Miloš Vlalukin

The film tells about the period of Prince Mihailo Obrenović's life shortly before and during the assassination.

Set five years on from the school days of director Stevan Filipovic's previous film Next to Me, a state of emergency exists and politicians are accused of capitalising on public anxiety around Covid-19, which makes the shocking situation that reunites the characters significantly more extreme. The story centres on Ksenija (newcomer Mina Nikolic), a driven young woman striving to move from tabloid hack to a career journalist in a world of click-bait headlines and showbiz scandals cooked up to feed the masses. Ksenija's personal and professional journey is hampered when Vera tests positive for Coronavirus and Ksenija must question how far she will bend to survive in a climate where political pressure is increasingly overt and can be said to capitalise on fear during the pandemic.

Six years after her husband, a prominent Belgrade lawyer, died in a fire, Anja Kolar receives information that makes her question everything she thought she knew about the accident and about her own family as well. At the same time the sudden death of his best friend's daughter draws police inspector Dejan Strbac into a whirlpool of crimes, starting with the mysterious disappearance of a young female lawyer, which took place six years earlier.

Semester and Quarter are two best friends with no money. Like most young they hope for quick and easy money which would change their life. As events turned out, they are given a life chance to reach their aim by entering the pyramidal system. Running after it, they go through a lot of strange situations along with bizarre and unusual people.

For 40 year old Nikola, everyday life is just about producing the worst, the most vulgar reality shows and hidden cameras for TV. His life begins to change when he starts to mentor young girl pushed to be star by her ambitious mother. In turn of the events, Nikola starts to wonder if it is he who is the target of some hidden camera show.

Usually it is us who choose the dog, but sometimes the dog chooses us. By choosing one dog, Aleksandra, Jovana and Marija come into conflict with a criminal gang led by Sergej, a ruthless dealer. Aleksandra's American ID and her fiancee's FBI pass lead the criminals to mistake this for an international operation, and since the local cops are corrupt, the three girls are left with no choice but to take matters in their own hands.

Moma is a hobo and suffers from depression. Ema is a hobo and had been treated for alcoholism. Moma lives in the abandoned factory premises. Ema lives in the shaft. Moma liked Ema at first sight. Ema liked Moma at second sight.

Belgrade, Yugoslavia, 1979; a mysterious "Phantom" occupies the attention and hearts of Belgrade. Every night, he exhibits spectacular driving maneuvers using a stolen white Porsche car through the city streets.

Love triangle story between the village gendarme Đorđe, his wife Katarina and the young disabled war veteran Gavrilo during the time between First Balkan War and World War I.

A story of a struggling filmmaker delving deep into Belgrade underworld in order to make a documentary about a young architect struggling in the corrupt and decaying world of contemporary Serbia.

Story of two sisters that grew up in a small Serbian village in the beginning of the 1930s. The village is torn up by wars and years long blood oath. There are no men left in the village. Our heroines, Ognjenka and Mala Boginja decide to go to the city, kidnap men and return life to their village. The lights of the metropolis dazzle them and there starts this little amusing and sentimental adventure.

After twelve years spent abroad, the main character returns to his native city, where he meets his old love, friends and parents again They spend four days together and after that nothing will be the same in their lives. TOMORROW MORNING is a love drama. It speaks of a deep passion, sensuality, tenderness, jealousy, possessiveness , infidelity -conflict between irrational and rational. But, above all, it speaks of a need to bring back time, to treasure the moment of happiness and togetherness, the time of great expectations, the moment that happens once and never returns. It speaks of self rediscovery.

Six young filmmakers from Central and East Europe developed shorts about the theme of "generation".