Tatsuyuki Yokota

When a young woman is named as the prime suspect in a murder, her girlfriend and her girlfriend's boyfriend set out to prove her innocence. Their investigation leads them to an isolated, creepy house in the middle of nowhere, where sinister goings-on abound.

This film begins with a teacher describing to his students how brave the crew was which died as result of Japan's first submarine accident. The film then follows two of the pupils, one becomes a submarine captain and the other designs submarines.

A group of Japanese soldiers land in Chinese territory. They advance on a village ; one soldier, Norimoto, is killed in the attack, but the village is captured. Norimoto’s body is recovered and buried. Over the next two days, the soldiers advance inland. Two more soldiers, Naito and Takahashi, are injured. They remain behind to recover, but vow to catch up. Their comrades march on...

A 1937 Japanese language film directed by Tomu Uchida, starring Ryo Akaboshi, Mitsuru Date and Hisao Furutani.

Directed by Kenji Mizoguchi. Released in 2 parts. His only release of 1931

Tōjin Okichi is a 1930 film by Kenji Mizoguchi based on the novel by Gisaburo Juichiya. Only 4 minutes have survived. The fragment has been published on DVD coupled with The Downfall of Osen (1935) by Digital MEME in 2007.

While returning by boat to Japan, Yoshie Fujiwara meets a rich woman who suggests him to become a singer thanks to an impresario friend of hers.

Directed by Kenji Mizoguchi.

A classic melodramatic love tragedy addressing social inequality in feudal Japan, depicted in Kenji Mizoguchi's typical style. The nostalgic scenes of 1920s Tokyo provides a valuable visual experience set against the background of the title song, "Tokyo March." (Sadly, only 24 minutes of the film now survive.)

This film is about the curse of a jealous woman destroying the lovers on the run.

Mizoguchi’s 30th film is the earliest surviving example of his work, and his only film of the 1920s to survive complete. Song of Home finds the director already concerning himself with the collision of traditional and modern values. The film is structured around the contrast of two country-bred boys: a coach driver who has never left his home, and a student who returns from Tokyo with city-slicker affectations and Western jazz records. Produced by the Ministry of Education, the film has a simplistic lesson-plan at its heart, but what lingers in the mind after viewing are its more ineffable qualities: The dulcet, lyric, evocation of a disappeared rural past.

Directed by Minoru Murata.

Directed by Kensaku Suzuki.

Directed by Kensaku Suzuki.

Directed by Kensaku Suzuki.