Andor Lukáts

Márta, a 40-year-old neurosurgeon, falls in love. She leaves her shining American career behind and returns to Budapest to start a new life with the man she loves. But she waits for him at the Liberty Bridge in vain - he does not appear at their rendezvous. Márta starts to search for him desperately, but when she finally finds him, the love of her life claims that they have never met before.

A man who lost his wife and daughter in the Holocaust and a girl who lost her parents meet. Knowing each other′s emptiness, they become like father and daughter. It is the beginning of a sad love that the world cannot accept.

Dorottya is a young Hungarian actress with a burning desire: to make it on the English stage. Legendary actor, Sir Michael Gifford suffers from an incurable disease, and has one desire: be left alone. When Dorottya becomes his carer they both hope their wish will be fulfilled.

An elderly lifeguard gets his medical diagnosis: He has to abstain from all sporting activity. This would not be a problem if he did not happen to be an enthusiastic swimming coach and ex-Olympic champion, who is racing with his younger self night after night; still not able to make peace with himself.

Housewife Katalin Munk (Johanna ter Steege) has her world torn apart when her lecturer husband János (Andor Lukáts) arrives home to tell her that he’s leaving her for a younger student of his. Katalin falls into a state of shock and wanders about the streets of Budapest in just her dressing gown carrying a pair of scissors. After a series of misadventures, Katalin eventually ends up in Turkey, where suddenly Katalin is awakened and decides to start a new life after meeting local man Hilal (Yavuz Bingol). Meanwhile her son Zoli (Norbert Varga) tries to hunt Katalin down.

1997. Young car mechanic Iván lives in a godforsaken village in eastern Hungary. He looks after his mentally disabled sister Eszter and earns extra money smuggling diesel oil from Ukraine. The siblings' coexistence is disrupted by a tragic event, Eszter is raped. A police investigation gets under way; in the meantime, Iván starts up a relationship with young Ilus, who has just finished school and is planning on going to the university. Iván plainly wants to leave his old life behind him, but will he be able to fulfill this ambition? - Written by Warsaw Film Festival

In the tradition of "My Sweet Little Village" and "Waking Ned Devine" FLUKE is a satire about a small village full of colorful characters, whose lives radically change due to a miracle. Or a simple crime.

NOSEDIVE depicts a world of unlimited drugs, wild parties, beautiful people, and no sleep. However, when reality takes a dark turn, a group of characters are forced to step out of the nightclub and into darkness.

After her husband's death, Hanna Szendroy, the former primadonna, portrayed by Maya Komorowska is caught in the claws of the real estate mafia. She looses her lavish home and ends up homeless at the Keleti train station. When she returns to her house, now full of homeless people moved in by the real estate mafia, an unexpected relationship brings hope into her life again.

Having suffered as a boy under a brutal Communist-era coach, champion Hungarian gymnast Miklos moves to Canada years later in search of a new start - only to find himself unwittingly perpetuating the very same cycle of abuse among his own pupils.

The film takes place in a present-day small Hungarian village in the middle of nowhere. Strangers hardly ever come to this place, everything outside of it seems to be in another world for the inhabitants. But one day everything changes, when a stranger from Budapest enters the pub. He is on his way to a vacation in Portugal and wants to spend some days in this village. He soon starts a love affair with the pub owner's daughter. The ex-policeman of the village doesn't like this at all...

The film takes place in a present-day small Hungarian village in the middle of nowhere. Strangers hardly ever come to this place, everything outside of it seems to be in another world for the inhabitants. But one day everything changes, when a stranger from Budapest enters the pub. He is on his way to a vacation in Portugal and wants to spend some days in this village. He soon starts a love affair with the pub owner's daughter. The ex-policeman of the village doesn't like this at all...

A pirate radio, the girl next door, and a test of friendship.

Anna, the divorced pretty young woman works as a taxi driver to support her daughter. One day he meets Andrej, the Ukrainian ballet dancer who wants to get to Paris through Hungary and make a career, but currently he works as an unskilled worker at a fuel station. Anna becomes fond of Andrej and houses him.

A battle-scarred, has-been Hungarian cop, tormented by his memories of nearly killing an innocent woman in his custody, enters into a Faustian pact in which he trades his soul for a handful of "magic" bullets that always hit the mark. A mysterious and mythical story.

This story has a horse-race fan main character who sells clothes-hangers On one trip, a young, teenager boy relative goes with him. They have a lot of adventures as they become friends. Girls, dance and horse-racing are the themes while they sell the clothes-hangers this summer...

The story of a love-triangle is recounted through Anitas memories and jagged monologue. Anita is tremendously naive and in love, Laci is a petty small-town gangster with great powers of persuasion and the secret lover of Szilvi. The three of them leave for Vienna, where Laci sells off the two girls to a peep-show for some small money.

The film is a modernised version of the Chekhov drama, put in Budapest, Hungary, in a Soviet barracks between 1987 and 1991.

Swedish account of Raoul Wallenberg, the man responsible for the largest rescue of Jews during World War II.

In the 19th century Austro-Hungarian Empire, David Hersko, a Jewish shepherd, witnesses the attack of a young girl. His home is burned down and he finds shelter with the family of a Jewish logger. The loggers find the body of a young woman which they bury, going against local laws. They are charged with her murder and it is believed that they killed her as a ritual murder.

Frigyes, shortly after immigrating to New York City from Hungary, leaves his family for the pleasures and gratifications of being a street bum. But as time goes by, the appeal of this lifestyle wanes. A series of adventures with other drifters reaches a dramatic conclusion when some thugs murder one of them. This startling event forces Frigyes to come to terms with his current situation and decide whether to return to the family he abandoned.

Blind luck ties the fate of two people together.

The Annunciation (in Hungarian: Angyali üdvözlet) is a Hungarian film directed by András Jeles in 1984, based on The Tragedy of Man (1861) by Imre Madách. When Adam (Péter Bocsor) and Eve (Júlia Mérő), having succumbed to Lucifer's temptation, are cast out of the Garden of Eden, Adam holds Lucifer (Eszter Gyalog) to his promise, reminding him that "You said I would know everything!". So Lucifer grants Adam a dream of the world to come. And what a bizarre dream: Adam becomes Miltiades in Athens; a knight called Tancred in Byzantium; Kepler in Prague; Danton in revolutionary Paris; and a nameless suitor in Victorian London. Guided by a deceptively sweet but ultimately contemptuous Lucifer, Adam confronts an endless procession of the horror of the human story... rapists and concubines, betrayal and savagery, mindless cruelty and fanaticism.

Three generations live side by side. The wilful, jack-in-all-pots grandmother blackmails the family with fake faintings, while grandpa suffers from cerebral sclerosis. Mother manages a fashionable hotel, she needs to look smart and unyielding, even when their weird uncle drives into the restaurant drunk. Father is an introverted, solitary teacher, who from time to time turns the home inside out in pursuit of his hobby, i.e. topography, and his mental balance. Suddenly unexpected things come to light about their teen-age daughter, Juli.

The film is about a piano player who falls in love with Mari, a beautiful blond woman, who happens to be the wife of a deaf-mute animal caretaker. Both men adore Mari, as she loves both of them. Albeit all of them know this way won't stand.

The film is a series of sketches in the genre of the happening, describing the state of mind of grass-roots intellectuals during the early 80s. In situation games, six people portray their environ-ment purely by the tools of the pantomime, in a visual, meta-communicative way. The absurdity of the world is shown in a fullness typical for the childhood world of the protagonist, a young teenage girl. This absurdity is just as much present in faceless bureaucracy, social deviation, atomisation, wars and the scenes of diplomacy fighting a perfect Babel, as it is there in the soon to disappear spheres of intimacy, i.e. scenes of love, family and leisure, interwind in each other. The scene of the leaf swarming with Pronuma clusters also proves the same.

A man becomes acquainted with the mystery of female hands during a trip.

Film by Judit Elek.

He starts going, carrying a dinner-can. His eyes are suddenly arrested by the breasts of the girl on the bicycle, riding towards him. Prompted by the strange movements of the girl as well as by seeing another girl in a wheel-chair, his imagination starts working. In his dream, as he follows a young woman dressed in white, he comes to a tunnel. On its wall, which is full of candles, he reads the sign, "Memories Prohibited". Yet he is still able to enter the Tunnel of Memories.

He starts going, carrying a dinner-can. His eyes are suddenly arrested by the breasts of the girl on the bicycle, riding towards him. Prompted by the strange movements of the girl as well as by seeing another girl in a wheel-chair, his imagination starts working. In his dream, as he follows a young woman dressed in white, he comes to a tunnel. On its wall, which is full of candles, he reads the sign, "Memories Prohibited". Yet he is still able to enter the Tunnel of Memories.

This grotesque, micro-realistic film is set in a small village at the end of the seventies. A TV-staff comes to the Petőfi Memorial House. They want to record the comic opera, The Postman of Longjumeau, by Charles Adam, a 19th century French composer.

The royal summary court sentences Sallai Imre and Fürst Sándor to death on charges of attempting to uproot the state and the social order. The film, the story of which takes place in 1932, enlarges the moment of delivering the death-sentence. Sallai, preparing for his death, envisions the people and the events that have been decisive for his life.