Elgin Lessley

Birth : 1883-01-10,

Death : 1944-02-08

History

Elgin Lessley (also credited as Lesly, Lessly, and Leslie) (June 10, 1883 - January 10, 1944) was an American hand-crank cameraman of the silent film era—a period of filmmaking when virtually all special effects work had to be produced inside the camera during filming. Though Lessley worked earlier with Roscoe "Fatty" Arbuckle, and later with Harry Langdon, he is best known for the groundbreaking effects he produced with Buster Keaton, who dubbed him "the human metronome" for his ability to crank consistently at any requested speed. Lessley's most striking effects were in The Playhouse (1921) and Sherlock Jr. (1924). In The Playhouse, through use of a specially shuttered lens and repeated back-cranking and re-cranking, Lessley allowed Keaton to appear as up to nine characters simultaneously, interacting with one another. In Sherlock Jr., Lessley's careful positioning of camera and actor in various locations produced the effect of a man stuck in a movie where his location keeps changing as he struggles to keep up. Lessley retired from filmmaking after shooting The Cameraman with Buster Keaton in 1928.

Movies

The Cameraman
Director of Photography
A photographer takes up newsreel shooting to impress a secretary.
The Chaser
Cinematography
A wife, tired of her husband's non-stop carousing, sues him for divorce. The judge, however, comes up with a novel solution--he makes the husband take his wife's place in the household--including dressing like her--for 30 days to see what it's like to be his wife.
Long Pants
Director of Photography
Harry Shelby has been kept in knee pants for years by his overprotective parents, but the day finally comes when Harry is given his first pair of long pants. Almost immediately, he is expected to marry his childhood sweetheart Priscilla... but instead, Harry's first heady whiff of manhood has got him panting after Bebe, a "fast" woman from the big city. Mistakenly thinking that Bebe fancies him too, Harry risks everything to help her out when she lands in jail, only to end up in hot water himself. Through it all, sweet Priscilla waits for her man to come to his senses.
The General
Union General Who Gives Command to Cross Bridge (uncredited)
During America’s Civil War, Union spies steal engineer Johnnie Gray's beloved locomotive, 'The General'—with Johnnie's lady love aboard an attached boxcar—and he single-handedly must do all in his power to both get The General back and to rescue Annabelle.
The Strong Man
Director of Photography
A meek Belgian soldier (Harry Langdon) fighting in World War I receives penpal letters and a photo from "Mary Brown", an American girl he has never met. He becomes infatuated with her by long distance. After the war, the young Belgian journeys to America as assistant to a theatrical "strong man", Zandow the Great (Arthur Thalasso). While in America, he searches for Mary Brown... and he finds her, just as word comes that Zandow is incapacitated and the little nebbish must go on stage in his place.
Tramp, Tramp, Tramp
Cinematography
A poor cobbler's son enters a $25,000 cross-country hiking contest sponsored by the footwear company that has nearly bankrupted his father. He also has fallen in love with the girl on the company's billboards, the competition's daughter, and her sweet inspiration keeps him tramping along.
Go West
Director of Photography
With little luck at keeping a job in the city a New Yorker tries work in the country and eventually finds his way leading a herd of cattle to the West Coast.
Seven Chances
Director of Photography
Struggling stockbroker Jimmie Shannon learns that, if he gets married by 7 p.m. on his 27th birthday -- which is today -- he'll inherit $7 million from an eccentric relative.
The Navigator
Director of Photography
The wealthy and impulsive Rollo Treadway decides to propose to his beautiful socialite neighbor, Betsy O'Brien. Although Betsy turns Rollo down, he still opts to go on the cruise that he intended as their honeymoon. When circumstances find both Rollo and Betsy on the wrong ship, they end up having adventures on the high seas.
Sherlock Jr.
Director of Photography
A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.
Our Hospitality
Director of Photography
A young man falls for a young woman on his trip home; unbeknownst to him, her family has vowed to kill every member of his.
Three Ages
Director of Photography
The rituals of courtship, romantic rivalry and love play out three times as a man vies with a villain for the girl. In the Stone Age, the rivalry is set off by dinosaurs, a turtle used as a ouija board, and a round of golf with stones. In ancient Rome, the men display their brawn through a chariot race, using dogs instead of horses. In contemporary times, the man finds himself overcome by modernity, including a very fragile car.
The Love Nest
Cinematography
In an attempt to forget his lost sweetheart, Buster takes a long trip at the sea when he's caught by pirates.
The Balloonatic
Cinematography
Buster and Phyllis endure a number of outdoor adventures trying to prove to each other their survival skills. The balloon which lands Buster in the wilderness proves useful later on as their canoe is about go over a waterfall.
Day Dreams
Cinematography
In order to impress the father of a girl he is keen on, Buster goes to the city in search of work. In his letters home he writes of his various jobs which her imagination expands into much nobler ones than those that he is actually attempting.
The Electric House
Cinematography
Botany major Buster mistakenly graduates in electrical engineering and is hired to wire a new home.
The Frozen North
Cinematography
This satirical parody of William S. Hart's melodramatic films finds Buster in the frozen north, "last stop on the subway." He uses a wanted poster as his partner in robbing a gambling house. When he thinks he spies his wife making love to another man he shoots them both only to learn it isn't his cabin after all.
The Blacksmith
Cinematography
Buster clowns around in a blacksmith's shop until he and the smithy get in a fight which sends the smithy to jail. Buster helps several customers with horses, then destroys a Rolls Royce while fixing the car parked next to it.
My Wife's Relations
Cinematography
Buster is falsely accused of breaking a window by a woman and is taken into a courtroom. Thinking that Buster and the woman are engaged, the judge mistakenly marries them and Buster is quickly taken home by the woman to meet her family. At first unwelcoming, the family begins to treat Buster nice when they come to believe that he is going to inherit a large sum of money.
Cops
Director of Photography
Buster Keaton gets involved in a series of misunderstandings involving a horse and cart. Eventually he infuriates every cop in the city when he accidentally interrupts a police parade.
The Goat
Director of Photography
A series of adventures begins when Buster is mistaken for Dead Shot Dan, the evil bad guy.
The High Sign
Director of Photography
Buster is thrown off a train near an amusement park. There he gets a job in a shooting gallery run by the Blinking Buzzards mob. Ordered to kill a businessman, he winds up protecting the man and his daughter by outfitting their home with trick devices.
Hard Luck
Director of Photography
A down on his luck young man makes several attempts at committing suicide but fails them too. He then finds himself becoming more confident through a series of petty adventures, to such an extent that this becomes his undoing.
The Haunted House
Director of Photography
Buster Keaton is a bank teller who becomes involved with a hold-up, counterfeiters, and a theatrical troupe posing as spooks in a haunted house.
Neighbors
Director of Photography
The Romeo and Juliet story played out in a tenement neighborhood with Buster and Virginia's families hating each other over the fence separating their buildings.
The Scarecrow
Director of Photography
Buster competes with another farmhand for the love of the farmer's daughter.
Convict 13
Cinematography
A young golfer is mugged by an escaped convict and finds himself in a prison where he foils a jailbreak.
One Week
Director of Photography
The story involves two newlyweds, Keaton and Seely, who receive a build-it-yourself house as a wedding gift. The house can be built, supposedly, in "one week." A rejected suitor secretly re-numbers packing crates. The movie recounts Keaton's struggle to assemble the house according to this new "arrangement."
The Garage
Director of Photography
Roscoe and Buster operate a combination garage and fire station. In the first half they destroy a car left for them to clean. In the second half they go off on a false alarm and return to find their own building on fire.
The Hayseed
Director of Photography
Buster manages the store while Roscoe delivers the mail, taking time out for hide-and-seek with Molly. The constable, also interested in Molly, steals $300 while being observed by Buster.
Back Stage
Cinematography
Roscoe and Buster give a bullying Strongman the what-for, but after the performance troupe quits it's up to Fatty and Buster to keep the show going.
The Bell Boy
Director of Photography
At the Elk's Head Hotel bellhops torment the lobby, each other and guests. The elevator is powered by a stubborn horse. A sham robbery turns into a real one. And there is a chase on a runaway trolley.
A Clever Dummy
Cinematography
An inventor and his assistant build a robot that looks like their janitor, and everyone tries to profit off the invention.