Jun Yasumoto

Movies

Yearning
Director of Photography
After a bombing raid destroys the family store and her husband, Reiko rebuilds and runs the shop out of love stopped short by destruction.
A Woman's Life
Director of Photography
A woman remember's her own marriage when dealing with the love life of her son.
A Wanderer's Notebook
Director of Photography
Considered one of the finest late Naruses and a model of film biography, A Wanderer’s Notebook features remarkable performances by Hideko Takamine – Phillip Lopate calls it “probably her greatest performance” – and Kinuyo Tanaka as mother and daughter living from hand to mouth in Twenties Tokyo. Based on the life and career of Fumiko Hayashi, the novelist whose work Naruse adapted to the screen several times, A Wanderer’s Notebook traces her bitter struggle for literary recognition in the first half of the twentieth century – her affairs with feckless men, the jobs she took to survive (peddler, waitress, bar maid), and her arduous, often humiliating attempts to get published in a male-dominated culture.
The Wiser Age
Director of Photography
Drama about the lives of the five daughters and daughter-in-law of a store owner.
The Other Woman
Director of Photography
In "The Other Woman" the children of a distinguished professor find that the woman they have come to regard as their racy and slightly disreputable Ginza aunt is really their mother.
The Approach of Autumn
Director of Photography
A single mother from the country raising a 6th grade boy comes to Tokyo, leaves the boy to live with his uncle's family, runs a struggling grocery store, and works a local inn. The boy befriends a girl, the daughter of the innkeeper...
The Lovelorn Geisha
Director of Photography
A woman and her daughter are in love with the same man, a chef at the restaurant that the mother manages. He is slightly crippled from frostbite in his years in Siberian labor camps and considers himself "already dead."
Daughters, Wives and a Mother
Director of Photography
Sanae is left a widow after her prestigious husband dies, but holds the proceeds of a million yen insurance policy. Being childless, her former in-laws have no objection to her return to her own family.
Hana no ren
Director of Photography
The Hotelman's Holiday
Director of Photography
A longtime hotel employee (Morishige) struggles to bring his old-fashioned ryokan in line with postwar Japanese business practices.
Snow Country
Director of Photography
It's a man's world. Shimamura, an artist, comes to this snowbound town to rejuvenate himself. He connects with Komako, a geisha he met on a previous trip, and it seems like love. She's the foster daughter of a local family, almost engaged to the family's son Yukio, now dying of consumption. He's tended by his sister Yuko who's angry at Komako for abandoning her brother. Shimamura returns to Tokyo but promises he will be back soon. In anticipation of his return, Komako breaks with her patron and her family loses their home. Complications arise when Shimamura doesn't come back as promised. Then Komako discovers that he and Yuko knew each other in Tokyo. Can Komako escape destiny?
Evening Calm
Director of Photography
A girl rebels against her mother, who runs a brothel in Yokohama, and attempts to find freedom on her own.
The Vampire Moth
Director of Photography
The story of a professional nude model stalked by a bizarre, unknown man wearing a hideous mask.
The Lone Journey
Director of Photography
Forced on the road by yakuza obligations, a man sets out on a reckless journey to Tsumagoi. Movie posters for local cinemas were often displayed at sento (public baths) too. The handwritten text on the bottom here announces the film will play at Hassen for 3 days.
Samurai II: Duel at Ichijoji Temple
Cinematography
After years on the road establishing his reputation as Japan's greatest fencer, Takezo returns to Kyoto. Otsu waits for him, yet he has come not for her but to challenge the leader of the region's finest school of fencing. To prove his valor and skill, he walks deliberately into ambushes set up by the school's followers. While Otsu waits, Akemi also seeks him, expressing her desires directly. Meanwhile, Takezo is observed by Sasaki Kojiro, a brilliant young fighter, confident he can dethrone Takezo. After leaving Kyoto in triumph, Takezo declares his love for Otsu, but in a way that dishonors her and shames him. Once again, he leaves alone.
Samurai I: Musashi Miyamoto
Cinematography
Struggling to elevate himself from his low caste in 17th century Japan, Miyamoto trains to become a mighty samurai warrior.
An Edoite Judge
Director of Photography
Period film about a feudal era judge living in Edo
The Woman Who Touched the Legs
Director of Photography
A screwball tale of a suspected “lady thief” and the detective who is on her trail, following her from Osaka to her home village, where she is going to hold a memorial service for her father. Of course, the detective falls in love with his prey.
Sanshiro of Ginza
Director of Photography
An early film by Kon Ichikawa
Mado Kara Tobidase
Cinematography
Forgotten Children
Cinematography
The Forgotten Children
The Devil of Edo
Director of Photography
Jidai-geki by Ryo Hagiwara
Omokage no machi
Director of Photography
A 1942 film.
Wedding Day
Director of Photography
Twenty-year-old Yoshiko (Setsuko Hara) and her younger sister Asako (Yōko Yaguchi) struggle to accept changes in their home during the preparations of their widowed father's wedding to his chosen bride, Maki Tsuneko (Sadako Sawamura), who's anxious about her conduct as the bride.
The Giant
Cinematography
Japanese adaptation of LES MISERABLES. The last film of director Itami took inspiration from Les Miserables. Transpiring during the Southwestern War of 1877 in Japan, which was the last civil war in the country, a criminal escapes prison only to be found by a monk. The criminal decides to turn a new leaf based on their conversation and goes on to become a town's mayor. He hears news of a mistaken arrest and identity. The revelation of truth is the start of a series of miseries.
Nangoku taiheiki
Director of Photography
Japanese film.
Kuriyama Daizen
Cinematography
Prewar jidaigeki starring Denjiro Okochi
Great Bodhisattva Pass 2
Director of Photography
The sequel to the 1935 film Great Bodhisattva Pass
Tange Sazen and the Pot Worth a Million Ryo
Director of Photography
A man gets rid of a cheap pot without knowing it contains a map to a treasure. As word spreads, many join in hunting it.
Kunisada Chūji
Director of Photography
Japanese historical film.