Writer
Akio Kanzaki’s job as head of human resources is wearing his nerves thinner and thinner. To make matters worse, he’s on the brink of divorce with his wife, and his relationship with his college-student daughter isn’t exactly smooth sailing. One day, he decides to drop in to Tokyo’s old-timey district to visit his mother Fukue. However, things seem a little off. His mother used to be always working with an apron on, but now she’s covered in stylish clothes, looking livelier than ever, and even in love! Akio becomes perplexed, feeling out of place in his own mother’s home, but after encountering kind, warm—and almost nosey—neighbors and a side of his mother he’d never seen before, Akio gradually starts to discover something he had lost sight of.
Screenplay
The story centers on a man who loves movies, having once worked at movie studio in pursuit of his dreams, surrounded by great directors and famous actors. In this tale of love and friendship spanning a lifetime, the "god of cinema" that Go has worshipped since he was young will transcend time, and work a miracle in the lives of one family.
Writer
The 50th film in Tora-san series, using the old footages and newly shot scenes to celebrate the 50th anniversary of the series. The adult Mitsuo, Tora-san’s nephew, who runs into Izumi, his first love, whom he had once promised to marry. The familiar faces of Kurumaya Cafe, which Tora-san’s family ran in Shibamata, also return. Catching up with old friends, it is always their dearest memories of Tora-san which everyone shares on such occasions…
Director
A Distant Cry from Spring (TV Movies)
Production Director
A Distant Cry from Spring (TV Movies)
Writer
Young-Ung was dumped by his girlfriend. While he is in Okinawa, Japan on a business trip, the company he works for goes bankrupt. Sakura is a single mother and works for a travel agency. She needs to learn Korean for her job. At a Korean language institute, Sakura meets Young-Ung and their romance begins.
Director
Young-Ung was dumped by his girlfriend. While he is in Okinawa, Japan on a business trip, the company he works for goes bankrupt. Sakura is a single mother and works for a travel agency. She needs to learn Korean for her job. At a Korean language institute, Sakura meets Young-Ung and their romance begins.
Writer
Atsushi and Ryoko are a married coupled. They decide they want to live around nature and move to Biei in Hokkaido, Japan. Atsushi isn't sure what to do with his free time, so Ryoko asks him build a stone wall around their house. Atsushi experiences tragedy, but later gets closer to his estranged daughter, Satoko. Atsushi continues building the stone wall.
Director
Atsushi and Ryoko are a married coupled. They decide they want to live around nature and move to Biei in Hokkaido, Japan. Atsushi isn't sure what to do with his free time, so Ryoko asks him build a stone wall around their house. Atsushi experiences tragedy, but later gets closer to his estranged daughter, Satoko. Atsushi continues building the stone wall.
Screenplay
In this love story set in the Edo period, 27-year-old Oharu is a genius in the kitchen. Oharu attracts the attention of the master chef of the Kaga Domain, who arranges for her to marry his son and heir, 24-year-old Yasunobu. But, Yasunobu is cold to his new wife, and he's more interested in swordplay than cookery.
Director
In this love story set in the Edo period, 27-year-old Oharu is a genius in the kitchen. Oharu attracts the attention of the master chef of the Kaga Domain, who arranges for her to marry his son and heir, 24-year-old Yasunobu. But, Yasunobu is cold to his new wife, and he's more interested in swordplay than cookery.
Screenplay
Director
Director
Hama-chan joins a company excursion to Oita with the rest of his department including his new junior Daisuke. Beautiful Namiko, the organizer of the trip is a contract employee and her elder brother is a fisherman. Hama-chan, as always sets out to sea for a bout of angling. He is a tad surprised when Namiko's brother consults him about Namiko's status as an unmarried contract worker...
Director
Hama-chan goes to Okayama to look for Su-san when he goes missing a few days after freezing up during his inaugural speech as the company chairman.
Director
Yumiko returns to work in Hama-chan's department. She had once left the company after getting married, but a dark shadow now seems to loom over her.
Director
Hama-chan meets a friendly US soldier on a trip to Nagasaki with Su-san. Su-san returns to Tokyo and is informed that Hama-chan has gone missing.
Director
Hama-chan takes a vacation to go fishing in Akita despite warnings from Su-san as his company faces a restructuring process.
Director
Hama-chan's supervisor is promoted after many frustrating years with his wayward, fishing-obsessed underling, and Hama-chan's new boss naively tries to retrain him. Later, Su-san and Hama-chan go on a business trip, where they meet a beautiful, warm-hearted truck driver.
Assistant Director
Seibei Iguchi leads a difficult life as a low ranking samurai at the turn of the nineteenth century. A widower with a meager income, Seibei struggles to take care of his two daughters and senile mother. New prospects seem to open up when the beautiful Tomoe, a childhood friend, comes back into he and his daughters' life, but as the Japanese feudal system unravels, Seibei is still bound by the code of honor of the samurai and by his own sense of social precedence. How can he find a way to do what is best for those he loves?
Adaptation
Based on the long running manga by Sadao Shouji.
Director
Based on the long running manga by Sadao Shouji.
Adaptation
Based on the long running manga of the same name by Sadao Shouji.
Director
Based on the long running manga of the same name by Sadao Shouji.
Adaptation
Based on the manga by Sadao Jouji which has been running in the magazine Shukan Gendai since 1969.
Director
Based on the manga by Sadao Jouji which has been running in the magazine Shukan Gendai since 1969.
Screenplay
Yuka came to work as an intern nurse at a hospital and she met Shunichi again. They were school friends, and she liked him. But, she found out that Shunichi had an osteosarcoma.
Director
Yuka came to work as an intern nurse at a hospital and she met Shunichi again. They were school friends, and she liked him. But, she found out that Shunichi had an osteosarcoma.
