Julie Ann Doan

It's 1959 and five high school seniors learn that they will not graduate without completing one final project. On their way to a secluded farm in swampy South Louisiana, car trouble results in their discovery of an old, mysterious church where they get trapped and forced to face their biggest fears. In this 1950's psychological thriller, "1959" brings back elements of Hitchcock style filmmaking with modern day drama and thrills.

Chris and his girlfriend Rose go upstate to visit her parents for the weekend. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.

The "black sheep" son of a wealthy family meets a young psychiatric patient who's been raised in isolation her entire life. He takes the naive young woman home for his brother's wedding an improbable romance blooms, as she impresses everyone with her genuine, simple charms.

Madea dispenses her unique form of holiday spirit on rural town when she's coaxed into helping a friend pay her daughter a surprise visit in the country for Christmas.

The documentary tells the hitherto unknown story behind an extraordinary and desperate fight to bring the truth to light. Told and made by those who lived it, the filmmakers' unprecedented access to the inner workings of the defense, allows the film to show the investigation, research and appeals process in a way that has never been seen before; revealing shocking and disturbing new information about a case that still haunts the Unitedstatian South.

Samantha Crawford is living a storybook life: she’s happily married, she lives on a ranch where she keeps her beloved horse, and the stories she’s told and illustrated since childhood have become published books. When her husband Billy is killed in a senseless act of violence, Sam loses her faith and her will to live. But a death-defying encounter with two children leads to a reunion with Joe, her oldest friend. As Sam watches “Papa” Joe care for and love the kids in his under-resourced neighborhood, she begins to realize that no matter life’s circumstances, the love of God is always reaching out to us.

When a dying theater’s last hope for business suddenly goes from a murder mystery show to an actual murder mystery, the cast must play it off in order to save their jobs!

Aibileen Clark is a middle-aged African-American maid who has spent her life raising white children and has recently lost her only son; Minny Jackson is an African-American maid who has often offended her employers despite her family's struggles with money and her desperate need for jobs; and Eugenia "Skeeter" Phelan is a young white woman who has recently moved back home after graduating college to find out her childhood maid has mysteriously disappeared. These three stories intertwine to explain how life in Jackson, Mississippi revolves around "the help"; yet they are always kept at a certain distance because of racial lines.