attempt to find common ground.
Burnout
Baka Rada
Exhausted of low-paid jobs, and following the breakup with his long-term girlfriend; frustrated Nicola believes his only escape is leaving the country. The story is set in one single day, in which he goes to an old friend from whom he buys a fake European Union passport. Throughout this day Nicola encounters several unpleasant situations that give us the impression he's about to explode any moment.
Balkan Line
Goran's mother-in-law
After the NATO bombing of Yugoslavia in 1999, the Yugoslav army pulls out of Kosovo region, leaving Serbian people at the mercy of the Albanian UCK terrorists. A small band of soldiers must take over the Slatina airport, and hold it until the Russian peacekeepers arrive.
Loveless Zoritsa
Zoričina baba
The story takes place in modern-day eastern Serbia, still fertile ground for various forms of superstition and prejudice. Zorica is a village girl who carries a curse. Ever since her first boyriend mysteriously drowned in the river, men around her are dying in most bizarre ways. The plot thickens when stubborn policeman Maane who doesn't believe in 'village tales' tries to investigate whether Zorica is a serial killer or a girl looking for love.
Almost Totally Ordinary Story
A look at the romantic relationship of a young couple that is shook when his old flame shows up.
Spy In High Heels
Margita
A lady manager of newly formed record house places his administrator, disguised as a cleaning lady, in competing record house. She needs to get the records of some world-famous star, and to provide in that way banking credits for building of studio. After many troubles and comic situations, in which the alleged cleaning lady gets because of her good looks, the manager will finally spend a few years in prison.
Strawberries in the Throat
Biljka
A story about partly miserable lives of middle aged men and unfulfilled dreams of youth.
The Love Life of Budimir Trajković
Bosiljka
Trajković family are bridge builders. Being forced to move every once in a while, the bridges are everything but pleasant thing for 17 year old Budimir, who is unable to make any permanent love relationship. In their last attempt to settle down in capital, a boy will experience love in its full meaning.
I Miss Sonja Henie: The Making of a Film
Herself
Documentary focusing on the making of "I Miss Sonia Henie"
I Miss Sonia Henie
Devojka
One camera in one setting, one attic and eight young directors – the result is a unique Dadaistic collage of seven short sketches. The original task for each filmmaker was to keep each short under three minutes, to set it in one hotel room, and to include the sentence “I miss Sonja Henie." This experimental film was shot over a single night at the international film festival FEST in Beograd in 1971.
I Miss Sonia Henie
Writer
One camera in one setting, one attic and eight young directors – the result is a unique Dadaistic collage of seven short sketches. The original task for each filmmaker was to keep each short under three minutes, to set it in one hotel room, and to include the sentence “I miss Sonja Henie." This experimental film was shot over a single night at the international film festival FEST in Beograd in 1971.