Adonis Kyrou

Movies

Le moine
Writer
Ambrosio (Franco Nero) is a monk who is sexually tempted by an emissary of the Devil, a young girl in monk's robes. After he has committed numerous crimes, it appears that he will be caught and punished by the Inquisition. Instead, he signs up on the Devil's team and wins his freedom.. and eventually, the papacy.
Le moine
Director
Ambrosio (Franco Nero) is a monk who is sexually tempted by an emissary of the Devil, a young girl in monk's robes. After he has committed numerous crimes, it appears that he will be caught and punished by the Inquisition. Instead, he signs up on the Devil's team and wins his freedom.. and eventually, the papacy.
Barbara and Her Furs
Director
Short film for the french TV program "Dim Dam Dom". A love letter to Barbara Steele and Sacher-Masoch's Venus in Furs.
The Roundup
Writer
One of filmmaker and expatriate writer Adonis Kyrou's best-known quotes translates roughly as "I urge you: Learn to look at 'bad' films, they are so often sublime." The same could be said of Kyrou's own directorial work in Greece before the advent of the 1967 dictatorship forced him to flee to Paris. This confused mess, the first cinematic attempt at portraying the Greek resistance in WWII, caused quite a stink upon release, as much for its surprising style (recalling that of Bertolt Brecht) as for its subject matter. Reaction to its screening as part of the 1966 Cannes Film Festival's International Critic's Week was heated and divisive, proving Kyrou's later statement by rising above its own inherent silliness to achieve a sort of rarefied critical status. It's bad drama that nonetheless succeeds by dint of audacity more than quality (a comment which could apply equally to the work of many exploitation directors like Jean Rollin whom Kyrou later so lovingly profiled).
The Roundup
Director
One of filmmaker and expatriate writer Adonis Kyrou's best-known quotes translates roughly as "I urge you: Learn to look at 'bad' films, they are so often sublime." The same could be said of Kyrou's own directorial work in Greece before the advent of the 1967 dictatorship forced him to flee to Paris. This confused mess, the first cinematic attempt at portraying the Greek resistance in WWII, caused quite a stink upon release, as much for its surprising style (recalling that of Bertolt Brecht) as for its subject matter. Reaction to its screening as part of the 1966 Cannes Film Festival's International Critic's Week was heated and divisive, proving Kyrou's later statement by rising above its own inherent silliness to achieve a sort of rarefied critical status. It's bad drama that nonetheless succeeds by dint of audacity more than quality (a comment which could apply equally to the work of many exploitation directors like Jean Rollin whom Kyrou later so lovingly profiled).
Cinéastes de notre temps : Luis Buñuel
Self
An overview of Luis Buñuel's career. Includes an interview with the filmmaker.
Le Temps des assassins
Cinematography
Le Temps des assassins
Writer
Le Temps des assassins
Director
La chevelure
Adaptation
A man developes an obsession with a wig.
La chevelure
Director
A man developes an obsession with a wig.
Le palais idéal
Director
A short documentary film about the eponymous work of architecture by the postman Ferdinand Cheval. Text by Cheval, spoken by Gaston Modot. This is the first film about Cheval's creation.
La déroute
Writer
How to make the most of a defeat. How to make money from Napoleon's fiasco at Waterloo.
La déroute
Director
How to make the most of a defeat. How to make money from Napoleon's fiasco at Waterloo.