J-P Passi

The last part of Juho Kuosmanen's silent film trilogy.

A young Finnish woman escapes an enigmatic love affair in Moscow by boarding a train to the arctic port of Murmansk. Forced to share the long ride and a tiny sleeping car with a larger than life Russian miner, the unexpected encounter leads the occupants of Compartment No. 6 to face major truths about human connection.

A criminalist explores the background of a business in which the authorities, with the help of an influential corporation want to evict and demolish part of the city and build a new complex there. The film is about the will and power of the individual; the fight against institutions, the individual's engagement, and the decisions made behind the scenes.

Pekka Malmikunnas is a bankrupt, penniless man, who has convinced his family that he is still the CEO of a large IT company. Maintaining this façade in order to save face has become something of a full-time job for him. When Pekka’s parents unexpectedly come for a visit, he throws a lavish family dinner party in order to dispel any doubts. The soirée is a success until Pekka’s god-daughter gets run over by a car. The reckless driver becomes a mutual enemy for the family. The driver tries to atone for his actions, but the situation spirals out of control and Pekka attacks the man. Pekka realizes things have gone too far and decides to tell his family the truth. It does not hurt as much as Pekka thought, bringing the pieces of a once broken family back together.

In December 2016 a remarkable chapter in music history was closed as the Finnish punk rock band Pertti Kurikan Nimipäivät (PKN) retired. Punk Voyage is a feature length documentary film about the last years of the band, with all the ups and downs included. After becoming celebrities in Finland, this incredible quartet continued to conquer new fans around the World. In its seven years run PKN played nearly 300 gigs in 16 countries. In 2015 the band was selected to represent Finland in the Eurovision Song Contest, where they played to over 100 million television spectators. However, the busy traveling and success created a lot of pressure within the band: Kari struggled with the temptations and responsibilities brought by publicity; Sami extended his territory to politics and religion; Toni's and the band's roadie Niila's crush to the the same girl caused conflicts; and Pertti, tired of this all, decided to retire.

In December 2016 a remarkable chapter in music history was closed as the Finnish punk rock band Pertti Kurikan Nimipäivät (PKN) retired. Punk Voyage is a feature length documentary film about the last years of the band, with all the ups and downs included. After becoming celebrities in Finland, this incredible quartet continued to conquer new fans around the World. In its seven years run PKN played nearly 300 gigs in 16 countries. In 2015 the band was selected to represent Finland in the Eurovision Song Contest, where they played to over 100 million television spectators. However, the busy traveling and success created a lot of pressure within the band: Kari struggled with the temptations and responsibilities brought by publicity; Sami extended his territory to politics and religion; Toni's and the band's roadie Niila's crush to the the same girl caused conflicts; and Pertti, tired of this all, decided to retire.

In December 2016 a remarkable chapter in music history was closed as the Finnish punk rock band Pertti Kurikan Nimipäivät (PKN) retired. Punk Voyage is a feature length documentary film about the last years of the band, with all the ups and downs included. After becoming celebrities in Finland, this incredible quartet continued to conquer new fans around the World. In its seven years run PKN played nearly 300 gigs in 16 countries. In 2015 the band was selected to represent Finland in the Eurovision Song Contest, where they played to over 100 million television spectators. However, the busy traveling and success created a lot of pressure within the band: Kari struggled with the temptations and responsibilities brought by publicity; Sami extended his territory to politics and religion; Toni's and the band's roadie Niila's crush to the the same girl caused conflicts; and Pertti, tired of this all, decided to retire.

Juho Kuosmanen's new version of the first Finnish film ever made.

Summer 1962 and Olli Mäki has a shot at the world championship title in featherweight boxing. From the Finnish countryside to the bright lights of Helsinki, everything has been prepared for his fame and fortune. All Olli has to do is lose weight and concentrate. But there is a problem – he has fallen in love with Raija.

Anna takes part in a talent competition. With the support of her brother Aaro, she wishes to create something new.

Song is a story of the last Finnish rune singer and his pupil, and the comforting power of singing.

Every day in Finland alone, two people commit suicide. Thousands of people are affected by suicide yearly. Once I Dreamt of Life is a feature length documentary film about suicide. It’s an account about one’s personal relation to suicide, but also studies suicide as social phenomena: The motives, warning signs & consequences. The film follows the journey of a young man, an animated character based on a real person, on his path towards suicide. The journey is described by people who’ve had encounters with suicide – parents who lost their child, young adults who considered or even tried committing suicide. When linked together, these experiences offer a collage of our perception of suicide. They tell about how people cope with the past and find a reason to go on with their lives. The intention is not to romanticize suicide or judge. It encourages people to talk about painful and difficult experiences and reminds us how important it is to be heard.

The leisurely environment of an almost lethargic horsetrack provides a superb setting to Jarkko T. Laine and J-P Passi's Ajomie. The filmmakers have bravely left their story - centring on a trackmaster (Matti Laine) caught between two women - clean of any superfluous modern frills. At home plans are being made for a shared future, while at the track's maintenance pit passions flare, and in no time the fumbling trackmaster finds himself at the centre of a slowly developing chaos. On top of everything he is plagued by that most Finnish of maladies: indecision.

The leisurely environment of an almost lethargic horsetrack provides a superb setting to Jarkko T. Laine and J-P Passi's Ajomie. The filmmakers have bravely left their story - centring on a trackmaster (Matti Laine) caught between two women - clean of any superfluous modern frills. At home plans are being made for a shared future, while at the track's maintenance pit passions flare, and in no time the fumbling trackmaster finds himself at the centre of a slowly developing chaos. On top of everything he is plagued by that most Finnish of maladies: indecision.

The leisurely environment of an almost lethargic horsetrack provides a superb setting to Jarkko T. Laine and J-P Passi's Ajomie. The filmmakers have bravely left their story - centring on a trackmaster (Matti Laine) caught between two women - clean of any superfluous modern frills. At home plans are being made for a shared future, while at the track's maintenance pit passions flare, and in no time the fumbling trackmaster finds himself at the centre of a slowly developing chaos. On top of everything he is plagued by that most Finnish of maladies: indecision.

Vaarala, a reserved romantic photographer, has an odd artistic vision of loneliness: he takes serial photos of an empty park bench in remote spaces of nature. When he meets and falls in love with the spirited, unruly Ansa, his ‘bench’ is suddenly filled. But in order to be with her he has to not only overcome his own frailties, but also the impending danger of Ansa’s volatile ex-con ex, and then Ansa herself, a woman prone to impulsiveness and impetuousness.

A silent film about a sorrowful man who's searching for a buyer for his goods and acceptance for his existence.

The Punk Syndrome is a film about Finland’s most kick-ass punk rock band, Pertti Kurikan Nimipäivät. The band members, Pertti, Kari, Toni and Sami, are mentally handicapped and they play their music with a lot of attitude and pride. We follow these professional musicians on their journey from obscurity to popularity. We watch them fight, fall in love and experience strong emotions. We witness long days in the recording studio and on tour. They laugh, cry, drink and fight over who gets to sit in the front on the tour bus. Then it’s time to make up and go talk to people in the audience and tell them how great their band is.

The Punk Syndrome is a film about Finland’s most kick-ass punk rock band, Pertti Kurikan Nimipäivät. The band members, Pertti, Kari, Toni and Sami, are mentally handicapped and they play their music with a lot of attitude and pride. We follow these professional musicians on their journey from obscurity to popularity. We watch them fight, fall in love and experience strong emotions. We witness long days in the recording studio and on tour. They laugh, cry, drink and fight over who gets to sit in the front on the tour bus. Then it’s time to make up and go talk to people in the audience and tell them how great their band is.

It's almost Christmas but these three people are still on the road. The products don't sell, the car is a wreck and the weather is freezing. Moreover there is a problem: how to cope with an emerging friendship?

It's almost Christmas but these three people are still on the road. The products don't sell, the car is a wreck and the weather is freezing. Moreover there is a problem: how to cope with an emerging friendship?

It's almost Christmas but these three people are still on the road. The products don't sell, the car is a wreck and the weather is freezing. Moreover there is a problem: how to cope with an emerging friendship?

The Living Room of the Nation is a documentary film that portrays a number of Finnish living rooms. The film is a story of changes, the inevitable passing of time, and the human desire to be needed, visible.

Bad luck forces two men to resort to Plan B.

The fate of a culture lies on the shoulders of few determined individuals.

A young teacher Tanya is taking a school theater group to a festival in Sochi. For the sake of order, the head teacher of the same school, Maria Genrikhovna, is traveling with them. Tanya is not enthusiastic about the boss's eye, but Maria Genrikhovna quickly breaks all stereotypes about head teachers. In her face, Tanya finally finds herself a worthy adult - either a role model, or a mother, or a mentor. Meanwhile, the festival insistently demands a return to reality - the organizers demand to change the name of the performance, the poster, and, preferably, the worldview. Choose the path of compromise for the sake of children or take a principled position? In any case, Tanya and Maria Genrikhovna will have to answer to twelve teenagers who are experiencing their first dramas at the festival.