Ross Dimsey

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.

A convent teacher spreads a little happiness and makes enough money to support her crippled brother's habit by selling her favours regularly on a cross-country night sleeper. She makes sure she is in control of each encounter until one client reaches her more than she expects.

A mild-mannered English conscientious objector moves to what he feels will be the relative calm of Australia after World War I, but gets caught in the middle of violent battles between the rising trade unions and fascist groups.

Far North Queensland, 1955. Deep in the untamed frontier tough rancher Lance Dillon and his sensual, but bored wife, battle inhospitable nature to eke out a living from their cattle herd. When the aborigines kill the Dillon's prize bull a chase begins that will culminate in bloody tragedy with Lance pitted against Mandaru - an aborigine struggling to maintain his cultural way of life

In the beginning the Devil made a bet with God. The Devil backed Eve, God backed Adam. What would have happened to love and sex if Adam hadn't taken the bite?

A glossy thriller about a show-business tycoon with a shady background, and a young documentary filmmaker and his girlfriend who are making a film about him. They believe the tycoon has been making "snuff" films, and try to get a confession on film. He invites them to his luxury penthouse for a weekend of partying and filming, and indulges in mind games until the party ends in disaster.

A glossy thriller about a show-business tycoon with a shady background, and a young documentary filmmaker and his girlfriend who are making a film about him. They believe the tycoon has been making "snuff" films, and try to get a confession on film. He invites them to his luxury penthouse for a weekend of partying and filming, and indulges in mind games until the party ends in disaster.

Libbie is assigned to her paper's sexual advice column, "Dear Collete". She is taking over the job of Harry a crusty old journalist who shows her the pro's and cons of the job while running on a tight deadline to get the column finished for the morning's paper. During the course of the evening they reply to a wide variety of sexual experiences submitted by the readers, some these include, sex in a threesome at a drive-in theatre, sex in a gymnasium, and sex in a library where the "Silence Please" sign gives the male librarian an advantage over the female readers.

Jenny Grey a horse loving country girl leaves her widowed father to move to the city after her father's frustrations towards Jenny and her desires to ride horses, after her mother had died from a horse-riding accident. Jenny finds work at a country race track and becomes obsessed with a troublesome horse called "Blue Fire Lady". "Blue Fire Lady" shows promise in Jenny's hands, but around everyone else misbehaves and shows no discipline. When "Blue Fire Lady" is put up for auction it is up to Jenny to either buy her or prove her.

Jurgen Noetafreud is a professor of the psyche of human sexuality, who introduces 10 short segments from his case studies of the most common female sexual fantasies.

Alvin Purple, a man who can't hold down a job because of his voracious sexual appetite, impersonates a dead American Gangster.

A recording of the Australian Performing Group's performance of their first professional production season of Jack Hibberd's play "Dimboola" staged at the Pram Factory in Carlton, Melbourne, Victoria, Australia.