Dany Wolf

Movies

Ma Rainey's Black Bottom
Producer
Tensions rise when the trailblazing Mother of the Blues and her band gather at a Chicago recording studio in 1927. Adapted from August Wilson's play.
Transformers: Age of Extinction
Co-Producer
As humanity picks up the pieces, following the conclusion of "Transformers: Dark of the Moon," Autobots and Decepticons have all but vanished from the face of the planet. However, a group of powerful, ingenious businessman and scientists attempt to learn from past Transformer incursions and push the boundaries of technology beyond what they can control - all while an ancient, powerful Transformer menace sets Earth in his cross-hairs.
Teen spirit: Les ados à Hollywood
Himself
Teen movies have had a great impact on the movie industry - especially in the 80s. This documentary takes a closer look at the genre's origins and the impact it has made up till today.
The Nanny Diaries
Unit Production Manager
A college graduate goes to work as a nanny for a rich New York family. Ensconced in their home, she has to juggle their dysfunction, a new romance, and the spoiled brat in her charge.
The Nanny Diaries
Yoga Teacher (uncredited)
A college graduate goes to work as a nanny for a rich New York family. Ensconced in their home, she has to juggle their dysfunction, a new romance, and the spoiled brat in her charge.
The Nanny Diaries
Producer
A college graduate goes to work as a nanny for a rich New York family. Ensconced in their home, she has to juggle their dysfunction, a new romance, and the spoiled brat in her charge.
Junebug
Executive Producer
On the way to meet with an independent artist in the South, newlywed art dealer Madeleine is convinced by her husband, George, that they should stop to meet his family in North Carolina. Madeleine's affluent lifestyle clashes with the family, but she befriends George's wide-eyed and pregnant sister-in-law, Ashley, who is nearing her due date. Through the family, Madeleine gains greater insight into George's character.
Last Days
Producer
The life and struggles of a notorious rock musician seeping into a pit of loneliness whose everyday life involves friends and family seeking financial aid and favors, inspired by rock music legend Kurt Cobain and his final hours.
The Making of Last Days
Himself
Behind-the-scenes documentary of Gus Van Sant's "Last Days."
Elephant
Unit Production Manager
Several ordinary high school students go through their daily routine as two others prepare for something more malevolent.
Elephant
Producer
Several ordinary high school students go through their daily routine as two others prepare for something more malevolent.
Gerry
First Assistant Director
Two friends named Gerry become lost in the desert after taking a wrong turn. Their attempts to find their way home only lead them into further trouble.
Gerry
Producer
Two friends named Gerry become lost in the desert after taking a wrong turn. Their attempts to find their way home only lead them into further trouble.
Finding Forrester
Executive Producer
Gus Van Sant tells the story of a young African American man named Jamal who confronts his talents while living on the streets of the Bronx. He accidentally runs into an old writer named Forrester who discovers his passion for writing. With help from his new mentor Jamal receives a scholarship to a private school.
Psycho
Unit Production Manager
A young female embezzler arrives at the Bates Motel, which has terrible secrets of its own. Although this version is in color, features a different cast, and is set in 1998, it is closer to a shot-for-shot remake than most remakes, Gus Van Sant often copying Hitchcock's camera movements and editing, and Joseph Stefano's script is mostly carried over. Bernard Herrmann's musical score is reused as well, though with a new arrangement by Danny Elfman and recorded in stereo.
Psycho
Executive Producer
A young female embezzler arrives at the Bates Motel, which has terrible secrets of its own. Although this version is in color, features a different cast, and is set in 1998, it is closer to a shot-for-shot remake than most remakes, Gus Van Sant often copying Hitchcock's camera movements and editing, and Joseph Stefano's script is mostly carried over. Bernard Herrmann's musical score is reused as well, though with a new arrangement by Danny Elfman and recorded in stereo.