The film presents the political events surrounding the Anschluss in March of 1938 through the lives of Carola Hell, a popular young actress at the prestigious Theater in der Josefstadt, and Martin Hofmann, the Jewish journalist she plans to marry. When we encounter the couple in the lovely springtime weather their future is full of promise. They are determined to stay clear of politics. Yet in the climate of the time, nobody of her prominence or his religion can remain apolitical. Although Martin's journalist friend, Drechsler, calls to inform them that the Nazis plan to take over Austria soon, they concentrate on their work and their private happiness and dismiss the warnings.
Kurt Gerber is attending his final class and gets into trouble with the math professor, a frustrated self-assured petty bourgeois sadist. The duel ends in catastrophe.
"Wunderbar" takes on a new meaning in this routine satire by Bernhard Wicki about a bar that is miraculously transported by God Himself to a nearby, new location on an island. The nature of the miracle is a bit strange, but it comes in answer to Pater Malachias' prayers to get the sin-ridden place out of the center of the city. The good and naive Malachias is subtly played by Horst Bollimann. Once this miracle of relocation has occurred, the sharks and entrepreneurs, who would bilk both the faithful and the curiosity-seekers alike, crop up like an unwanted epidemic. The mercenary and the sacred clash, as many try to find deeper meaning in what has happened, and Pater Malachias starts to doubt the wisdom of his original prayer.
