Park Jung-bum

A by-the-book police officer is assigned to secretly investigate a team leader who believes that the rules shouldn't stop an investigation. As the officer investigates further, his own attitudes begin to mirror the team leader's.

Aoki is a failing novelist, and Sol is a failing pop singer. Encountering each other in South Korea, speaking different languages, they and their families somehow end up in a truck heading off into the Korean countryside.

Atsuhisa Yamada is an ordinary man, with a wife and a 5-year-old daughter. He is close to his childhood friend Takeda. One day, Atsuhisa Yamada leaves his office during work hours and goes back home early. There, he witnesses his wife and an unknown man having sex, but Atsuhisa Yamada is unable to express his feelings like anger, frustration, and depression. His relationship with his wife and his friend Takeda becomes distorted.

Belonging to nowhere, Jung-cheol lives alone in a deep mountain like a non-existent being. One day, he hears a song that Ji-soo sings in a town square. Attracted by her voice, Jung-cheol follows behind her, and observes her everyday life, and learns how she has been.

Belonging to nowhere, Jung-cheol lives alone in a deep mountain like a non-existent being. One day, he hears a song that Ji-soo sings in a town square. Attracted by her voice, Jung-cheol follows behind her, and observes her everyday life, and learns how she has been.

Belonging to nowhere, Jung-cheol lives alone in a deep mountain like a non-existent being. One day, he hears a song that Ji-soo sings in a town square. Attracted by her voice, Jung-cheol follows behind her, and observes her everyday life, and learns how she has been.

Yeon-su, the police officer, is dispatched to an island and starts to witness strange situations. Yae-un, who lives in the island after she lost her parents when she was young, and the others´ behavior terrifies Yeon-su. Film director Park who constantly focused on stories related to human greed and collapse, deeply explores the guilt of human and the possibility of redemption again.

Yeon-su, the police officer, is dispatched to an island and starts to witness strange situations. Yae-un, who lives in the island after she lost her parents when she was young, and the others´ behavior terrifies Yeon-su. Film director Park who constantly focused on stories related to human greed and collapse, deeply explores the guilt of human and the possibility of redemption again.

They’re losers, but nice ones. Every day they sit at Yeri’s bar, smitten by the young Chinese-Korean woman. Yeri doesn’t have a preference. To her, they are equally sweet: Jongbin, a milk-drinking epileptic, Ikjune, a former petty criminal, and the introverted Jungbum, who fled from North Korea.

You earn as much as you work, and you live off that money. This simple proposition has always been a problem for Jung-cheol. At the soybean paste factory he went to work for in the bitter winter, he dreams of travelling to warm Philippines in spring - as long as he survives the winter making his portion of the soybean paste that he promised the boss. But the more he struggles to live, the worse it gets. And soon, the fermentation room turns musty with the black mold spreading from the thousands of ferment boiled soybean lumps.

You earn as much as you work, and you live off that money. This simple proposition has always been a problem for Jung-cheol. At the soybean paste factory he went to work for in the bitter winter, he dreams of travelling to warm Philippines in spring - as long as he survives the winter making his portion of the soybean paste that he promised the boss. But the more he struggles to live, the worse it gets. And soon, the fermentation room turns musty with the black mold spreading from the thousands of ferment boiled soybean lumps.

You earn as much as you work, and you live off that money. This simple proposition has always been a problem for Jung-cheol. At the soybean paste factory he went to work for in the bitter winter, he dreams of travelling to warm Philippines in spring - as long as he survives the winter making his portion of the soybean paste that he promised the boss. But the more he struggles to live, the worse it gets. And soon, the fermentation room turns musty with the black mold spreading from the thousands of ferment boiled soybean lumps.

In this omnibus film series produced by the National Human Rights Commission, Park Jungbum explores relating to the handicapped, Lee Sangcheol and Shin Aga turn their camera on the elderly and Min Youngkeun looks at conscientious objection to military service. In Dear Duhan, Duhan suffers from brain lesions. His friend has always felt bad for Duhan but nonetheless steals an iPad from him one day. Director Park explores the conflict and friendship between a so-called normal and a handicapped person. In Bong-gu on Delivery Shin and Lee tell the tale of an old man who helps a child find his way home, only to be accused of kidnapping. And Min talks about a Jehovah’s Witness who has just been drafted and must say goodbye to his mother in Ice River, a melodrama about a man who chooses to go to prison for his conscientious and religious objections to bearing arms. Having divorced her husband in order not to send her son to prison, his mother cannot accept her son’s choice.

In this omnibus film series produced by the National Human Rights Commission, Park Jungbum explores relating to the handicapped, Lee Sangcheol and Shin Aga turn their camera on the elderly and Min Youngkeun looks at conscientious objection to military service. In Dear Duhan, Duhan suffers from brain lesions. His friend has always felt bad for Duhan but nonetheless steals an iPad from him one day. Director Park explores the conflict and friendship between a so-called normal and a handicapped person. In Bong-gu on Delivery Shin and Lee tell the tale of an old man who helps a child find his way home, only to be accused of kidnapping. And Min talks about a Jehovah’s Witness who has just been drafted and must say goodbye to his mother in Ice River, a melodrama about a man who chooses to go to prison for his conscientious and religious objections to bearing arms. Having divorced her husband in order not to send her son to prison, his mother cannot accept her son’s choice.

After the film screening, five people hold a meeting. Director Jeong asserts that a film should move the heart. Actress Soo-yeon emphasizes on the message of the film, Film critic Tony just discusses about the current trend of Korean cinema. Tomiyama cannot fully express her thoughts because of the language barrier. And, the head of jury, Sung-ki can’t control the situation. Will this jury reach an agreement against all odds? A satire for those who make, watch, and criticize films is about to begin.

North Korean defector Seung-chul is a refugee living on the harsh edges of Seoul. Bewildered by exploitative employers and cynical urbanites, he’s no good for business. A powerful realism underscores this prize-winning feature debut about the struggle to survive in a strange new world.

North Korean defector Seung-chul is a refugee living on the harsh edges of Seoul. Bewildered by exploitative employers and cynical urbanites, he’s no good for business. A powerful realism underscores this prize-winning feature debut about the struggle to survive in a strange new world.

North Korean defector Seung-chul is a refugee living on the harsh edges of Seoul. Bewildered by exploitative employers and cynical urbanites, he’s no good for business. A powerful realism underscores this prize-winning feature debut about the struggle to survive in a strange new world.

Grandmother Mi Ja works part-time as a caretaker, and struggles to raise a teen grandson by herself. Despite her tough situation, she speaks softly, dresses fashionably, and approaches the world with child-like curiosity. Enrolling in a poetry class, she endeavors to capture life in verse form, but her simple dream of completing a poem is stalled by the early signs of Alzheimer's disease and the heavy financial and emotional burden of her grandson's shocking wrongdoing.